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| Helleveeg | |
|---|---|
| Directed by | Theo Frenkel |
| Written by | Theo Frenkel |
Release date |
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| Country | Netherlands |
| Language | Silent |
Helleveeg is a 1920 Dutch silent film directed by Theo Frenkel.
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De Grootste Nederlander was a public poll held in 2004 by the broadcasting company KRO of the Publieke Omroep. The series has the BBC's 100 Greatest Britons TV format. During the series, it included individual programmes on the top ten, with viewers having further opportunities to vote after each programme.
The Spinoza Prize is an annual award of 1.5 million euro prize money, to be spent on new research given by the Dutch Research Council (NWO). The award is the highest scientific award in the Netherlands. It is named after the philosopher Baruch de Spinoza.
Fatum is a 1915 Dutch silent drama film directed by Theo Frenkel.
The Wreck in the North Sea is a 1915 Dutch silent drama film directed by Theo Frenkel.
Op hoop van zegen is a 1918 Dutch silent drama film directed by Maurits Binger.
Het proces Begeer is a 1918 Dutch silent drama film directed by Theo Frenkel and based on a true story. It follows three criminals who prepare a robbery on the diamond company of the firm Begeer in Amsterdam. It is believed to be a lost film.
De duivel is a 1918 Dutch silent drama film directed by Theo Frenkel.
Ray of Sunshine is a 1919 Dutch silent film directed by Theo Frenkel.
Aan boord van de 'Sabina' is a 1920 Dutch silent film directed by Theo Frenkel.
Geeft ons kracht is a 1920 Dutch silent film directed by Theo Frenkel.
Sheer Bluff is a 1921 British-Dutch silent drama film directed by Frank Richardson.
Cirque hollandais is a 1924 Dutch silent film directed by Theo Frenkel.
De Vier Mullers is a 1935 Dutch film directed by Rudolf Meinert. A separate version Everything for the Company was produced, also directed by Meinert.
Tomorrow It Will Be Better is a 1939 Dutch film directed by Frederic Zelnik.
Theodorus Maurita Frenkel was a Dutch film director, actor and screenwriter of the silent era. He worked in Britain under the name Theo Bouwmeester for the Natural Color Kinematograph Company, using the surname of his renowned mother and uncle, before working in Germany in 1913 and 1914 and then returning to the Netherlands, a neutral country, before World War I. He directed more than 200 films between 1908 and 1928. He also appeared in 21 films between 1911 and 1948. His nephew Theo Frenkel Jr. (1893–1955) was a film actor.
Overtoomse Veld is a neighborhood of Amsterdam, Netherlands. It is named for the Overtoomse Sluis, which was an old portage point dating from the 14th century on a major cargo route to and from Amsterdam at the junction of two waterschap areas, Hoogheemraadschap van Rijnland and Hoogheemraadschap van Amstelland.
Zorgvlied is a cemetery on the Amsteldijk in Amsterdam, the Netherlands, on the left bank of the river Amstel. The cemetery was opened in 1870 by the city of Amstelveen which still owns and operates it, though since 1896 it is located within the boundaries of the city of Amsterdam. One of the country's best-known cemeteries, it is notable for the large number of celebrities, especially from the literary and theater worlds, buried there.
Jonkvrouwe (Lady) Cornélie Caroline "Cox" van Asch van Wijck was a Dutch artist and sculptor.
Events from the year 1914 in the Netherlands
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
