Hola/Chau

Last updated
Hola/Chau
LFC-Hola.jpg
Live album by
Los Fabulosos Cadillacs
Released2001
RecordedSeptember, 1, 2/ 29 2000
Genre Rock en español, Ska, Latin, Reggae
Length52:50/64:17
Label BMG, Ariola
Los Fabulosos Cadillacs chronology
La Marcha del Golazo Solitario
(1999)		Hola/Chau
(2001)		 La Luz del Ritmo
(2008)
The cover of Chau
Lfc-Chau.jpg
Russians are here

Hola/Chau (Spanish for Hello/Bye), released in 2001, are the thirteenth and fourteenth albums from the Argentine band Los Fabulosos Cadillacs. These, their second live album set, are twin concert albums recorded at the Estadio Obras Sanitarias in Argentina. The concert includes most of the band's hits as well as a reunion with some of the former members of the band.

Contents

In the concert, many of the songs differ for the original versions in length and sound: some of them are given an edgier sound, on others long instrumental passages are added (like "Piraña, Todos Los Argentinos Somos D.T.", which is given a two-minute percussion break) and some a more light, faster sound (such as "Vasos Vacíos", in which the audience and Vicentico alternate the part of Celia Cruz). Additionally, a few songs contain spoken sections by Vicentico, most memorably on "Basta de Llamarme Asi", in which he explains the song's history to the audience, and "Los Condenaditos", in which he delivers a closing speech asking for a social awakening.

Both albums were a huge commercial success earning golds in Mexico [1] and Argentina. [2] It would also embody a magnificent farewell for the band at the time. Nevertheless, the fans are left with the final words by Vicentico: "We'll see each other soon, very, very soon"

Reception

Hola

The Allmusic review by Victor W. Valdivia awarded the album 3 stars stating "Hola stakes the band's claim as one of the finest live acts anywhere. For one thing, the set list is superbly chosen. Rather than relying on the most recent album the band was touring to support the set list reaches all the way back to their first album and picks many classic tracks from all the albums in between"... Some tracks already were tailor-made for a live audience and are predictably superlative, but others reveal added power in concert. "Calaveras y Diablitos," already first-rate, becomes downright sublime when accompanied by an audience, while "Yo Quiero Morirme Aca," which sounded thin and tentative in its original studio version, becomes muscular and fierce on-stage. It's not quite the same as actually being there but Hola is one of los Fabulosos Cadillacs' most vital recordings. [3]

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [3]

Chau

The Allmusic review by Victor W. Valdivia awarded the album 3 stars stating "The companion piece to the live album Hola, recorded at the same shows in Argentina, contains less-accessible material than Hola (although it does contain their most famous song, "Matador," which, predictably, sounds even more thunderous live)... The album works because the more thoughtful, reflective songs, like "Siguiendo La Luna," translate to the stage far better than could be imagined, especially when the audience sings along. "Vasos Vacios," especially, becomes downright sublime and "Salvador Y Los Cordones Flojos," hardly a standout on La Marcha de Golazo Solitario, reveals a new complexity and power. Chau may be a half-step below as accessible as its companion, Hola, but by no means is it forgettable, and fans and newcomers alike will definitely find a lot to like here. ". [4]

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [4]

Track listing

Hola

  1. "Cadillacs" (Vicentico, Flavio Cianciarulo) – 1:24
  2. "Demasiada Presión" ("Too Much Pressure") (Vicentico) – 3:41
  3. "El Aguijón" ("The Sting") (Vicentico) – 3:22
  4. "El Genio del Dub" ("The Genius of Dub") (Vicentico, Cianciarulo, Fernando Ricciardi, Sergio Rotman) – 4:11
  5. "Calaveras y Diablitos" ("Skulls and Little Devils") (Cianciarulo) – 3:56
  6. "Yo Quiero Morirme Acá" ("I Want to Die Here") (Vicentico) – 1:57
  7. "Carmela" (Ricciardi) – 3:41
  8. "Roble" ("Oak") (Vicentico) – 3:29
  9. "El Crucero del Amor" ("The Cruise of Love") (Cianciarulo, Rotman) – 5:37
  10. "La Vida" ("The Life") (Cianciarulo) – 3:14
  11. "La Marcha del Golazo Solitario" ("The March of the Lonely Impressive Goal") (Angelo Moore, Norwood Fisher, Cianciarulo) – 5:33
  12. "Mal Bicho" ("Bad Guy") (Cianciarulo) – 5:05
  13. "El Satánico Dr. Cadillac" ("The Satanic Dr. Cadillac") (Vicentico) – 3:55
  14. "Yo No Me Sentaría en Tu Mesa" ("I Would Not Sit In Your Table") (Vicentico, Pardo, Rotman) – 3:46

