Here Comes the Judge

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Here Comes the Judge may refer to:

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<span class="mw-page-title-main">Here Comes the Judge (Pigmeat Markham song)</span> 1968 single by Pigmeat Markham

"Here Comes the Judge" is a song by American soul and comedy singer Pigmeat Markham, first released as a single in 1968 on the Chess label. The record entered the UK Singles Chart in July 1968, spending eight weeks on the chart and reaching number 19 as its highest position. The song originated with his signature comedy routine "heyeah (here) come da judge", which featured Markham as a courtroom judge dealing with various legal cases and made a mockery of formal courtroom etiquette. Due to its rhythmic use of boastful rhyming dialogue over a funky drum beat, it is considered a precursor to hip hop music.

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<i>Here Comes the Judge</i> (Eddie Harris album) 1964 studio album by Eddie Harris

Here Comes the Judge is an album by American jazz saxophonist Eddie Harris recorded in 1964 and released on the Columbia label.

<span class="mw-page-title-main">Here Comes the Judge (Shorty Long song)</span> 1968 single by Shorty Long

"Here Comes the Judge" is a 1968 song written by Shorty Long, Billie Jean Brown and Suzanne de Passe, and performed by Long. The song was Long's biggest hit, reaching No. 4 on the U.S. R&B chart and No. 8 on the Billboard Hot 100. It held the No. 10 spot on Cashbox for two weeks. The song stayed on the Hot 100 for 11 weeks and Cashbox for 9 weeks. The song also entered the UK chart in July 1968, and was a Top 30 hit, peaking at #30.

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<i>Here Comes the Judge</i> (Shorty Long album) 1968 studio album by Shorty Long

Here Comes the Judge is the 1968 debut studio album by American rhythm and blues singer Shorty Long, released on Motown subsidiaries Soul Records and Tamla Motown. After recording several singles for Motown, Long had an unexpected hit with the title track to this release and the label rushed out a full album, compiling several songs already released as singles as well as new recordings. That year, Long toured with a stable of Motown acts including The Contours, The Marvelettes, and The Spinners to promote the album, which was the only one released in Long's lifetime.