Girolamo Macchietti

Last updated
Girolamo Macchietti, Pala Lioni, Florence, Villa Lioni Girolamo Macchietti, Pala Lioni.jpg
Girolamo Macchietti, Pala Lioni, Florence, Villa Lioni
Girolamo Macchietti, preparatory drawing, Pala Lioni, Florence, Gabinetto Disegni, Uffizi Museum Girolamo Macchietti Disegno Preparatorio, Pala Lioni.jpg
Girolamo Macchietti, preparatory drawing, Pala Lioni, Florence, Gabinetto Disegni, Uffizi Museum
Girolamo Macchietti, Pozzuoli baths, Florence, Palazzo Vecchio, Francesco I's Studiolo Girolamo Macchietti - Baths at Pozzuoli.jpg
Girolamo Macchietti, Pozzuoli baths, Florence, Palazzo Vecchio, Francesco I's Studiolo

Girolamo Macchietti (c. 1535/1541-1592) was an Italian painter active in Florence, working in a Mannerist style.

Contents

Biography

He was a pupil of Michele di Ridolfo. During the years 1556-1562, worked as an assistant to Giorgio Vasari in the decoration of the Palazzo Vecchio, where he worked with Mirabello Cavalori. He participated in the Vasari-directed decoration of the Studiolo of Francesco I with two canvases, one relating a Jason and Medea (1570) and the other a Baths of Pozzuoli (1572). He also painted an altarpiece on the Martyrdom of Saint Lawrence for Santa Maria Novella. In 1577, he completed a Gloria di San Lorenzo for Empoli Cathedral. He traveled to Rome and spent two years in Spain (1587–1589). No works are recorded from these travels.

Works

Bibliography

Commons-logo.svg Media related to Girolamo Macchietti at Wikimedia Commons

Related Research Articles

<span class="mw-page-title-main">Alessandro Allori</span> Italian painter

Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.

<span class="mw-page-title-main">Michelangelo</span> Italian artist, architect and poet (1475–1564)

Michelangelo di Lodovico Buonarroti Simoni, known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.

<span class="mw-page-title-main">Giorgio Vasari</span> Italian painter, architect, writer, and historian (1511–1574)

Giorgio Vasari was an Italian Renaissance painter and architect, who is best known for his work Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of all art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born.

<span class="mw-page-title-main">Palazzo Vecchio</span> Town hall of Florence, Italy

The Palazzo Vecchio is the town hall of Florence, Italy. It overlooks the Piazza della Signoria, which holds a copy of Michelangelo's David statue, and the gallery of statues in the adjacent Loggia dei Lanzi.

<span class="mw-page-title-main">Santi di Tito</span> Italian painter

Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.

<span class="mw-page-title-main">Stradanus</span> Flemish artist (1523–1605)

Stradanus, Johannes Stradanus, Jan van der Straet or Giovanni Stradano was a Flemish artist active mainly in 16th-century Florence, Italy. He was a wide-ranging talent who worked as an easel and fresco painter, designer of tapestries, draughtsman, designer of prints and pottery decorator. His subject range was varied and included history subjects, mythological scenes, allegories, landscapes, genre scenes, portraits, architectural scenes and animals. After training in his native Flanders, he left his home country and ultimately settled down in Florence, Italy. He became a prominent court artist to the Medici during the second half of the 16th century and worked on the many decorative projects of the court. Stradanus also produced large altarpieces for the most important churches in Florence.

<span class="mw-page-title-main">Studiolo of Francesco I</span>

The Studiolo is a small painting-encrusted barrel-vaulted room in the Palazzo Vecchio, Florence, Italy. It was commissioned by Francesco I de' Medici, Grand Duke of Tuscany. It was completed for the duke from 1570 to 1572, by teams of artists under the supervision of Giorgio Vasari and the scholars Giovanni Batista Adriani and Vincenzo Borghini.

<span class="mw-page-title-main">Jacopo da Empoli</span> Italian painter (1551–1640)

Jacopo da Empoli was an Italian Florentine Reformist painter.

<span class="mw-page-title-main">Giovanni Battista Naldini</span> Italian painter

Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence and Rome.

<span class="mw-page-title-main">Giuliano da Maiano</span> Italian sculptor

Giuliano da Maiano (1432–1490) was an Italian architect, intarsia-worker, and sculptor, the elder brother of Benedetto da Maiano, with whom he often collaborated.

<span class="mw-page-title-main">Maso da San Friano</span> Italian painter

Maso da San Friano (1536–1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence.

<span class="mw-page-title-main">Jacopo Zucchi</span> Italian painter

Jacopo Zucchi was a Florentine painter of the Mannerist style, active in Florence and Rome.

<span class="mw-page-title-main">Michele Tosini</span> Italian painter (1503–1577)

Michele Tosini, also called Michele di Ridolfo, (1503–1577) was an Italian painter of the Renaissance and Mannerist period, who worked in Florence.

<span class="mw-page-title-main">Giuliano Bugiardini</span> Italian painter

Giuliano di Piero di Simone Bugiardini was an Italian Renaissance painter. He was born and was mainly active in Florence. He was a painter primarily of religious subjects but he also executed a number of portraits and a few works with mythological subjects.

<span class="mw-page-title-main">Santi Buglioni</span> Italian sculptor

Santi Buglioni, by the name of Santi di Michele was an important Renaissance Italian sculptor, the nephew and collaborator of Benedetto Buglioni.

<i>The Genius of Victory</i> Marble sculpture by Michelangelo

The Genius of Victory is a 1532–1534 marble sculpture by Michelangelo, produced as part of a design for the tomb of Pope Julius II. It is 2.61 m high and is now in the Salone dei Cinquecento of the Palazzo Vecchio in Florence.

<span class="mw-page-title-main">Jacopo Coppi</span> Italian painter

Jacopo Coppi, also called Giacomo Coppi or "'Jacopo del Meglio'" was an Italian painter, mainly active in Florence and Rome in a Mannerist style. Other sources call him Giacinto Coppi.

<span class="mw-page-title-main">Michelangelo Buonarroti the Younger</span> Italian writer

Michelangelo Buonarroti il Giovane was a Florentine poet, librettist and man of letters, known as "the Younger" to distinguish him from his granduncle.

<span class="mw-page-title-main">Vincenzo Borghini</span> Italian monk, artist, philologist and art collector

Vincenzo Borghini was an Italian monk, artist, philologist, and art collector of Florence, Italy.