Green Knight (disambiguation)

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The Green Knight is a figure in Arthurian romance.

Green Knight or The Green Knight may also refer to:

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<i>Sir Gawain and the Green Knight</i> 14th-century Middle English chivalric romance

Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest which tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

<span class="mw-page-title-main">Gawain</span> Knight in Arthurian legends

Sir Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and a Knight of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.

<span class="mw-page-title-main">Lancelot</span> Arthurian legend character

Lancelot du Lac, also written as Launcelot and other variants, is a character in some versions of Arthurian legend where he is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table. In the French-inspired Arthurian chivalric romance tradition, Lancelot is an orphaned son of King Ban of the lost kingdom of Benoic, raised in a fairy realm by the Lady of the Lake. A hero of many battles, quests and tournaments, and famed as a nearly unrivalled swordsman and jouster, Lancelot becomes the lord of the castle Joyous Gard and personal champion of Arthur's wife, Queen Guinevere, despite suffering from frequent and sometimes prolonged fits of madness. But when his adulterous affair with Guinevere is discovered, it causes a civil war that, once exploited by Mordred, brings an end to Arthur's kingdom.

<span class="mw-page-title-main">Knights of the Round Table</span> King Arthur and order of chivalry in Arthurian romance

The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.

<span class="mw-page-title-main">Morgan le Fay</span> Enchantress in the Arthurian legend

Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morg[a]ne, Morgant[e], Morge[i]n, and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.

<span class="mw-page-title-main">Knight-errant</span> Chivalric literature stock character

A knight-errant is a figure of medieval chivalric romance literature. The adjective errant indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels or in some other pursuit of courtly love.

Red Knight is a title borne by several characters in Arthurian legend.

<span class="mw-page-title-main">Gareth</span> Knight of the Round Table

Gareth is a Knight of the Round Table in Arthurian legend. He is the youngest son of King Lot and Queen Morgause, King Arthur's half-sister, thus making him Arthur's nephew, as well as brother to Gawain, Agravain and Gaheris, and either a brother or half-brother of Mordred. Gareth is particularly notable in Le Morte d'Arthur, where one of its eight books is named after and largely dedicated to him, and in which he is also known by his nickname Beaumains.

<span class="mw-page-title-main">Green Knight</span> Character in Arthurian legend

The Green Knight is a heroic character of Arthurian legend, originating in the 14th-century poem Sir Gawain and the Green Knight and the related medieval work The Greene Knight. His true name is revealed to be Bertilak de Hautdesert in Sir Gawain, while The Greene Knight names him "Bredbeddle". The Green Knight later features as one of Arthur's greatest champions in the fragmentary ballad "King Arthur and King Cornwall", again with the name "Bredbeddle".

<span class="mw-page-title-main">Chivalric romance</span> Type of prose and verse narrative

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

<i>Perceval, the Story of the Grail</i> Unfinished romance by Chrétien de Troyes

Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.

<span class="mw-page-title-main">Celtic literature</span> Literature from or relating to the Celtic nations

Celtic literature is the body of literature written in one of the Celtic languages, or else it may popularly refer to literature written in other languages which is based on the traditional narratives found in early Celtic literature.

<i>The Wedding of Sir Gawain and Dame Ragnelle</i> 15th-century English poem

The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.

The Greene Knight is a late medieval rhyming romance, found in the Percy Folio Manuscript. The storyline effectively parallels the more famous Sir Gawain and the Green Knight in describing the dealings of Gawain, King Arthur's nephew, with the Greene Knight.

<i>The Squire, His Knight, and His Lady</i> 1999 childrens novel by Gerald Morris

The Squire, His Knight, and His Lady is a book written by Gerald Morris. Its prequel is The Squire's Tale, also written by Gerald Morriss.

"King Arthur and King Cornwall" is an English ballad surviving in fragmentary form in the 17th-century Percy Folio manuscript. An Arthurian story, it was collected by Francis James Child as Child Ballad 30. Unlike other Child Ballads, but like the Arthurian "The Boy and the Mantle" and "The Marriage of Sir Gawain", it is not a folk ballad but a professional minstrel's song. It is notable for containing the Green Knight, a character known from the medieval poems The Greene Knight and the more famous Sir Gawain and the Green Knight; he appears as "Bredbeddle", the character's name in The Greene Knight.

Gawain and the Green Knight is a 1973 film directed by Stephen Weeks, and starring Murray Head as Gawain and Nigel Green in his final theatrical film as the Green Knight. The story is based on the medieval English tale Sir Gawain and the Green Knight and also Yvain, the Knight of the Lion by Chrétien de Troyes and the tale of Sir Gareth in Thomas Malory's Le Morte d'Arthur.

Sir Gawain and the Carle of Carlisle is a Middle English tail-rhyme romance of 660 lines, composed in about 1400. A similar story is told in a 17th-century minstrel piece found in the Percy Folio and known as The Carle of Carlisle. These are two of a number of early English poems that feature the Arthurian hero Sir Gawain, the nephew of King Arthur, in his English role as a knight of the Round Table renowned for his valour and, particularly, for his courtesy.

<span class="mw-page-title-main">Land of Maidens</span> Motif in Irish mythology and medieval chivalric romance literature

The Land of Maidens is a motif in Irish mythology and medieval literature, especially in the chivalric romance genre. The latter often also features a castle instead of an island, sometimes known as the Castle of Maidens.

<span class="mw-page-title-main">Beheading game</span> Motif of medieval romance

The beheading game is a literary trope found in Irish mythology and medieval chivalric romance. The trope consists of a stranger who arrives at a royal court and challenges a hero to an exchange of blows: the hero may decapitate the stranger, but the stranger may then inflict the same wound upon the hero. The supernatural nature of the stranger, which makes this possible, is only revealed when he retrieves his severed head. When the hero submits himself to the return blow, he is rewarded for his valor and is left with only a minor wound. The hero is seen as coming of age by undergoing the exchange of blows, and his symbolic death and rebirth is represented by the feigned return blow.