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Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Nueva canción is a left-wing social movement and musical genre in Latin America and the Iberian peninsula, characterized by folk-inspired styles and socially committed lyrics. Nueva canción is widely recognized to have played a profound role in the pro-democracy social upheavals in Portugal, Spain and Latin America during the 1970s and 1980s, and was popular amongst socialist organizations in the region.
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese is 音楽 (ongaku), combining the kanji 音 on (sound) with the kanji 楽 gaku. Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017.
Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. It is also strong in the Szabolcs-Szatmár area and in the southwest part of Transdanubia. The Busójárás carnival in Mohács is a major Hungarian folk music event, formerly featuring the long-established and well-regarded Bogyiszló orchestra.
Romania is a European country with a multicultural music environment which includes active ethnic music scenes. Traditional Romanian folk music remains popular, and some folk musicians have come to national fame.
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.
Anatolian rock, or known as Turkish psychedelic rock, is a fusion of Turkish folk music and rock. It emerged during the mid-1960s, soon after rock groups became popular in Turkey. Most known members of this genre includes Turkish musicians such as Barış Manço, Cem Karaca, Erkin Koray, Selda Bağcan, Fikret Kızılok alongside bands such as Moğollar, Kurtalan Ekspres and 3 Hürel.
The music of Catalonia comprises one of the oldest documented musical traditions in Europe. In tandem with the rest of Western Europe, it has a long musical tradition, incorporating a number of different styles and genres over the past two thousand years.
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music.
The Music Machine was an American rock band formed in Los Angeles, California in 1966. Fronted by chief songwriter and lead vocalist Sean Bonniwell, the band cultivated a characteristically dark and rebellious image reflected in an untamed musical approach. Sometimes it made use of distorted guitar lines and hallucinogenic organ parts, punctuated by Bonniwell's distinctively throaty vocals. Although they managed to attain national chart success only briefly with two singles, the Music Machine is today considered by many critics to be one of the groundbreaking acts of the 1960s. Their style is now recognized as a pioneering force in proto-punk; yet within a relatively short period of time, they began to employ more complex lyrical and instrumental arrangements that went beyond the typical garage band format.
Folk punk is a fusion of folk music and punk rock. It was popularized in the early 1980s by the Pogues in England, and by Violent Femmes in the United States. Folk punk achieved some mainstream success in that decade. In more recent years, its subgenres Celtic punk and Gypsy punk have experienced some commercial success.
Rock català is a type of music popular in the late 1980s and early 1990s involving Catalan lyrics and many different musical styles.
The Nova Cançó was an artistic movement that promoted Catalan music in Francoist Spain. The movement sought to normalize use of the Catalan language in popular music and denounced the injustices in Francoist Spain. The Grup de Folk, which emerged in the same period, also promoted a new form of popular music in Catalan, drawing inspiration from contemporary American and British music.
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk rock has revived in popularity along with other forms of medieval inspired music such as Dark Wave orientated neo-Medieval music and medieval metal.
This article includes an overview of the events and trends in popular music in the 1960s.
Music of the United Kingdom developed in the 1960s into one of the leading forms of popular music in the modern world. By the early 1960s the British had developed a viable national music industry and began to produce adapted forms of American music in Beat music and British blues which would be re-exported to America by bands such as The Beatles, The Animals and the Rolling Stones. This helped to make the dominant forms of popular music something of a shared Anglo-American creation, and led to the growing distinction between pop and rock music, which began to develop into diverse and creative subgenres that would characterise the form throughout the rest of the twentieth century.
Jaume Sisa is a Spanish singer-songwriter, who defines himself as 'Galactic', and whose greatist hit was Qualsevol nit pot sortir el sol from his eponymous album, released in 1975. Songs such as Nit de Sant Joan, El setè cel and L'home dibuixat are also well-known and remembered in the Catalan linguistic area.
Màquina! was a Spanish prog rock and psychedelic rock group from Barcelona. It was formed in 1969 and disbanded in 1972. They were pioneers of progressive rock in Catalonia and Spain and their first album Why? is widely considered one of the most memorable Spanish prog rock albums from the 70s.
Doctor Prats is a band from Terrassa in Catalonia, Spain that was formed in 2015.
Pic-Nic was a Spanish teenage folk-pop and sunshine pop band formed in Barcelona in the mid-to-late 1960s, composed of lead singer Jeanette, guitarists Toti Soler and Al Cárdenas, drummer Jordi Barangé and bassist Isidoro "Doro" de Montaberry. Although keyboardist Jordi Sabatés is often mentioned as a member of the band, he does not appear on any of the group's releases, having joined after their only published recording sessions had taken place. Pic-Nic was the successor to the short-lived group Brenner's Folk, originally founded by German-Venezuelan brothers Haakon and Vytas Brenner together with Soler, Barangé and Jeanette, an English girl who had recently moved to Spain after being raised in the United States. After releasing a four-song extended play for the label Edigsa in 1966, the Brenner brothers left the band, being replaced by Cárdenas and de Montaberry.
References
- "Músiques d'arrel" (in Catalan). Archived from the original on 2014-10-06. Retrieved 2014-10-05.
- "Grup de Folk" (in Catalan). Retrieved 2014-10-05.
