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The naval Battle of Texel or Battle of Kijkduin took place off the western coast of the island of Texel on 21 August 1673 between the Dutch and the combined English and French fleets. It was the last major battle of the Third Anglo-Dutch War, which was itself part of the Franco-Dutch War (1672–1678), during which Louis XIV of France invaded the Republic and sought to establish control over the Spanish Netherlands. English involvement came about because of the Treaty of Dover, secretly concluded by Charles II of England, and which was highly unpopular with the English Parliament.
The Schuyler family was a prominent Dutch family in New York and New Jersey in the 18th and 19th centuries, whose descendants played a critical role in the formation of the United States, in leading government and business in North America and served as leaders in business, military, politics, and society. The other two most influential New York dynasties of the 18th and 19th centuries were the Livingston family and the Clinton family.
VOC chief traders in Japan were the chief traders (opperhoofden) of the Dutch East India Company in Japan during the period of the Tokugawa shogunate, also known as the Edo period.
Johannes de Graaff (1729–1813), also referred to as Johannis de Graeff in some documents, was a Dutch Governor of Sint Eustatius, Saba and Sint Maarten in the Netherlands Antilles representing the Dutch West India Company during the difficult time of the American Revolutionary War.
Kunst zij ons doel, or KZOD, is the name of an artists club in the Waag, Haarlem.
The Great Theatre of Dutch Painters and Paintresses, or De groote schouburgh der Nederlantsche konstschilders en schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken. It was published in three volumes as a sequel to Karel van Mander's own list of biographies known as the Schilder-boeck. The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands. The Schouburg is listed as one of the thousand most important works in the Canon of Dutch Literature from the Middle Ages to the present day.
The Lives of Dutch painters and paintresses, or De levens-beschryvingen der Nederlandsche konst-schilders en konst-schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Jacob Campo Weyerman. It was published in four volumes as a sequel to Arnold Houbraken's own list of biographies known as the Schouburgh. The first volume appeared in 1729, and the last volume was published in 1769. This work is considered to be a very important source of information on 17th-century artists of the Netherlands, specifically those artists who worked in The Hague and in London.
The Groote Kerk is a Dutch Reformed church in Cape Town, South Africa. The church is South Africa's oldest place of Christian worship. The first church on this land was built in 1678. Willem Adriaan van der Stel laid the cornerstone for the church. It was replaced by the present building in 1841 built by Herman Schuette and the original tower was retained. The pulpit is the work of Anton Anreith and the carpenter Jacob Graaff, and was inaugurated on 29 November 1789. The Groote Kerk lays claim to housing South Africa's largest church organ, which was installed in 1954
The Timor and Dependencies Residency was an administrative subdivision (Residency) of the Dutch East Indies located in the Eastern half of Lesser Sunda Islands east of Lombok, it was separated in 1819 from the Governorate of Moluccas (Gouvernement der Molukken. Its capital was at Kupang.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
The plantations of Sint Eustatius were primarily set up in the seventeenth and eighteenth centuries by European settlers. Workers on the plantations were obtained from human trafficking, and the proceeds primarily went back to the mother country. In the second half of the eighteenth century, trade became more of a priority to Sint Eustatius rather than the plantation economy.
References
- This article includes information obtained from the Encyclopaedie van Nederlandsch West-Indië from 1914–1917.