Head of a Warrior

Last updated

The Head of a Warrior is a recurring theme in art. The heads vary a great deal across time and artistic style, but all present an intriguing look into both the soldier and the artist of the day.

Theme (arts) theme or subject in a work of art

In art, theme is usually about life, society or human nature, but can be any other subject. Themes are the fundamental and often universal ideas explored in a work. Themes are usually implied rather than explicitly stated. Deep thematic content is not required in a work, but the great majority of works have some kind of thematic content, not always intended by the author. Analysis of changes in dynamic characteristics of the work can provide insight into a particular theme.

Thomas Eakins Late 19th-early 20th century American artist

Thomas Cowperthwait Eakins was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.

Leonardo da Vinci 15th and 16th-century Italian Renaissance polymath

Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci, was an Italian polymath of the Renaissance whose areas of interest included invention, drawing, painting, sculpture, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, paleontology, and cartography. He is widely considered one of the greatest painters of all time, despite perhaps only 15 of his paintings having survived. The Mona Lisa is the most famous of his works and the most popular portrait ever made. The Last Supper is the most reproduced religious painting of all time and his Vitruvian Man drawing is regarded as a cultural icon as well. Leonardo's paintings and preparatory drawings—together with his notebooks, which contain sketches, scientific diagrams, and his thoughts on the nature of painting—compose a contribution to later generations of artists rivalled only by that of his contemporary Michelangelo.

Scopas Ancient Greek sculptor

Scopas or Skopas was an Ancient Greek sculptor and architect most famous for his statue of Meleager, the copper statue of "Aphrodite" and the head of goddess Hygieia, daughter of Asclepius.


Related Research Articles

<i>The Last Supper</i> (Leonardo) Mural painting by Leonardo da Vinci

The Last Supper is a late 15th-century mural painting by Italian artist Leonardo da Vinci housed by the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy. It is one of the Western world's most recognizable paintings.

<i>Vitruvian Man</i> Drawing by Leonardo da Vinci, made around 1490

The Vitruvian Man, or simply L'Uomo Vitruviano, is a drawing made by the Italian polymath Leonardo da Vinci around 1490. It is accompanied by notes based on the work of the Roman architect Vitruvius. The drawing, which is in ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square. The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man. It is kept in the Gabinetto dei disegni e stampe of the Gallerie dell'Accademia, in Venice, Italy, under reference 228. Like most works on paper, it is displayed to the public only occasionally, so it is not part of the normal exhibition of the museum.

Vinci, Tuscany Comune in Tuscany, Italy

Vinci is a town – officially a "city" (città) – and comune of Metropolitan City of Florence in the Italian region of Tuscany. The birthplace of Renaissance polymath Leonardo da Vinci lies just outside the town.

Fiumicino Comune in Lazio, Italy

Fiumicino is a town and comune in the Metropolitan City of Rome, Lazio, central Italy, with a population of 80,500 (2019). It is famous for the presence of the Leonardo da Vinci–Fiumicino Airport, the busiest airport in Italy and the sixth busiest in Europe.

Francesco Melzi Italian painter

Francesco Melzi, or Francesco de Melzi, was an Italian painter born into a family of the Milanese nobility in Lombardy. He was one of Leonardo da Vinci’s pupils.

Cultural references to Leonardo da Vinci

Leonardo da Vinci was an Italian Renaissance painter and polymath who achieved legendary fame and iconic status within his own lifetime. His renown primarily rests upon his brilliant achievements as a painter, the Mona Lisa and the Last Supper, being two of the most famous artworks ever created, but also upon his diverse skills as a scientist and inventor. He became so highly valued during his lifetime that the King of France bore him home like a trophy of war, supported him in his old age and, according to legend, cradled his head as he died.

Personal life of Leonardo da Vinci Era un niƱo muy carismatico

The personal life of Leonardo da Vinci has been a subject of interest, inquiry, and speculation since the years immediately following his death. Leonardo has long been regarded as the archetypal Renaissance man, described by the Renaissance biographer Giorgio Vasari as having qualities that "transcended nature" and being "marvellously endowed with beauty, grace and talent in abundance". Interest in and curiosity about Leonardo has continued unabated for five hundred years. Modern descriptions and analysis of Leonardo's character, personal desires and intimate behavior have been based upon various sources: records concerning him, his biographies, his own written journals, his paintings, his drawings, his associates, and commentaries that were made concerning him by contemporaries.

