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Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides of the stretcher bar or strainer bars and is secured to the back of the wooden frame.
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Gallery wrap is a method of stretching an artist's canvas so that the canvas wraps around the sides of the stretcher bar or strainer bars and is secured to the back of the wooden frame.
The frame is usually 1.25" (approx. 4 cm) thick. As a result, the hardware (staples or tacks) used to secure the canvas are not visible. The sides of the canvas are prepared and primed in the same manner as the face or front. They may then be painted a solid color (usually white) or painted to continue the image appearing on the face. This method of stretching and preparing a canvas allows for a frameless presentation of the finished painting or photograph. In some competitions it is considered "framed" and ready to hang.
In canvas printing, the term "gallery wrap" refers to an image that appears on the sides of the frame as well as the front. The image on the sides is either a continuation or a reflection of the main image, or an otherwise fabricated element such as a solid color or colors derived from the adjacent image.
Gallery wrap is a very popular way to display art. However, because the edges of the canvas are wrapped over the thick bars, approximately two inches of the image (top, bottom, and sides) are not visible from the front. If the subject of an image or painting is sized and positioned correctly, the image will not be negatively affected. However, in some situations photo editing techniques are employed to fabricate additional image/material or to mirror existing content on the wrapped edges. Solid colours can also be used on the wrapped edges.
Gallery wrap production can be digitally automated with a Photoshop plugin or raster graphics editor.
Gallery wrap is a method of displaying art wrapped over thick wooden bars so that there are no visible fasteners (such as staples or tacks). This method of stretching and preparing a canvas allows for a frame-less presentation of the finished painting.
In contrast, a non-gallery wrap canvas is usually intended to be framed before presentation. The stretcher bars are often thinner, and the canvas can be secured at the sides with staples or tacks as the frame will hide them. However, thin stretcher bars can be found "gallery wrapped" as a hangable work without a frame.
A door is a hinged or otherwise movable barrier that allows ingress (entry) into and egress (exit) from an enclosure. The created opening in the wall is a doorway or portal. A door's essential and primary purpose is to provide security by controlling access to the doorway (portal). Conventionally, it is a panel that fits into the doorway of a building, room, or vehicle. Doors are generally made of a material suited to the door's task. They are commonly attached by hinges, but can move by other means, such as slides or counterbalancing.
Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags, electronic device cases, and shoes. It is popularly used by artists as a painting surface, typically stretched across a wooden frame.
A staple is a type of two-pronged fastener, usually metal, used for joining, gathering, or binding materials together. Large staples might be used with a hammer or staple gun for masonry, roofing, corrugated boxes and other heavy-duty uses. Smaller staples are used with a stapler to attach pieces of paper together; such staples are a more permanent and durable fastener for paper documents than the paper clip.
Upholstery is the work of providing furniture, especially seats, with padding, springs, webbing, and fabric or leather covers. The word also refers to the materials used to upholster something.
A webbing stretcher is an upholstery tool used to stretch webbing.
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall (fresco) or on vellum. Wood panels were also used for mounting vellum paintings.
A picture frame is a protective and decorative edging for a picture, such as a painting or photograph. It makes displaying the work safer and easier and both sets the picture apart from its surroundings and aesthetically integrates it with them.
A countertop, also counter top, counter, benchtop, worktop or kitchen bench, bunker is a raised, firm, flat, and horizontal surface. They are built for work in kitchens or other food preparation areas, bathrooms or lavatories, and workrooms in general. The surface is frequently installed upon and supported by cabinets, positioned at an ergonomic height for the user and the particular task for which it is designed. A countertop may be constructed of various materials with different attributes of functionality, durability and aesthetics, and may have built-in appliances, or accessory items relative to the intended application.
A stretcher bar is used to construct a wooden stretcher used by artists to mount their canvases.
Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes, moving in different ways and constructed from various fabrics. Many are made from black or other darkly colored, light-absorbing material. Theater drapes represent a portion of any production's soft goods, a category comprising any non-wardrobe, cloth-based element of the stage or scenery. Theater curtains are often pocketed at the bottom to hold weighty chain or to accept pipes to remove their fullness and stretch them tight.
Knitted fabric is a textile that results from knitting, the process of inter-looping of yarns or inter-meshing of loops. Its properties are distinct from woven fabric in that it is more flexible and can be more readily constructed into smaller pieces, making it ideal for socks and hats.
A canvas print is the result of an image printed onto canvas which is often stretched, or gallery-wrapped, onto a frame and displayed. Canvas prints are used as the final output in an art piece, or as a way to reproduce other forms of art.
A strainer bar is used to construct a wooden stretcher frame used by artists to mount their canvases. They are traditionally a wooden framework support on which an artist fastens a piece of canvas. They are also used for small-scale embroidery to provide steady tension, affixing the edges of the fabric with push-pins or a staple gun before beginning to sew, and then removing it from the frame when the work is complete. Strainer bar frames are usually in the shape of a rectangle, although shaped canvases are also possible.
The Entombment is a glue-size painting on linen attributed to the Early Netherlandish painter Dieric Bouts. It shows a scene from the biblical entombment of Christ, and was probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to have contained a central crucifixion scene flanked by four wing panel works half its height – two on either side – depicting scenes from the life of Christ. The smaller flanking panels would have been paired in a format similar to Bouts's 1464–1468 Altarpiece of the Holy Sacrament. The larger work was probably commissioned for export to Italy, possibly to a Venetian patron whose identity is lost. The Entombment was first recorded in a mid-19th-century inventory in Milan, and has been in the National Gallery, London, since its purchase on the Gallery's behalf by Charles Lock Eastlake in 1861.
The Channel of Gravelines, Petit Fort Philippe is a pointillist painting by French artist Georges Seurat, located in the Indianapolis Museum of Art in Indianapolis, Indiana. Painted in 1890, the year before his death, it depicts a harbor in the small French port of Gravelines. Described as "wistful and poetic," it is one of the treasures of the IMA.
The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing canvas. In cases of extreme decay, however, the original canvas may be completely removed and replaced. The height of the practice's use peaked in the late 19th century and in the following years its usefulness has been debated. There are many different factors that influence whether lining a painting will be successful. By paying close attention to an artwork's condition and response to treatment, conservation professionals better understand the lining process and when to apply it.
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.
In visual arts, the support is a solid surface onto which the painting is placed, typically a canvas or a panel. Support is technically distinct from the overlaying ground, but sometimes the latter term is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.