A gugel was a type of hood with a trailing point, popularly worn in medieval Germany.
A gugel was a type of hood with a trailing point, popularly worn in medieval Germany.
It was tailored to fit the head and shoulders and was usually made from wool or loden. Originally worn by commoners, it became fashionable with the nobility from the 14th century. In the fashionable style, the gugel was worn on top of the head like a hat, with the head part inverted inside the collar, which then hung over the ears.
From about 1360, this style of gugel was also worn outside Germany, being called a chaperon in France and a cappucio in Italy. By about 1400 the trailing point was sometimes of enormous proportions.
A toque is a type of hat with a narrow brim or no brim at all.
A knit cap is a piece of knitted headwear designed to provide warmth in cold weather. It usually has a simple tapered shape, although more elaborate variants exist. Historically made of wool, it is now often made of synthetic fibers.
A cap is a flat headgear, usually with a visor. Caps have crowns that fit very close to the head. They made their first appearance as early as 3200 BC. The origin of the word "cap" comes from the Old French word "chapeau" which means "head covering". Over time, the word has evolved and changed its meaning, but it still retains its association with headwear. Caps typically have a visor, or no brim at all. They are popular in casual and informal settings, and are seen in sports and fashion. They are typically designed for warmth, and often incorporate a visor to block sunlight from the eyes. They come in many shapes, sizes, and are of different brands. Baseball caps are one of the most common types of cap.
A hood is a type of headgear or headwear that covers most of the head and neck, and sometimes the face. Hoods that cover mainly the sides and top of the head, and leave the face mostly or partly open may be worn for protection from the environment, for fashion, as a form of traditional dress or uniform, or in the case of knights, an armoured hood is used for protection against bladed weapons. In some cases, hoods are used to prevent the wearer from seeing where they are going. Hoods with eye holes may be used for religious purposes to prevent the wearer from being seen. In the case of Ku Klux Klan members, terrorists, or criminals such as robbers, a hood with eye holes helps prevent identification.
The tricorne or tricorn is a style of hat that was popular during the 18th century, falling out of style by the early 1800s, though not called a "tricorne" until the mid-19th century. During the 18th century, hats of this general style were referred to as "cocked hats". At the peak of its popularity, the tricorne varied greatly in style and size, and was worn not only by the aristocracy, but also as common civilian dress, and as part of military and naval uniforms. Typically made from animal fiber, the more expensive being of beaver-hair felt and the less expensive of wool felt, the hat's most distinguishing characteristic was that three sides of the brim were turned up (cocked) and either pinned, laced, or buttoned in place to form a triangle around the crown. The style served two purposes: first, it allowed stylish gentlemen to show off the most current fashions of their wigs, and thus their social status; and secondly, the cocked hat, with its folded brim, was much smaller than other hats, and therefore could be more easily tucked under an arm when going inside a building, where social etiquette dictates that a gentleman should remove his hat. Tricornes with laced sides could have the laces loosened and the sides dropped down to provide better protection from the weather, sun, and rain.
1830s fashion in Western and Western-influenced fashion is characterized by an emphasis on breadth, initially at the shoulder and later in the hips, in contrast to the narrower silhouettes that had predominated between 1800 and 1820.
1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform. Masculine styles began to originate more in London, while female fashions originated almost exclusively in Paris.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 and re-adopted elements that had been characteristic of most of the 18th century, such as full skirts and clearly visible corseting of the natural waist.
Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque. Following the end of the Thirty Years' War and the Restoration of England's Charles II, military influences in men's clothing were replaced by a brief period of decorative exuberance which then sobered into the coat, waistcoat and breeches costume that would reign for the next century and a half. In the normal cycle of fashion, the broad, high-waisted silhouette of the previous period was replaced by a long, lean line with a low waist for both men and women. This period also marked the rise of the periwig as an essential item of men's fashion.
1880s fashion in Western and Western-influenced countries is characterized by the return of the bustle. The long, lean line of the late 1870s was replaced by a full, curvy silhouette with gradually widening shoulders. Fashionable waists were low and tiny below a full, low bust supported by a corset. The Rational Dress Society was founded in 1881 in reaction to the extremes of fashionable corsetry.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
A chaperon was a form of hood or, later, a highly versatile hat worn by men and women in all parts of Western Europe in the Middle Ages. Initially a utilitarian garment, it first grew a long partly decorative tail behind, and then developed into a complex, versatile and expensive item of headgear after what was originally the vertical opening for the face began to be used as a horizontal opening for the head. The chaperon was especially fashionable in mid-15th century Burgundy, before gradually falling out of fashion in the late-15th century and returning to its utilitarian status. It is the most commonly worn male headgear in Early Netherlandish painting, but its complicated construction is often misunderstood.
A beaver hat is a hat made from felted beaver fur. They were fashionable across much of Europe during the period 1550–1850 because the soft yet resilient material could be easily combed to make a variety of hat shapes. Smaller hats made of beaver were sometimes called beaverkins, as in Thomas Carlyle's description of his wife as a child.
Fashion in the period 1900–1909 in the Western world continued the severe, long and elegant lines of the late 1890s. Tall, stiff collars characterize the period, as do women's broad hats and full "Gibson Girl" hairstyles. A new, columnar silhouette introduced by the couturiers of Paris late in the decade signaled the approaching abandonment of the corset as an indispensable garment.
The cloche hat or simply cloche is a fitted, bell-shaped hat for women that was invented in 1908 by milliner Caroline Reboux. They were especially popular from about 1922 to 1933. Its name is derived from cloche, the French word for "bell".
Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
The Chapeau à la Paméla, Pamela hat or Pamela bonnet described a type of straw hat or bonnet popular during the 1790s and into the first three quarters of the 19th century. It was named after the heroine of Samuel Richardson's 1741 novel Pamela; or, Virtue Rewarded. While Pamela hats and bonnets underwent a variety of changes in shape and form, they were always made from straw. The mid-19th-century version of the Pamela hat was a smaller version of an early 19th-century wide-brimmed style called the gipsy hat.
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