Hitori ja Nai

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Hitori ja Nai may refer to:

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<i>Ee ja nai ka</i> Carnivalesque celebrations, communal activities, and protests in Japan in 1867–68

Ee ja nai ka was a complex of carnivalesque religious celebrations and communal activities, often understood as social or political protests, which occurred in many parts of Japan from June 1867 to May 1868, at the end of the Edo period and the start of the Meiji Restoration. Particularly intense during the Boshin War and Bakumatsu, the movement originated in the Kansai region, near Kyoto.

Ee ja nai ka was a complex of carnivalesque religious celebrations and communal activities, often understood as social/political protests, which occurred in many parts of Japan in 1867–1868.

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<span class="mw-page-title-main">Hitori ja Nai (Deen song)</span> 1996 single by Deen

"Hitori ja Nai" is the ninth single by the Japanese band Deen. It is used as the first ending song for the anime series Dragon Ball GT. It was released on Mini CD on April 1, 1996, in Japan only and peaked at number 3 on the Oricon chart. It is coupled with the song "Sunday". The song was used for the first 26 episodes of the series.

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Hitori is a logic puzzle.

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<span class="mw-page-title-main">Hitori ja Nai (Mai Kuraki song)</span> 2021 promotional single by Mai Kuraki

"Hitori ja Nai" is a song recorded by Japanese singer songwriter Mai Kuraki. It was released as the second promotional single from her thirteenth studio album Unconditional Love, through Northern Music for digital download on 1 August 2021. The song was written in celebration of the tenth anniversary of the Sanrio character series, Wish me mell. This is the second time for Kuraki to write a song for the series, since the singer wrote "Stay the Same" in 2012.

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<span class="mw-page-title-main">Kazari ja Nai no yo Namida wa</span> 1984 single by Akina Nakamori

"Kazari ja Nai no yo Namida wa" is the 10th single by Japanese entertainer Akina Nakamori. Written by Yōsui Inoue, the single was released on November 14, 1984, by Warner Pioneer through the Reprise label. It was also the lead single from her seventh studio album Bitter and Sweet.