![]() PLANISPHÆRIVM COPERNICANVM. Plate 22 of the First Edition | |
Author | Andreas Cellarius |
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Illustrator | Frederik Hendrik van den Hove, Johannes van Loon e.a. |
Country | Netherlands |
Language | Latin, Dutch, German, French |
Publisher | Johannes Janssonius |
Publication date | 1660 |
Media type | Stellar Atlas |
number of plates = 29 |
![]() | This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations .(April 2018) |
The Harmonia Macrocosmica is a star atlas written by Andreas Cellarius and published in 1660 by Johannes Janssonius. The first part of the atlas contains copper plate prints depicting the world systems of Claudius Ptolemy, Nicolaus Copernicus, and Tycho Brahe. At the end are star maps of the classical and further constellations, the latter ones as introduced by Julius Schiller in his Coelum stellatum christianum of 1627.
For its importance in the history of celestial cartography, the Harmonia Macrocosmica is considered one of the notable masterworks from the Golden Age of Dutch/Netherlandish cartography (c. 1570s–1670s), along with Abraham Ortelius's Theatrum Orbis Terrarum and Johannes Blaeu's Atlas Maior . It is often described as the most beautiful celestial atlas ever published.
In the foreword to his Chronologica, Gerard Mercator stated the intention to publish an atlas which would cover everything of the then-known cosmos, geography and history of the earth. During his life, Mercator published five volumes of his atlas, the last one being published by his son Rumold. After Mercator's death, the Amsterdam cartographer Johannes Janssonius took over the project. He and fellow-cartographer Hendricus Hondius published their Novus Atlas in 1636, which featured over 320 maps in four languages. In 1660, Andreas Cellarius' Harmonia Macrocosmica was published as the seventh volume of the project. With the final addition of a volume describing the cities of the world from 1657, the project was finally completed.
Of the various engravers and authors who worked on the plates of the atlas, only two have signed their work. The frontispiece of the atlas was created by Frederik Hendrik van den Hove and ten other plates were engraved by Johannes van Loon. Moreover, all the designs of the classical constellations were taken from the ones created by Jan Pieterszoon Saenredam.
Cartography is the study and practice of making and using maps. Combining science, aesthetics and technique, cartography builds on the premise that reality can be modeled in ways that communicate spatial information effectively.
An atlas is a collection of maps; it is typically a bundle of maps of Earth or of a region of Earth.
Gerardus Mercator was a Flemish geographer, cosmographer and cartographer. He is most renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts.
Johannes Janssonius was a Dutch cartographer and publisher who lived and worked in Amsterdam in the 17th century.
Petrus Plancius was a Dutch-Flemish astronomer, cartographer and clergyman. He was born as Pieter Platevoet in Dranouter, now in Heuvelland, West Flanders. He studied theology in Germany and England. At the age of 24 he became a minister in the Dutch Reformed Church.
Willem Janszoon Blaeu, also abbreviated to Willem Jansz. Blaeu, was a Dutch cartographer, atlas maker, and publisher. Along with his son Johannes Blaeu, Willem is considered one of the notable figures of the Netherlandish or Dutch school of cartography during its golden age in the 16th and 17th centuries.
Jodocus Hondius was a Flemish and Dutch engraver and cartographer. He is sometimes called Jodocus Hondius the Elder to distinguish him from his son Jodocus Hondius II. Hondius is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. He inherited and republished the plates of Mercator, thus reviving his legacy, also making sure to include independent revisions to his work. One of the notable figures in the Golden Age of Dutch cartography, he helped establish Amsterdam as the center of cartography in Europe in the 17th century.
Uranometria is a star atlas produced by Johann Bayer. It was published in Augsburg in 1603 by Christoph Mang under the full title Uranometria: omnium asterismorum continens schemata, nova methodo delineata, aereis laminis expressa. This translates to "Uranometria, containing charts of all the constellations, drawn by a new method and engraved on copper plates". The word "Uranometria" derives from Urania, muse of the heavens and "uranos" (oυρανός) the Greek word for sky / heavens. A literal translation of "Uranometria" is "Measuring the Heavens".
Julius Schiller was a lawyer from Augsburg, who like his fellow citizen and colleague Johann Bayer published a star atlas in celestial cartography.
Joan Blaeu was a Dutch cartographer born in Alkmaar, the son of cartographer Willem Blaeu.
The history of cartography refers to the development and consequences of cartography, or mapmaking technology, throughout human history. Maps have been one of the most important human inventions for millennia, allowing humans to explain and navigate their way through the world.
Celestial cartography, uranography, astrography or star cartography is the aspect of astronomy and branch of cartography concerned with mapping stars, galaxies, and other astronomical objects on the celestial sphere. Measuring the position and light of charted objects requires a variety of instruments and techniques. These techniques have developed from angle measurements with quadrants and the unaided eye, through sextants combined with lenses for light magnification, up to current methods which include computer-automated space telescopes. Uranographers have historically produced planetary position tables, star tables, and star maps for use by both amateur and professional astronomers. More recently, computerized star maps have been compiled, and automated positioning of telescopes uses databases of stars and of other astronomical objects.
Henricus Hondius II was a Dutch engraver, cartographer, and publisher.
Pieter Goos (1616–1675) was a Dutch cartographer, copperplate engraver, publisher and bookseller. He was the son of Abraham Goos (1590–1643), also a cartographer and map seller. From 1666, Pieter Goos published a number of well produced atlases. He was the first to map Christmas Island, which he labelled "Mony" in his map of the East Indies, published in his 1666 Zee-Atlas. His Atlas ofte Water-Weereld has been cited as one of the best maritime atlases of its time. Another of his fine works was the Oost Indien map published in 1680.
Abraham Goos was a Dutch cartographer, publisher, and engraver. He made globes, maps of North America, a comprehensive map of European coastlines, and the first printed Hebrew language map of The Holy Land.
Imago universi in Latin means "image of the universe".
Gaspard van der Heyden was a goldsmith, engraver, master printer and builder of precision astronomical instruments including terrestrial and celestial globes from Leuven, Belgium. He was well known among the humanists in Leuven as well as among scientists and mathematicians.
Arnold or Arnoldus Mercator was a Southern Netherlandish cartographer, mathematician and classical philologist. He was the eldest son of cartographer Gerardus Mercator and a brother of Rumold Mercator.
Colette van den Keere (1568–1629) was a Dutch engraver who was the sister of engraver Pieter van den Keere. She married his master, the cartographer Jodocus Hondius in 1587 and she ran the family business for several years. She is credited with engraving a posthumous portrait of her husband.
Media related to Cellarius Harmonia Macrocosmica at Wikimedia Commons