Chau

  1. "Manuel Santillán, el León" ("Manuel Santillan, the Lion") (Cianciarulo) – 4:01
  2. "Salvador y los Cordones Flojos" ("Salvador and the Loose Cords") (Cianciarulo) – 3:30
  3. "Vos Sabés" ("You Know") (Cianciarulo) – 3:15
  4. "No. 2 en Tu Lista" ("2nd on Your List") (Vicentico) – 3:57
  5. "Siguiendo la Luna" ("Following the Moon") (Rotman) – 4:36
  6. "Estoy Harto de Verte con Otros" ("I`m Tired of Seeing You With Others") (Vicentico) – 5:32
  7. "Piraña, Todos los Argentinos Somos D.T." ("Piranha, We Argentines are all coaches") (Cianciarulo) – 4:48
  8. "Vasos Vacíos" ("Empty Glasses") (Vicentico) – 4:07
  9. "La Pomeña" (Manuel Castilla, Gustavo Leguizamón) – 3:16
  10. "Basta de Llamarme Así" ("Stop Calling me That Way") (Vicentico) – 4:33
  11. "Silencio Hospital" ("Hospital, Silence") (Capello, Siperman) - 2:01
  12. "Carnaval Toda la Vida" ("Carnaval Forever") (Vicentico) – 4:15
  13. "Matador" ("Killer") (Cianciarulo) – 5:19
  14. "Padre Nuestro" ("Our Father") (Vicentico) – 2:35
  15. "Los Condenaditos" ("The Little Condemned") (Vicentico, Rotblat – 8:34

Personnel

Former Members

Guests

DVD

A special 2-DVDs set with full footage of the concerts was released in 2006.

Sales and certifications

RegionCertification Certified units/sales
Argentina (CAPIF) [5] Platinum40,000^
Argentina (CAPIF) [5]
Remaster version (2008) 		2× Platinum80,000^
Mexico (AMPROFON) [6]
for Hola		Gold75,000^
Mexico (AMPROFON) [7]
for Chau		Gold75,000^

^ Shipments figures based on certification alone.

Related Research Articles

<i>Vasos Vacíos</i> 1993 compilation album by Los Fabulosos Cadillacs

Vasos Vacíos is the 8th album by Argentine rock, ska, and reggae band Los Fabulosos Cadillacs. This album, released in 1993, was a compilation album which included tracks from the band's previous seven albums (1986–1992). This album also contained new arrangements of previous songs, and new songs such as "El Matador".

Ricardo Iorio Musical artist

Ricardo Iorio is a singer, songwriter and musician of Argentine heavy metal who participated in various of the most important metal bands of the nation.

"Matador" or "El matador" is a song written by Flavio Cianciarulo, bass player of Los Fabulosos Cadillacs, a rock band from Argentina. It was first released in their 1993 album Vasos Vacíos and it is considered their signature song since the song topped the charts all across Hispanic America.

<i>Bares y Fondas</i> 1986 studio album by Los Fabulosos Cadillacs

Released in 1986, Bares y Fondas is the first studio album recorded by Los Fabulosos Cadillacs of Argentina. The album's main genre is Ska. The music, just like the wardrobe in the early band's concerts, was influenced by bands like Madness and The Specials. These aspects were unusual for Argentine rock bands of that period, and gave the Cadillacs a distinctive artistic appeal.

<i>Fabulosos Calavera</i> 1997 studio album by Los Fabulosos Cadillacs

Fabulosos Calavera Released in 1997 is the eleventh album by Argentine band Los Fabulosos Cadillacs. This album has a much darker theme than the previous album of the band talking about death, the devil and hidden messages. This fact, however, didn't stop it for getting gold disc and latter platinum on remastering and the Carlos Gardel Award. The best example of the tone of the album is the fourth track "Sábato", a tribute to Ernesto Sábato and his books El Túnel and Sobre Heroes y Tumbas, while track 11 is a homage to Argentine tango musician and composer Ástor Piazzolla. Track 7, "Hoy Lloré Canción", features famous salsa songwriter Rubén Blades.

<i>Yo Te Avise</i> 1987 studio album by Los Fabulosos Cadillacs

Yo Te Avisé! is the second studio album from the Argentine Ska band Los Fabulosos Cadillacs, and was released in 1987. Having built on their experience from the first album, the band also benefited from the assistance of Andres Calamaro in production. On this album, Daniel Lozano joined the band as a guest player on the trumpet, eventually becoming a full-time member.

<i>El Ritmo Mundial</i> 1988 studio album by Los Fabulosos Cadillacs

El Ritmo Mundial Released in 1988 is the third studio album of the Argentine Ska, Reggae band Los Fabulosos Cadillacs. Recorded and edited in 1988, in this album the band expand their musical range to more commercials genres to the age. The album now include the classic Ska along with the apparition of a couple of ballads "Siempre me Hablaste de Ella" and "No. 2 en tu Lista".

<i>El Satanico Dr. Cadillac</i> 1989 studio album by Los Fabulosos Cadillacs

El Satanico Dr. Cadillac Released in 1989 is the fourth studio album from the Argentine Ska, reggae band Los Fabulosos Cadillacs.

