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Gail Potocki (born 1961, Detroit, Michigan, U.S.) is a Symbolist artist utilizing the skills and techniques of the Old Masters in the 21st century. Influenced by 19th-century artists like Fernand Khnopff, Jean Delville, and Dante Gabriel Rossetti, Potocki's first monograph, The Union of Hope and Sadness: The Art of Gail Potocki was released in the Summer of 2006 and features text by Thomas Negovan, Richard Metzger and Jim Rose of the Jim Rose Circus. Gail was the First Place winner of the First International Online Symbolist Art Exhibition.
Gail currently lives in Chicago.
An exploration of the Symbolist painting of Gail Potocki; more than 100 works are represented and discussed. The 208 page hardcover book also includes essays from Richard Metzger, the host of BBC's Disinformation: the Series and neuroscientist Marina Korsakova-Kreyn.
Edward Hopper was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism.
Odilon Redon was a French Symbolist draftsman, printmaker, and painter.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Rockwell Kent was an American painter, printmaker, illustrator, writer, sailor, adventurer and voyager.
Stefan Anton George was a German symbolist poet and a translator of Dante Alighieri, William Shakespeare, Hesiod, and Charles Baudelaire. He is also known for his role as leader of the highly influential literary circle called the George-Kreis and for founding the literary magazine Blätter für die Kunst.
Dream art is any form of art that is directly based on a material from one's dreams, or a material that resembles dreams, but not directly based on them.
Kinuko Yamabe Craft is a Japanese-born American painter, illustrator and fantasy artist.
Alan E. Cober, born in New York City was an American illustrator. His artwork appeared in The New York Times, Life, Time and numerous other publications. Cober was inducted into the Illustration Hall of Fame in 2011, thirteen years after his death in 1998. Cober was frequently cited as one of the most innovative illustrators America has ever produced.
Gail Ann Dorsey is an American musician. With a long career as a session musician mainly on bass guitar, she performed regularly in David Bowie's band, from 1995 to Bowie's last tour in 2004.
Thomas Negovan is a writer, musician, and art historian from Chicago. He regularly lectures on Art Nouveau and Weimar-era Berlin cabaret.
Olympian Publishing is a publishing house with offices in Chicago, IL, USA.
Edmond Aman-Jean was a French symbolist painter, who co-founded the Salon des Tuileries in 1923.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Elaine A. King is a curator, critic, professor, and editor.
Floyd MacMillan Davis was an American painter and illustrator known for his work in advertising and illustration; Walter and Roger Reed described him as "someone who could capture the rich, beautiful people of the 1920s: dashing, mustachioed men; the cool, svelte women. But Davis was just as capable at capturing just-plain-folk, and with a cartoonist's sensibilities and a fresh humor, he expanded into story art and ad work that called characters of every persuasion.
The Salon de la Rose + Croix was a series of six art and music salons hosted by Joséphin Péladan in 1890s Paris. The Salon de la Rose + Croix grew out of Péladan's Mystic Order of the Rose + Croix, a cultic religious movement that he established in Paris. The avant-garde Salon artists included many of the prominent Symbolist painters, writers, and music composers of the period.
Lisa Wainwright is an American art historian at the School of the Art Institute of Chicago. She previously served SAIC as the Dean of Faculty and Vice President of Academic Affairs, as well as Title IX officer for faculty. Wainwright received a Ph.D. in the history of 19th and 20th-century art, University of Illinois, 1993; an M.A. in history of 19th and 20th-century art, University of Illinois, December 1986, and a B.A. cum laude, Vanderbilt University, art history, June 1982. She also studied at the Goethe-Institut in Blaubeuren, Germany, in summer 1982.
Hawk Alfredson is an international artist known for symbolic, surrealistic oil paintings with a Northern European quality in tone and method. Alfredson's paintings do not fall into a single category but instead cross over and combine Surrealism and Magic Realism as well as Symbolist and Fantastic art; a strong emphasis on classical painting technique is a major feature of his work.
Symbolist painting was one of the main artistic manifestations of symbolism, a cultural movement that emerged at the end of the 19th century in France and developed in several European countries. The beginning of this current was in poetry, especially thanks to the impact of The Flowers of Evil by Charles Baudelaire (1868), which powerfully influenced a generation of young poets including Paul Verlaine, Stéphane Mallarmé and Arthur Rimbaud. The term "symbolism" was coined by Jean Moréas in a literary manifesto published in Le Figaro in 1886. The aesthetic premises of Symbolism moved from poetry to other arts, especially painting, sculpture, music and theater. The chronology of this style is difficult to establish: the peak is between 1885 and 1905, but already in the 1860s there were works pointing to symbolism, while its culmination can be established at the beginning of the First World War.