Great Southern Land (disambiguation)

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Great Southern Land may refer to:

Great Southern Land 1989 single by Icehouse

"Great Southern Land" is a single released by the Australian rock band Icehouse. It was released in August 1982, before the album Primitive Man. Peaking at number five on the Australian Singles Chart, it was later featured in the 1988 Yahoo Serious film Young Einstein, and remains their most popular song according to listeners of Triple M in 2007.

<i>Great Southern Land</i> (album) 1989 compilation album by Icehouse

Great Southern Land is a compilation album by Australian rock/synthpop band Icehouse, released by Chrysalis Records / Regular Records in October 1989. It peaked at #2 on the Australian albums charts, and contained two singles "Touch the Fire", which peaked at #13 on the singles charts, and "Jimmy Dean", which peaked at #47. There are quite a few different versions of this album, the Regular Records release for Australian / New Zealand markets was as a 16 track double vinyl LP, twin music cassette or CD; Chrysalis Records US versions were as 10 track LP / music cassette or 11 track CD release with a different track order; Chrysalis Records UK versions had 12 tracks ; and a video version of 15 tracks was released in VHS PAL format.

Terra Australis fictional continent

Terra Australis was a hypothetical continent first posited in antiquity and which appeared on maps between the 15th and 18th centuries. The existence of Terra Australis was not based on any survey or direct observation, but rather on the idea that continental land in the Northern Hemisphere should be balanced by land in the Southern Hemisphere. This theory of balancing land has been documented as early as the 5th century on maps by Macrobius, who uses the term Australis on his maps.

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The Australian rock band Icehouse formed as Flowers in Sydney in 1977. Initially known in Australia for their pub-rock style, the band later achieved mainstream success playing new-wave and synthpop music and attained Top 10 singles chart success locally and in both Europe and the U.S. The mainstay of both Flowers and Icehouse has been Iva Davies supplying additional musicians as required. The name "Icehouse", adopted in 1981, comes from an old, cold flat Davies lived in and the strange building across the road populated by itinerant people.

<i>Primitive Man</i> (album) 1982 studio album by Icehouse

Primitive Man is the second studio album by Australian synthpop band Icehouse, released in September 1982. In January 1982, Icehouse founder Iva Davies started recording Primitive Man essentially as a solo project, it was co-produced with Keith Forsey who later worked with Simple Minds and Billy Idol. Forsey supplied additional percussion; Davies supplied vocals, lead guitar, keyboards, bass guitar and programmed the Linn drum machine. Released as an Icehouse album, Primitive Man reached #3 on the National album charts and provided their international breakthrough single, "Hey Little Girl" which peaked at #7 in Australia, #2 in Switzerland, #5 in Germany, Top 20 in UK, Sweden and Netherlands, and #31 on the U.S. Billboard Mainstream Rock chart. Another single "Great Southern Land" made the Australian Top 5, it was later featured in the 1988 Yahoo Serious film Young Einstein, and remains their most popular song according to listeners of Triple M in 2007. To promote Primitive Man on tour, Davies re-assembled Icehouse with Michael Hoste (keyboards) and John Lloyd (drums), and new members: Bob Kretschmer, Guy Pratt and Andy Qunta.

Ivor Arthur Davies, AM, known professionally as Iva Davies, is an Australian singer, songwriter, composer, multi-instrumentalist and record producer. He is known for his distinctive singing voice, which was influenced by contemporary glam rock singers.

<i>Icehouse</i> (album) 1980 studio album by Flowers

Icehouse is the debut album released by Australian rock/synthpop band Flowers, later known as Icehouse, on the independent label Regular Records in October 1980. The title and the artist are sometimes incorrectly swapped, because the band changed their name from Flowers to Icehouse after this album was released. Containing the Top 20 Australian hits "Can't Help Myself", "We Can Get Together" and "Walls"; the album made heavy use of synthesisers, which would continue to be used throughout the band's career. Founder Iva Davies wrote all the tracks including four co-written with keyboardist Michael Hoste, however Hoste was replaced during recording sessions by Anthony Smith. In October 2010, Icehouse (1980) by Flowers was listed in the book, 100 Best Australian Albums.

Bi-Polar Poems is a proposed album by Australian rock/synthpop band, Icehouse, founder Iva Davies had been working in 2001 on the album with tracks available since 2004 from the Official Iva Davies – Icehouse website. As of September 2016, the album was still unreleased.

"I have written an album's worth of songs up here, which have yet to be released. To write those songs was very difficult because there weren't stories happening all around me. They're extremely personal and a lot of them are very challenging. I think it will be a challenging album to listen to."

<i>Code Blue</i> (album) 1990 studio album by Icehouse

Code Blue is a studio album by the Australian rock/synthpop band Icehouse and was released in November 1990 by Regular Records. Although less commercially successful than their previous studio album, 1987's Man of Colours, Code Blue peaked at #5 on the Australian album charts. Singles from the album were "Touch the Fire", "Big Fun", "Miss Divine", "Anything Is Possible" and "Where the River Meets the Sea" - best performed single "Touch the Fire" peaked at #13 on the Australian singles chart. "Miss Divine" peaked at #16 on the Australian singles chart and became their last Top 40 hit. The album was digitally remastered by Icehouse founder Iva Davies and Ryan Scott with three bonus tracks added for the 2002 re-release by Warner Music Australia.

<i>Masterfile</i> (album) 1992 compilation album by Icehouse

Masterfile is an Audiophile compilation album by Australian rock band, Icehouse. It is the second compilation released by the band following 1989's "Great Southern Land". The album covers material from the band's first album "Icehouse" to 1986's "Measure for Measure". It also features a re-recorded version of their 1981 single "Love In Motion" with Christina Amphlett of Divinyls.

