Graveyard Shift | |
---|---|
Directed by | Jerry Ciccoritti |
Written by | Jerry Ciccoritti |
Produced by | Robert Bergman Michael Bockner Jerry Ciccoritti |
Starring | Michael A. Miranda Helen Papas |
Cinematography | Robert Bergman |
Edited by | Robert Bergman Norman Smith |
Music by | Nicholas Pike |
Production company | Cinema Ventures |
Release date |
|
Running time | 89 minutes |
Country | Canada |
Language | English |
Graveyard Shift (also titled Central Park Drifter) is a 1987 Canadian horror film written and directed by Jerry Ciccoritti, and starring Michael A. Miranda (billed as Silvio Oliviero) and Helen Papas. The film was originally entitled Graveyard Shift but when the film was released to video, the title was changed to Central Park Drifter (IMDb info). Supporting roles included Coronor (Michael Bokner), Detective Winsome (John Haslett Cuff), Detective Smith (Don James), and Officer Arbus (Lesley Kelly). Jerry Ciccoritti was nominated for Best Film at the Sitges - Catalonian International Film Festival.
Night brings out the hunger in people, especially a mysterious NY cab driver. He is a powerful vampire. And working the night shift brings a sultry array of sensuous passengers within his grasp. Embracing those ready to die, he controls an erratic but well-balanced vampire realm. Then unexpectedly, he discovers erotic human passion-unleashing a raging, terrorizing evil. When a slew of innocent citizens are senselessly slaughtered, the baffled police must solve a 350 year old mystery of unsated passion.
Graveyard Shift was filmed at the end of 1985 with funds raised from New York producers Arnold H. Bruck and Stephen R. Flaks. [1]
A sequel, The Understudy: Graveyard Shift II , was announced prior to the first film's release also starring Michael A. Miranda. [2]
Diane Arbus was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ". Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people.
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The Understudy: Graveyard Shift II is a 1988 Canadian direct-to-video horror film directed by Jerry Ciccoritti and starring Michael A. Miranda and Wendy Gazelle. It is the sequel to Graveyard Shift (1987).
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