San Francisco Art Institute (SFAI) was a private college of contemporary art in San Francisco, California. Founded in 1871, SFAI was one of the oldest art schools in the United States and the oldest west of the Mississippi River. Approximately 220 undergraduates and 112 graduate students were enrolled in 2021. The institution was accredited by the Western Association of Schools and Colleges (WASC) and the National Association of Schools of Art and Design (NASAD), and was a member of the Association of Independent Colleges of Art and Design (AICAD). The school closed permanently in July 2022.
Barry McGee is an American artist. He is known for graffiti art, and a pioneer of the Mission School art movement. McGee is known by his monikers: Twist, Ray Fong, Bernon Vernon, and P.Kin.
Margaret Leisha Kilgallen was a San Francisco Bay Area artist who combined graffiti art, painting, and installation art. Though a contemporary artist, her work showed a strong influence from folk art. She was considered a central figure in the Bay Area Mission School art movement.
Alan Berliner is an American independent filmmaker. The New York Times has described Berliner's work as "powerful, compelling and bittersweet... full of juicy conflict and contradiction, innovative in their cinematic technique, unpredictable in their structures... Alan Berliner illustrates the power of fine art to transform life."
Rex Ray was an American graphic designer and collage artist, based in San Francisco.
Anne Appleby is an American color field and landscape reductive painter, who lives and works in Jefferson City, Montana.
Miguel Calderón is a Mexican artist and film maker. In the 1990s, along with other artists, he founded the independent art space, La Panadería, in the Condesa neighborhood in Mexico City. Calderón received his BFA at the San Francisco Art Institute in 1994. He has worked in paint, photography, video, film and installation.
Lynn Hershman Leeson is a multimedia American artist and filmmaker. Her work combines art with social commentary, particularly on the relationship between people and technology. Leeson is a pioneer in new media, and her work with technology and in media-based practices helped legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking. She has been referred to as a "new media pioneer" for the prescient incorporation of new science and technologies in her work. She is based in San Francisco, California.
The Mission School is an art movement of the 1990s and 2000s, centered in the Mission District, San Francisco, California.
Liu Xiaodong is a contemporary Chinese artist.
Bill Daniel is an American experimental documentary film artist, photographer, film editor, and cinematographer. He is also an installation artist, curator, and former zine publisher. His full-length film, Who is Bozo Texino? about the tradition of hobo and railworker boxcar graffiti was completed in 2005 and has screened extensively throughout the United States and Europe. Daniel has collaborated with several artists from the Bay Area Mission School art movement, notably Margaret Kilgallen and has worked on multiple projects with underground director Craig Baldwin. Film/video artist Vanessa Renwick of the Oregon Department of Kick Ass has been a frequent touring partner, collaborator and co-curator.
Aaron Rose is an American film director, artist, exhibition curator and writer. Rose is known as the co-director of Beautiful Losers, a film that focuses on an art movement which includes artists such as Barry McGee, Margaret Kilgallen, Steven "Espo" Powers, Chris Johanson, Harmony Korine and Shepard Fairey.
The culture of Missoula, Montana is influenced by the nearby University of Montana in art, sports, and music with the city's location in a mountain river valley also encouraging outdoor events and recreation.
Gallery 16 is a contemporary art gallery located in the SoMa district of San Francisco, California. It is owned by the San Francisco-based painter Griff Williams, and opened in 1993. Artists who have exhibited there include Graham Gillmore, Tucker Nichols, Rex Ray, Alex Zecca, Shaun O'Dell, Josh Jefferson, Thomas Heinser, Libby Black, Margaret Kilgallen, Arturo Herrera, Michelle Grabner, and Mark Grotjahn. In 2010 it hosted an exhibition on Emigre magazine.
Inez Mary Romanoff, known as Inez Storer, is an American painter and mixed-media artist who creates work in the magical realism genre.
John Millard Ferren was an American artist and educator. He was active from 1920 until 1970 in San Francisco, Paris and New York City.
Jan Rindfleisch is an American artist, educator, author, curator, and community builder. Rindfleisch is known for the programming she initiated and oversaw at the Euphrat Museum of Art; for her book on the history of art communities in the South Bay Area, Roots and Offshoots: Silicon Valley's Art Community, and for her role in documenting the careers and legacies of Agnes Pelton and Ruth Tunstall Grant.
Cork Marcheschi is an American sculptor and musician, most notably recognized for his pioneering use of light in sculpture, his large body of public art work, and founding avant-garde psychedelic rock band Fifty Foot Hose. In the words of curator David Ryan, "Through art, music, writing, collecting and teaching, Cork Marcheschi saw the light early on — pursuing it in its many permutations — perfecting his artistry, a sculptural vision now widely admired."
The Luggage Store Gallery, also known as 509 Cultural Center, is a non-profit, multi-disciplinary arts organization founded in 1987, and has two venues located in the Tenderloin neighborhood of San Francisco, California. The organization has sponsored many local artists, including those that are considered to be part of the Mission School, and of skateboard or street art culture.
Dean Byington, is a visual artist based in the San Francisco Bay Area. He is known for large, hyper-detailed mixed-media paintings and paper collages of labyrinthine landscapes and invented universes that serve as settings for enigmatic allegories on nature, culture, time and humanity's effect on the planet. Seamless amalgams of images reworked from diverse sources, including his own stylized drawings, his art evokes fairy tales gone awry, the precision of centuries-old etchings and cartographic detail, and utopian and dystopian science-fiction. In 2017, critic Shana Nys Dambrot wrote, "achieving a profound, operatic feat of scale, density, and clarity … Byington’s surrealism is that of dreams and memories, with an internal logic that unifies Eastern and Western antiquity, the consequences of climate change, the engineering of urban sprawl, and the limited role of culture in making sense of the soul- and soil-crushing weight of all that civilization."