<i>Meltdown</i> (Icehouse album) 2002 remix album by Icehouse

Meltdown is a remix album by Australian rock synthpop band, Icehouse with tracks remixed by Australian electronic musicians and bands including Infusion, sonicanimation and beXta. It was released in October 2002 within Australia by dIVA Records under Warner Music Australia. The single "Lay Your Hands on Me" peaked at #85 on the Australian singles chart. The album was re-released, in 2004 by Rock Up label / Star Records, as Street Cafe or more fully Street Cafe and Other Remixed Hits with a different track order and different cover art.

<i>Full Circle</i> (Icehouse album) 1994 remix album by Icehouse

Full Circle is a 2CD collection of remixed tracks by Australian rock/synthpop band Icehouse released in December 1994 on Massive Records. It also features a variety of musicians including the Bangarra Dance Company, Elcho Island and guitar virtuoso, Buckethead who would later join Guns N' Roses. Disc 1 is subtitled The Revolution Mixes and disc 2 is The Time & Motion Mixes; tracks "Shakin' the Cage", "MLK" and "Dedicated to Glam" as well as an edited version of "The Great Southern Mix" had been released in June 1993 on the Spin One EP. "Desdemona" is a cover version of the John's Children single, composed by Marc Bolan.

<i>The Singles</i> (Icehouse album) 1996 box set by Icehouse

The Singles a.k.a. The Singles A sides... and selected B sides is a limited edition three-disc CD boxed set released by Australian rock/synthpop band Icehouse in February 1996 on dIVA Records / Massive Records in Germany and Australia; it was re-released in 1999 into the US market.

Hey Little Girl 1982 single by Icehouse

"Hey Little Girl" is a single released by Australian band Icehouse, the second single from the band's 1982 album, Primitive Man. The album and single were co-produced by band member and the track's writer, Iva Davies, and Keith Forsey. It was released in October 1982, on Regular Records in 7" vinyl single and 12" vinyl single formats. UK and Europe releases by Chrysalis Records were also on 7" and 12" formats, but with different track listings. The single was then released in the US in 1983 on the same formats. On "Hey Little Girl", Iva Davies uses the Linn drum machine — the first for an Australian recording. It peaked at No. 7 on the Australian singles chart and No. 2 in Switzerland, No. 5 in Germany, Top 20 in UK, Sweden and Netherlands, and No. 31 on the Billboard Mainstream Rock chart.

We Can Get Together single by Icehouse

"We Can Get Together" is the second single released by the Australian rock band Flowers, later known as Icehouse. It was released in October 1980, on the independent label Regular Records from their first album, Icehouse, two weeks before the album itself was released. It peaked at #16 on the Australian Kent Music Report Singles Charts.

The discography of Icehouse, an Australian rock, synthpop band includes releases under the earlier band name, Flowers, which was formed in 1977 by the mainstay Iva Davies, and was renamed Icehouse in 1981; material was also released by "Iva Davies and Icehouse". Flowers or Icehouse have released nine major studio albums, as well as four remix albums, thirty-nine singles and twenty-six music videos. Icehouse and/or Iva Davies have also issued two film soundtracks and contributed to ballet scores.

<i>Spin One</i> 1993 EP by Icehouse

Spin One is a four-track EP released by Australian rock/synthpop band Icehouse in June 1993. It was issued by Massive Records. Three tracks, "Shakin' the Cage", "Dedicated to Glam" and "MLK", are also on the double CD remix album, Full Circle, released in December 1994. "Byrralku Dhangudha" is an edited version of "The Great Southern Mix" with guest appearance by aboriginal performers, keyboardist Bernie Worrell (Parliament-Funkadelic) and avant-garde guitarist Buckethead, and was produced by Bill Laswell.

Love in Motion (song) 1981 single by Icehouse

"Love in Motion" is the first new material released by the Australian rock synthpop band Icehouse as a 7" vinyl single-only in October 1981 on Regular Records for the Australian market. The band had been known as Flowers until 27 June 1981 after which they changed their name to Icehouse, they had signed to Chrysalis Records and most of Flowers' material was released under the new name into Europe, UK and US markets. "Love in Motion" peaked at #10 on the Australian singles charts. The B-side, "Goodnight, Mr. Matthews" was included on the 1982 album Primitive Man with "Love in Motion" included on the Chrysalis Records US / European versions of the album, the UK 1983 version of the album was re-titled Love in Motion.

Anderson "Andy" Qunta is an English singer, songwriter, composer and musician. In a career spanning more than 40 years, Qunta is best known as the keyboardist of the Australian rock band Icehouse from between 1982 and 1988. As a popular musician, he has been influenced by artists including the Who, Cliff Richard, Jimi Hendrix, Genesis, Manfred Mann, Yes, Todd Rundgren and Queen.

<i>White Heat: 30 Hits</i> 2011 compilation album by Icehouse

White Heat: 30 Hits is a two-disc compilation album released by Australian band Icehouse on 26 August 2011 in Australia. While it is technically their third best-of compilation, following 1989's Great Southern Land and 1992's Masterfile, it is the first such compilation spanning the band's entire career, including both their early- to mid-1980s hits and material from their most commercially successful period, beginning with the Man of Colours album.

White Heat is a compilation album released in August 2011 by Australian rock band Icehouse. This album was released as a two disc set and a three disc set including a DVD of Icehouse video clips. The album peaked at number 5 on the ARIA Charts and it also charted at number 10 on Recorded Music NZ.