Science and inventions of Leonardo da Vinci Wikimedia list article

Leonardo da Vinci (1452–1519) was an Italian polymath, regarded as the epitome of the "Renaissance Man", displaying skills in numerous diverse areas of study. Whilst most famous for his paintings such as the Mona Lisa and the Last Supper, Leonardo is also renowned in the fields of civil engineering, chemistry, geology, geometry, hydrodynamics, mathematics, mechanical engineering, optics, physics, pyrotechnics, and zoology.

The year 1516 in art involved some significant events and new works.

Codex Atlanticus manuscript codex by Leonardo da Vinci

The Codex Atlanticus is a twelve-volume, bound set of drawings and writings by Leonardo da Vinci, the largest such set; its name indicates the large paper used to preserve original Leonardo notebook pages, which was that used for atlases. It comprises 1,119 leaves dating from 1478 to 1519, the contents covering a great variety of subjects, from flight to weaponry to musical instruments and from mathematics to botany. This codex was gathered in the late 16th century by the sculptor Pompeo Leoni, who dismembered some of Leonardo's notebooks in its formation. It is currently preserved at the Biblioteca Ambrosiana in Milan.

<i>Leonardos horse</i> unexecuted sculpture by Leonardo da Vinci

Leonardo's Horse is a sculpture that was commissioned of Leonardo da Vinci in 1482 by Duke of Milan Ludovico il Moro, but not completed. It was intended to be the largest equestrian statue in the world, a monument to the duke's father Francesco Sforza. Leonardo did extensive preparatory work for it but produced only a clay model, which was later destroyed.

Italian submarine <i>Leonardo da Vinci</i> (1939) attack submarine

Leonardo da Vinci was a Marconi-class submarine of the Italian navy during World War II. It operated in the Atlantic from September 1940 until its loss in May 1943, and became the top scoring non-German submarine of the entire war.

<i>Portrait of a Man in Red Chalk</i> drawing by Leonardo da Vinci

The portrait of a man in red chalk in the Biblioteca Reale, Turin is widely, though not universally, accepted as a self-portrait of Leonardo da Vinci. It is thought that Leonardo da Vinci drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a polymath or "Renaissance Man". Despite this, some historians and scholars disagree as to the true identity of the sitter.

<i>Head of a Woman</i> (Leonardo) painting attributed to Leonardo da Vinci

The Head of a Woman—also known as La Scapigliata— is a painting in oil on wood by the Italian Renaissance master Leonardo da Vinci, dating from around c. 1508 and housed in the Galleria Nazionale di Parma, Italy.

<i>Salvator Mundi</i> (Leonardo) painting by Leonardo da Vinci

Salvator Mundi is a painting by Italian Renaissance artist Leonardo da Vinci dated to c. 1500. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in a major Leonardo exhibition at the National Gallery, London, in 2011–12. Although several leading scholars have considered it to be an original work by Leonardo, this attribution has been disputed by other specialists, some of whom posit that he only contributed certain elements.

Leonardeschi Group of artists who worked under the influence of Leonardo da Vinci

The Leonardeschi is the large group of artists who worked in the studio of or under the influence of Leonardo da Vinci. In 1472 da Vinci joined the Guild of St Luke and at the end of 1477 he left the studio of Andrea del Verrocchio as an independent artist. In 1482 Leonardo came to Milan where he stayed with Giovanni Ambrogio de Predis, Evangelista de Predis and their four brothers, who all were artists of different kinds. Both Predis brothers are known for having collaborated with Leonardo da Vinci in the painting of the Virgin of the Rocks for the altarpiece in the chapel of the Confraternity of the Immaculate Conception at the Church of San Francesco Grande, Milan. In 1490 Leonardo earned recognition and a breakthrough at the court of Ludovico Sforza and because of the scale of works commissioned he was permitted to have assistants and pupils in his own studio.

<i>Rearing Horse and Mounted Warrior</i> sculpture attributed to Leonardo da Vinci

The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.