<i>Volumen 5</i> 1990 studio album by Los Fabulosos Cadillacs

Vol. 5 Released in 1990 is the fifth studio album from the Argentine Ska, Reggae band Los Fabulosos Cadillacs

<i>El León</i> (album) Album by Los Fabulosos Cadillacs

El León is the seventh studio album by the Argentine ska and reggae band Los Fabulosos Cadillacs. Released in 1992, the album combines multiple genres and incorporates Caribbean rhythms as well as salsa, calypso and reggae influences. It is a notable album in the history of Argentine rock. In 2007, the Argentine edition of Rolling Stone ranked it 21 on its list of "The 100 Greatest Albums of National Rock".

<i>La Marcha del Golazo Solitario</i> 1999 studio album by Los Fabulosos Cadillacs

La Marcha del Golazo Solitario Released in 1999 is the ninth studio album from the Argentine Ska Reggae Latin Rock band Los Fabulosos Cadillacs to reach gold.

Vicentico Musical artist

Gabriel Julio Fernández Capello is a musician and composer better known by his stage name Vicentico. Co-founder and vocalist of the band Los Fabulosos Cadillacs along with Flavio Cianciarulo. He was part of the group since its creation in 1984 to the year 2001, when he began a solo career as a singer. Vicentico won the Latin Grammy Award for Best Rock Album in 2021 for El Pozo Brillante and Best Rock Song for "Ahora 1".

Flavio Cianciarulo Musical artist

Flavio Oscar Cianciarulo, a.k.a.Sr. Flavio, is the electric and upright bass player from the reunited Argentine band Los Fabulosos Cadillacs and Latin American supergroup De La Tierra.

<i>En Vivo en Buenos Aires</i> 1994 live album by Los Fabulosos Cadillacs

En Vivo en Buenos Aires Released in 1994 is the ninth album and first live one from the Argentine ska reggae Latin rock band Los Fabulosos Cadillacs. It was well received and earned a gold disc.

<i>La Luz del Ritmo</i> 2008 studio album by Los Fabulosos Cadillacs

La Luz del Ritmo is the fifteenth album by Argentine ska band Los Fabulosos Cadillacs. After a 7-year-long hiatus of the group in which some of the members of the band spent some time in their own projects, Los Fabulosos Cadillacs regrouped to launch a very anticipated disc which includes 5 new songs, 6 remakes and 2 covers, all new versions.

<i>El Arte de la Elegancia de LFC</i> Album by Los Fabulosos Cadillacs

El Arte de la Elegancia de LFC (2009) is the sixteenth album by Argentine ska band Los Fabulosos Cadillacs.

<i>Rey Azúcar</i> 1995 studio album by Los Fabulosos Cadillacs

Rey Azúcar is the tenth album by Argentine band Los Fabulosos Cadillacs. It was produced by Tina Weymouth and Chris Frantz of Talking Heads, and contained guest appearances from punk icons Mick Jones of The Clash and Blondie's Debbie Harry, as well as reggae star Big Youth on several tracks. The album title comes from a line on the song "Las Venas Abiertas de América Latina". The song is based on Eduardo Galeano's book of the same title, which also contains a chapter called Rey Azúcar.

<i>Solo un Momento</i> 2010 studio album by Vicentico

Sólo un Momento is the fourth album by Argentine rock and pop singer-songwriter Vicentico. It was released on September 29, 2010.

<i>20 Grandes Éxitos</i> (Los Fabulosos Cadillacs album) 1998 compilation album by Los Fabulosos Cadillacs

20 Grandes Exitos is the second Compilation album by Argentine rock and ska band Los Fabulosos Cadillacs, released in 1998. It is a two-CDs set covering 8 years and 6 albums plus a never-released song "Igual a Quien"

Los Fabulosos Cadillacs Ska and rock band from Argentina

Los Fabulosos Cadillacs is an Argentine ska band from Buenos Aires.

References

  1. ↑ "Certification Mexico". Archived from the original on 2014-07-28. Retrieved 2009-02-06.
  2. ↑ Certification Argentina Archived 2011-05-31 at archive.today
  3. 1 2 Valdivia, V Hola. Allmusic Review accessed January 24, 2011
  4. 1 2 Valdivia, V Chau. Allmusic Review [ permanent dead link ] accessed January 24, 2011
  5. 1 2 "Argentinian album certifications – LOS FABULOSOS CADILLACS – HOLA - CHAU". Argentine Chamber of Phonograms and Videograms Producers.
  6. ↑ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas.Type LOS FABULOSOS CADILLACS in the box under the ARTISTA column heading and HOLA in the box under the TÍTULO column heading.
  7. ↑ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas.Type LOS FABULOSOS CADILLACS in the box under the ARTISTA column heading and CHAU in the box under the TÍTULO column heading.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.