Jacob Philipp Hackert was a landscape painter from Brandenburg, who did most of his work in Italy.
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy.
The Temples of Paestum is an 1824 painting by Antonie Sminck Pitloo. It shows two of the temples at Paestum, probably during an excavation.
Ptolemy Philadelphus in the Library of Alexandria is an 1813 oil on canvas painting by Vincenzo Camuccini. It is now in the National Museum of Capodimonte in Naples.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Massacre of the Innocents is a tempera on panel painting by Matteo di Giovanni, produced between 1450 and 1500 possibly in 1468, 1478, or 1488) probably in Siena. It was commissioned by Alfonso II of Naples, then living in Siena as part of the campaign against the Medici. It was probably produced to commemorate the inhabitants of Otranto killed by the Ottomans in 1480 whose relics were moved into the church of Santa Caterina at Formiello at Alfonso's request - the same church also originally housed the painting. It is now in the National Museum of Capodimonte.
Charles III's Departure for Spain, Seen from the Sea is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Land are now in the National Museum of Capodimonte in Naples.
Charles III's Departure for Spain, Seen from the Land is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Sea are now in the National Museum of Capodimonte in Naples.
Last Judgement is a 1549 tempera on panel painting by Marcello Venusti after Michelangelo's Sistine Chapel The Last Judgement (1541). It is now in the National Museum of Capodimonte in Naples.
Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale is a painting by Giovanni Paolo Pannini, commissioned by Charles of Bourbon in 1746 and completed the same year. It showed and commemorated Charles' visit to Rome after the Bourbon victory over the Austrians at the Battle of Velletri in 1744 - he and pope Benedict XIV were already friends and had signed a Concordat in 1741.
Charles of Bourbon Visiting St Peter's Basilica is a painting by Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the same commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Charles of Bourbon Hunting Coots on Lake Licola is a painting by Claude Joseph Vernet, commissioned by Charles III of Spain during Vernet's second stay in Naples in 1746. A slightly larger copy now in the Palace of Versailles was commissioned by the Marquis de L'Hôpital, French ambassador to Naples. The prime version was moved from the palace at Caserta in 1938 to the Capodimonte Palace in Naples and now hangs in the National Museum of Capodimonte.
Ferdinand I and His Family is a 1782 oil on canvas painting by Angelica Kauffman, now in Room 37 of the National Museum of Capodimonte in Naples.
Francis I and His Family is an 1820 oil on canvas painting by Giuseppe Cammarano, now in the National Museum of Capodimonte in Naples.
Portrait of Princess Maria Christina is an oil on canvas painting by Élisabeth Vigée Le Brun of Maria Christina, commissioned by her parents Maria Carolina of Austria and Ferdinand I of the Two Sicilies between 1775 and 1800. Vigée Le Brun had fled Paris in 1789 after the French Revolution and taken refuge in Naples. It is now in the National Museum of Capodimonte in Naples.
Portrait of Charles of Bourbon in Hunting Dress is an oil on canvas painting by Antonio Sebastiani, likely produced in the 1730s either whilst Charles was still in the Duchy of Parma and Piacenza or at the latest during the early years of his rule of Naples and Sicily - Sebastiani was the court painter. It is now in Room 32 of the National Museum of Capodimonte in Naples, part of the building's former royal apartments.
Portrait of Charles IV of Spain is a portrait of Charles IV of Spain in hunting dress with a hunting dog. Both it and a pendant of his wife were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by Charles's daughter Maria Isabella of Spain along with. It was sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Ferdinand IV is an 1759 painting by Anton Raphael Mengs, now in the National Museum of Capodimonte. It shows Ferdinand IV of the Kingdom of Naples, latter known as Ferdinand I of the Two Sicilies, and was commissioned by his mother Maria Amalia of Saxony to celebrate Ferdinand's accession to the throne of Kingdom of Naples aged eight after his father Charles of Bourbon's abdicated that throne to be king of Spain. This makes it the first official painting of the new king, produced by the artist in October 1759 in around a month, though it was critiqued by the other court artists Luigi Vanvitelli, Giuseppe Bonito and Francesco Liani, who had been passed over for the commission. Mengs also produced in 1760 a second copy of the painting, which was send to Ferdinand's parents to Madrid and which is now in the Prado Museum. Visually the main difference between the two paintings is the signature on 1760 copy, located on the square tile in bottom left corner.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte in Naples, Italy.
