Author | Wilhelm Jensen |
---|---|
Language | German |
Genre | Romance novel |
Publisher | Fischer Taschenbuch Verlag |
Publication date | 1903 |
Publication place | Germany |
Media type | Print (hardback & paperback) |
OCLC | 7305023 |
Gradiva is a novel by Wilhelm Jensen, first published in instalments from June 1 to July 20, 1902 in the Viennese newspaper "Neue Freie Presse". It was inspired by a Roman bas-relief of the same name and became the basis for Sigmund Freud's famous 1907 study Delusion and Dream in Jensen's Gradiva (German : "Der Wahn und die Träume in W. Jensen's Gradiva"). Freud owned a copy of this bas-relief, which he had joyfully beheld in the Vatican Museums in 1907; it can be found on the wall of his study (the room where he died) in 20 Maresfield Gardens, London – now the Freud Museum.
The story is about an archaeologist named Norbert Hanold who is obsessed with a woman depicted in a bas-relief that he sees in a museum in Rome. He names her Gradiva, Latin for "she who steps along". After his return to Germany, he manages to get a plaster-cast of the relief, which he hangs on a wall in his work-room and contemplates daily. He comes to feel that her calm, quiet manner does not belong in bustling, cosmopolitan Rome, but rather in some smaller city, and one day an image comes to him of the girl in the relief walking on the peculiar stepping-stones that cross the streets in Pompeii. Soon afterwards, Hanold dreams that he has been transported back in time to meet the girl whose unusual gait so captivates him. He sees her walking in the streets of Pompeii while the hot ashes of Vesuvius subsume the city in 79 AD.
This fantastical dream leads Hanold on a real journey to Rome, Naples, and ultimately Pompeii, where, amazingly, he sees the Gradiva of his bas-relief stepping calmly and buoyantly across the lava stepping-stones. He follows her, loses her, then finds her sitting on the low steps between two pillars. He greets her in Latin, only to be answered, "If you wish to speak to me, you must do so in German." When he addresses her as if she were the girl of his dream, however, she looks at him without comprehension, gets up and leaves. Hanold calls out after her, "Are you coming here again tomorrow in the noon hour?" But she does not turn round, gives no answer, and a few moments later disappears round the corner. Hanold hurries after her, but she is nowhere to be seen. What follows is his quest to determine whether the woman he has seen is real or a delusion.
In 1970, the Italian actor and filmmaker Giorgio Albertazzi released a film titled Gradiva, based on Jensen's novel and featuring Laura Antonelli as Gradiva. Albertazzi is best known for his portrayal of the male protagonist in Last Year at Marienbad , written by Alain Robbe-Grillet, who would himself go on to direct a film based on Jensen's novel in 2002.
In 2006, the French writer and filmmaker Alain Robbe-Grillet released a film titled C'est Gradiva Qui Vous Appelle ("It's Gradiva Who is Calling You"), which was roughly based on the novel, although updated to more recent times. It begins with an English art historian who is doing research in Morocco on the paintings and drawings that French artist Eugène Delacroix (1798 – 1863) produced over a century before, when he travelled to the country as part of a diplomatic mission. Spotting a beautiful, mysterious blonde woman (Gradiva) in flowing robes, dashing through the back alleys of Marrakech, he becomes consumed with the need to track her down.[ citation needed ]
Sigmund Freud analyzed the actions and dreams of this young archaeologist in his 1908 study, Der Wahn und die Träume in W. Jensens Gradiva . [1] Freud's study saved the novella from obscurity and made Gradiva into a modern mythological figure.
Freud's analysis is one of his first analyses of a literary work. Freud owned a copy of this relief, which hangs in his study at 20 Maresfield Gardens, London, now the Freud Museum.
Recently discovered letters show Freud corresponded with Jensen. [2]
Sigmund Freud was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating pathologies seen as originating from conflicts in the psyche, through dialogue between patient and psychoanalyst, and the distinctive theory of mind and human agency derived from it.
Psychoanalytic literary criticism is literary criticism or literary theory that, in method, concept, or form, is influenced by the tradition of psychoanalysis begun by Sigmund Freud.
Last Year at Marienbad, released in the United Kingdom as Last Year in Marienbad, is a 1961 French New Wave avant-garde psychological drama film directed by Alain Resnais and written by Alain Robbe-Grillet.
Anna Freud CBE was a British psychoanalyst of Austrian–Jewish descent. She was born in Vienna, the sixth and youngest child of Sigmund Freud and Martha Bernays. She followed the path of her father and contributed to the field of psychoanalysis. Alongside Hermine Hug-Hellmuth and Melanie Klein, she may be considered the founder of psychoanalytic child psychology.
Alain Robbe-Grillet was a French writer and filmmaker. He was one of the figures most associated with the Nouveau Roman trend of the 1960s, along with Nathalie Sarraute, Michel Butor and Claude Simon. Robbe-Grillet was elected a member of the Académie française on 25 March 2004, succeeding Maurice Rheims at seat No. 32. He married Catherine Robbe-Grillet.
Gradiva, or "She who steps along", is a mythic figure created by Wilhelm Jensen as a central character in his novella Gradiva (1902). The character was inspired by an existing Roman relief. She later became a prominent subject in Surrealist art after Sigmund Freud published an essay on Jensen's work.
Delusion and Dream in Jensen's Gradiva is an essay written in 1907 by Sigmund Freud that subjects the novel Gradiva by Wilhelm Jensen, and especially its protagonist, to psychoanalysis.
The Freud Museum in London is a museum dedicated to Sigmund Freud, located in the house where Freud lived with his family during the last year of his life. In 1938, after escaping Nazi annexation of Austria he came to London via Paris and stayed for a short while at 39 Elsworthy Road before moving to 20 Maresfield Gardens, where the museum is situated. Although he died a year later in the same house, his daughter Anna Freud continued to stay there until her death in 1982. It was her wish that after her death it be converted into a museum. It was opened to the public in July 1986.
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