GO Project

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The Goals and Objectives Project was established in 1969 to implement the recommendations of the Tanglewood symposium. Paul R. Lehman led the project. A steering committee was appointed along with eight subcommittees, each of which was charged with the investigation of, and recommendations for, specific aspects of music education.

Music education is a field of study associated with the teaching and learning of music. It touches on all learning domains, including the psychomotor domain, the cognitive domain, and, in particular and significant ways, the affective domain, including music appreciation and sensitivity. Music training from preschool through post-secondary education is common in most nations because involvement with music is considered a fundamental component of human culture and behavior. Cultures from around the world have different approaches to music education, largely due to the varying histories and politics. Studies show that teaching music from other cultures can help students perceive unfamiliar sounds more comfortably, and they also show that musical preference is related to the language spoken by the listener and the other sounds they are exposed to within their own culture.

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After the recommendations had been considered, the Music Educators National Conference (MENC) appointed two commissions: The MENC National Commission on Organizational Development and the MENC National Commission on Instruction. The Commission on Organizational Development was to prepare the way for recommended changes in organization, structure, and function of the Conference, including all of its federated and affiliated units. The National Commission on Instruction was created to monitor the way music was being taught in the schools. Its first study resulted in the publication of The School Music Program: Description and Standards (1974, revised in 1986).

The School Music Program: Description and Standards

The two editions of The School Music Program are considered to be the precursors of the National Standards for Arts Education, published in 1994 in line with Goals 2000. The document includes ten rationales for music, ten outcomes of the successful music program (which closely resemble the nine National Standards of 1994), and a description of the guidelines for curriculum and implementation. Throughout the publication, two levels of standards are provided: basic and quality. The body of the publication is devoted to the following areas:

The National Educational Goals known as Goals 2000 were set by the U.S. Congress in the 1990s to set goals for standards-based education reform. The intent was for certain criteria to be met by the millennium (2000). Many of these goals were based on the principles of outcomes-based education, and not all of the goals were attained by the year 2000 as intended. Many see this as the predecessor to the No Child Left Behind program, which mandated measurable improvement in student achievement across all groups. Goals 2000 established a framework in which to identify world-class academic standards, to measure student progress, and to provide the support that students may need to help meet the standards.

There are a few paragraphs devoted to beyond high school, conceding the difficulty in provided explicit standards for musical learning beyond high school. The four main sections include the following:

The conclusion of the document is a brief description of evaluation, including six principles of evaluation.

Bibliography

Mark, M. (1986). Contemporary Music Education. New York: Schirmer Books.

See also

The Tanglewood Symposium was a conference that took place from July 23 to August 2, 1967, in Tanglewood, Massachusetts. It was sponsored by the Music Educators National Conference (MENC) in cooperation with the Berkshire Music Center, the Theodore Presser Foundation, and the School of Fine and Applied Arts of Boston University. The purpose was to discuss and define the role of music education in contemporary American society and to make recommendations to improve the effectiveness of music instruction. Participants included sociologists, scientists, labor leaders, educators, representatives of corporations, musicians, and people involved with other aspects of music.

Further reading

Goals and objectives for music education (1970). Music Educators Journal, 57(4), 24-25.

The GO Project: Where is it heading? (1970). Music Educators Journal, 56(6), 24-25.

Hoffman, M.E. (1980). Goals and objectives for the Eighties. Music Educators Journal, 67(4), 48-49, 66.

Mark, M.L. (1980). The Go Project: Retrospective of a decade. Music Educators Journal, 67(4), 42-47.

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