Giovanni Battista Canossa (died 1747) was an Italian wood engraver.
He was born and died in Bologna, where he trained with Giovanni Maria Viani. He spent his whole career in the city.
Santa Maria delle Grazie is a church and Dominican convent in Milan, northern Italy, and a UNESCO World Heritage Site. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent.
The Basilica of St. Mary of the Angels and of the Martyrs is a basilica and titular church in Rome, Italy, built inside the ruined frigidarium of the Roman Baths of Diocletian in the Piazza della Repubblica.
Giovanni Mario Crescimbeni was an Italian critic and poet. Crescimbeni was a founding member and leader of the erudite literary society of Accademia degli Arcadi in Rome.
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Giovanni di Cosimo I de' Medici, also known as Giovanni de' Medici the Younger, was an Italian cardinal.
Ferdinando Galli-Bibiena, surname also spelled Galli da Bibiena or Bibbiena, was an Italian Baroque-era architect, designer, and painter.
Giovanni Battista Zelotti was an Italian painter of the late Renaissance, active in Venice and her mainland territories.
Antonio Calza (1658–1725) was an Italian painter of the Baroque period.
Antonio Maria Salviati was a Florentine Roman Catholic cardinal.
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national churches in Rome. These institutions were generally organised as confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often, they were also connected to national "scholae", where the clergymen of that nation were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian city states.
Annibale Caccavello (1515–1595) was an Italian sculptor of the Renaissance, active in his native city of Naples.
Lodovico Leoni was an Italian painter of the Renaissance period, mainly active in Rome. He was also a medallist, and coin-engraver. Other sources cite his name as Luigi Leone
Lelio Falconieri (1585–1648) was an Italian Catholic Cardinal.
Gabriele Agnolo, also known as Gabriele d'Angelo was an Italian architect active in Naples in the early-Renaissance manner.
Benedetto Innocenzo Alfieri was an Italian architect, a representative of the late-Baroque or Rococo style.
Giovanni Andolfati was a 19th-century Italian actor, active in northern Italy, including Bologna, Parma, and Milano. He was the son of Pietro Andolfati.
Bartolommeo Salvestrini was an Italian painter of the Baroque period, active mostly in Florence. He was a pupil of Matteo Rosselli and Giovanni Bilivert in Florence. He painted a Martyrdom of St Ursula for church of Santa Orsula in Florence, as well a paintings for the church of Santa Teresa. He died of the plague in 1630. A drawing at Art Institute of Chicago is attributed to the painter
Marzio di Colantonio or di Colantonio Ganassini or di Cola Antonio was an Italian painter, as a painter of still-lifes and landscapes, and fresco decorations of grotteschi and battle scenes with small figures. His still-life paintings contain hunted game.
Giovanni Battista Colomba was an Italian painter and architect of the Baroque period. He was born in Arogno in the Ticino, and was active there including in the monastery of San Floriano. He died poor in the service of the King of Poland. He was the uncle of Giovanni Battista Innocenzo Colombo.
Carlo Natali, also known as il Guardolino, was an Italian painter of the Baroque period, active in Cremona and Bologna