Gabriele Agnolo, also known as Gabriele d'Angelo (died 1510) was an Italian architect active in Naples in the early-Renaissance manner.
He was born in Naples, and followed in the style of the contemporaries, Novello da San Lucano and Giovanni Francesco Mormando. He was active in 1480, and participated in work on the church of Santa Maria Egiziaca a Forcella and San Giuseppe. He designed the Palazzo Orsini a Gravina.
 | This article about an Italian architect or firm of architects is a stub. You can help Wikipedia by expanding it. |
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Philippe Caffieri (1634–1716), also known as Filippo Caffieri, was an Italian decorative sculptor, active mainly in France.
Paolo Porpora (1617–1673) was an Italian painter of the late-Baroque, who was active mainly in Naples and specialized in floral still lifes. He is documented as a pupil of Giacomo Recco, the father of Giuseppe Recco, and said to have worked under Aniello Falcone. He joined the Roman Accademia di San Luca from 1656 to 1658. He appears to have been influenced in Rome by Netherlandish still-life painters. Among his pupils were Giovan Battista Ruoppolo and the Neapolitan Onofrio Loth.
Andrea Vaccaro was an Italian painter of the Baroque period. Vaccaro was in his time one of the most successful painters in Naples, a city then under Spanish rule. Very successful and valued in his lifetime, Vaccaro and his workshop produced many religious works for local patrons as well as for export to Spanish religious orders and noble patrons. He was initially influenced by Caravaggio, in particular in his chiaroscuro and the naturalistic rendering of his figures.
Girolamo Marchesi was an Italian painter of the Renaissance period.
Giovanni Bernardo Lama (1508–1579) was an Italian painter of the Renaissance period, active mainly in Naples. He was the son of a generally unknown artist, Matteo Lama. He was the apprentice of Giovanni Antonio D’Amato, then Polidoro da Caravaggio who had fled Rome after the Sack of 1527. He worked in the style of his friend and contemporary Andrea di Salerno. A Madonna and child with saints is in the sacristy of San Luca Evangelista in Praiano. A Deposition from the Cross is found in the Royal Basilica of San Giacomo Spagnoli in Naples.
Cosimo Morelli was an Italian architect, active throughout the Papal States in a Neoclassic style.
Giovanni da Nola (1478–1559), also known as Giovanni Merliano, was an Italian sculptor and architect of the Renaissance, active in Naples.
Annibale Caccavello (1515–1595) was an Italian sculptor of the Renaissance, active in his native city of Naples.
Pietro Capelli or Pietro Cappelli was an Italian painter of the Rococo, active in his native city of Naples. He trained under Francesco Solimena. He was active in quadratura, but also painted capricci and canvases with landscapes.
Giocondo Albertolli was a Swiss-born architect, painter, and sculptor who was active in Italy during the Neoclassical period.
Alessio de Marchis or il Marchis was an Italian painter of the early 18th century, active mainly in Rome and Urbino, mainly as a landscape painter.
Andrea Calcese (1595–1656), also called Ciuccio, was an Italian comic actor of the Baroque era. He is best remembered as one of the fill the role of Pulcinella. He worked under Silvio Fiorillo in Naples. He began reciting verses at the theater at San Giorgio dei Genovesi, adding comic touches. In 1618, he began taking the mask and costume of Pulcinella, and because renown for his talented improvisational recitations. He is said to have been a lawyer prior to becoming a comic actor. He was born in Naples, and died there from the plague in 1656. His pupil was Michele Fracanzani.
Antonio Canevari was an Italian architect of the Rococo and Neoclassical periods.
Carlo Zoccoli (1718–1771) was an Italian architect, engineer, and scientific writer, active mainly in Southern Italy.
The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy.
Giuseppe Astarita was an Italian architect and engineer of the late-Baroque or Rococo period. He was a pupil of Domenico Antonio Vaccaro and collaborated with Ferdinando Sanfelice; his style is influenced by Guarino Guarini. He worked on the following buildings, sometimes in work of reconstruction.
Domenico Ammirato (1833–1883) was an Italian painter, mainly of seascapes in his native Naples.
Edoardo Monteforte or Eduardo Monteforte was an Italian painter.
Leonardo Da Besozzo or Leonardo Dei Molinari was an Italian painter, active in Lombardy and Naples.