Related Research Articles
Innamorati were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th-century Italy. In the plays, everything revolved around the lovers in some regard. These dramatic and posh characters were present within commedia plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the lovers were always united by the end.
Pantalone, spelled Pantaloon in English, is one of the most important principal characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is "money" in the commedia world. His full name, including family name, is Pantalon de' Bisognosi, Italian for 'Pantalone of the Needy'.
Carlo, Count Gozzi was an Italian (Venetian) playwright and champion of Commedia dell'arte.
Achille Bonito Oliva is an Italian art critic and historian of contemporary art. Since 1968 he has taught history of contemporary art at La Sapienza, the university of Rome. He has written extensively on contemporary art and contemporary artists; he originated the term Transavanguardia to describe the new direction taken in the late 1970s by artists such as Sandro Chia, Francesco Clemente, Enzo Cucchi, Nicola De Maria, and Mimmo Paladino. He has organised or curated numerous contemporary art events and exhibitions; in 1993 he was artistic director of the Biennale di Venezia.
Cennino d'Andrea Cennini was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto.
EUR Fermi is a station on Line B of the Rome Metro. Opened in 1955, it is sited in the EUR between Viale America and Piazza della Stazione Enrico Fermi. Next to it is the artificial lake created for the 1960 Summer Olympics. The station's atrium houses mosaics which have won the Artemetro Roma prize by Bruno Ceccobelli (Italy) and Rupprecht Geiger (Germany).
The Triennale di Milano is a museum of art and design in the Parco Sempione in Milan, in Lombardy in northern Italy. It is housed in the Palazzo dell'Arte, which was designed by Giovanni Muzio and built between 1931 and 1933; construction was financed by Antonio Bernocchi and his brothers Andrea and Michele.
Commedia dell'arte was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Characterized by masked "types", commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of commedia is the lazzo, a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of commedia is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin.
The Palazzo dell'Arte dei Beccai or Residenza dell'Arte dei Beccai is a fourteenth-century building in Florence, Italy. It faces the Orsanmichele, once a grain market, later the church of the guilds of Florence. It has had many occupants, including the Arte dei Beccai or guild of butchers from which its name derives. Since 1974 it has housed the Accademia Fiorentina delle Arti del Disegno, an academy of the arts.
Mario Salmi was an Italian art historian and art critic who specialized in Romanesque architecture, Tuscan sculpture and the early Italian Renaissance.
The Milan Triennial is an art and design exhibition that takes place every three years at the Triennale di Milano Museum in Milan, Italy.
The Milan Triennial VII was the triennial in Milan sanctioned by the Bureau of International Expositions (BIE) on the 9 November 1938. Its theme was Order - Tradition. It was held at the Palazzo dell'Arte and ran from 6 April 1940 to 9 June 1940, when Italy entered the Second World War.
The Milan Triennial XVII was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE) on the 5 June 1986. Its theme was The Cities of the World and the Future of the Metropolis. It was held at the Palazzo dell'Arte and ran from 21 September 1988 to 18 December 1988.
The Milan Triennial VIII was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE) on the 11 June 1946. Its theme was The House. It was held at the Palazzo dell'Arte and ran from 31 May 1947 to 14 September 1947.
The Milan Triennial XIX was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE) on the 8 June 1994. Its theme was Identities and Differences. It was held at the Palazzo dell'Arte and ran from 22 February 1996 to 5 May 1996.
The Milan Triennial XVI was the Triennial in Milan sanctioned by the Bureau of International Expositions (BIE) and held at the Palazzo dell'Arte in 1979.
The Luzzago Altarpiece is a 1542 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. It was recorded in San Giuseppe church in Brescia in 1630 and moved to its present home in 1868. In the lower register Michael the Archangel points the kneeling donor to the Madonna and Child above, whilst Francis of Assisi stands to the right with a cross.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
Portrait of a Gentleman with a Letter is a 1535–1540 painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, to which it was given in 1854. No record of it before that dates survives, though some art historians have identified it with a lost Portrait of Pietro Aretino recorded in correspondence.
St Anthony of Padua with Two Saints is a c. 1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.
References
- ↑ Fallows, Noel (2010). Jousting in Medieval and Renaissance Iberia. Boydell Press. p. 153. ISBN 978-1-84383-594-3.
