Hola/Chau | ||||
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Live album by | ||||
Released | 2001 | |||
Recorded | September, 1, 2/29 2000 | |||
Genre | Rock en español, ska, Latin, reggae | |||
Length | 52:50/64:17 | |||
Label | BMG, Ariola | |||
Los Fabulosos Cadillacs chronology | ||||
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The cover of Chau | ||||
Hola/Chau (Spanish for Hello/Bye), released in 2001, are the thirteenth and fourteenth albums from the Argentine band Los Fabulosos Cadillacs. These, their second live album set, are twin concert albums recorded at the Estadio Obras Sanitarias in Argentina. The concert includes most of the band's hits as well as a reunion with some of the former members of the band.
In the concert, many of the songs differ for the original versions in length and sound: some of them are given an edgier sound, on others long instrumental passages are added (like "Piraña, Todos Los Argentinos Somos D.T.", which is given a two-minute percussion break) and some a more light, faster sound (such as "Vasos Vacíos", in which the audience and Vicentico alternate the part of Celia Cruz). Additionally, a few songs contain spoken sections by Vicentico, most memorably on "Basta de Llamarme Asi", in which he explains the song's history to the audience, and "Los Condenaditos", in which he delivers a closing speech asking for a social awakening.
Both albums were a huge commercial success earning golds in Mexico [1] and Argentina. [2] It would also embody a magnificent farewell for the band at the time. Nevertheless, the fans are left with the final words by Vicentico: "We'll see each other soon, very, very soon"
The Allmusic review by Victor W. Valdivia awarded the album 3 stars stating "Hola stakes the band's claim as one of the finest live acts anywhere. For one thing, the set list is superbly chosen. Rather than relying on the most recent album the band was touring to support the set list reaches all the way back to their first album and picks many classic tracks from all the albums in between"... Some tracks already were tailor-made for a live audience and are predictably superlative, but others reveal added power in concert. "Calaveras y Diablitos," already first-rate, becomes downright sublime when accompanied by an audience, while "Yo Quiero Morirme Aca," which sounded thin and tentative in its original studio version, becomes muscular and fierce on-stage. It's not quite the same as actually being there but Hola is one of los Fabulosos Cadillacs' most vital recordings. [3]
Review scores | |
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Source | Rating |
Allmusic | [3] |
The Allmusic review by Victor W. Valdivia awarded the album 3 stars stating "The companion piece to the live album Hola, recorded at the same shows in Argentina, contains less-accessible material than Hola (although it does contain their most famous song, "Matador," which, predictably, sounds even more thunderous live)... The album works because the more thoughtful, reflective songs, like "Siguiendo La Luna," translate to the stage far better than could be imagined, especially when the audience sings along. "Vasos Vacios," especially, becomes downright sublime and "Salvador Y Los Cordones Flojos," hardly a standout on La Marcha de Golazo Solitario, reveals a new complexity and power. Chau may be a half-step below as accessible as its companion, Hola, but by no means is it forgettable, and fans and newcomers alike will definitely find a lot to like here". [4]
Review scores | |
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Source | Rating |
Allmusic | [4] |
A special 2-DVDs set with full footage of the concerts was released in 2006.
Region | Certification | Certified units/sales |
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Argentina (CAPIF) [5] | Platinum | 40,000^ |
Argentina (CAPIF) [5] Remaster version (2008) | 2× Platinum | 80,000^ |
Mexico (AMPROFON) [6] for Hola | Gold | 75,000^ |
Mexico (AMPROFON) [7] for Chau | Gold | 75,000^ |
^ Shipments figures based on certification alone. |
Vasos Vacíos is the 8th album by Argentine rock, ska, and reggae band Los Fabulosos Cadillacs. This album, released in 1993, was a compilation album which included tracks from the band's previous seven albums (1986–1992). This album also contained new arrangements of previous songs, and new songs such as "El Matador".
"Matador" or "El matador", is a song written by Flavio Cianciarulo, bass player of Los Fabulosos Cadillacs, a rock band from Argentina. It was first released in their 1993 album Vasos Vacíos and it is considered their signature song since the song topped the charts all across Hispanic America.
Bares y Fondas released in 1986, is the first studio album recorded by Los Fabulosos Cadillacs of Argentina. The album's main genre is Ska. The music, just like the wardrobe in the early band's concerts, was influenced by bands like Madness and The Specials. These aspects were unusual for Argentine rock bands of that period, and gave the Cadillacs a distinctive artistic appeal.
Fabulosos Calavera Released in 1997 is the eleventh album by Argentine band Los Fabulosos Cadillacs. This album has a much darker theme than the previous album of the band talking about death, the devil and hidden messages. This fact, however, didn't stop it for getting gold disc and latter platinum on remastering and the Carlos Gardel Award. The best example of the tone of the album is the fourth track "Sábato", a tribute to Ernesto Sábato and his books El Túnel and Sobre Heroes y Tumbas, while track 11 is a homage to Argentine tango musician and composer Ástor Piazzolla. Track 7, "Hoy Lloré Canción", features famous salsa songwriter Rubén Blades.
Yo Te Avisé! is the second studio album from the Argentine Ska band Los Fabulosos Cadillacs and was released in 1987. Having built on their experience from the first album, the band also benefited from the assistance of Andres Calamaro in production. On this album, Daniel Lozano joined the band as a guest player on the trumpet, eventually becoming a full-time member.
El Ritmo Mundial Released in 1988 is the third studio album of the Argentine Ska, Reggae band Los Fabulosos Cadillacs. Recorded and edited in 1988, in this album the band expands their musical range to more current commercial genres. The album now includes the classic Ska along with the apparition of a couple of ballads "Siempre me Hablaste de Ella" and "No. 2 en tu Lista".
El Satanico Dr. Cadillac Released in 1989 is the fourth studio album from the Argentine Ska, reggae band Los Fabulosos Cadillacs.
Vol. 5 Released in 1990 is the fifth studio album from the Argentine Ska, Reggae band Los Fabulosos Cadillacs.
El León is the seventh studio album by the Argentine ska and reggae band Los Fabulosos Cadillacs. Released in 1992, the album combines multiple genres and incorporates Caribbean rhythms as well as salsa, calypso and reggae influences. It is a notable album in the history of Argentine rock. In 2007, the Argentine edition of Rolling Stone ranked it 21 on its list of "The 100 Greatest Albums of National Rock".
La Marcha del Golazo Solitario Released in 1999 is the ninth studio album from the Argentine Ska Reggae Latin Rock band Los Fabulosos Cadillacs to reach gold.
Gabriel Julio Fernández Capello, better known as Vicentico, is an Argentine musician and composer. Co-founder and vocalist of the band Los Fabulosos Cadillacs along with Flavio Cianciarulo. He was part of the group since its creation in 1984 to the year 2001, when he began a solo career as a singer. Vicentico won the Latin Grammy Award for Best Rock Album in 2021 for El Pozo Brillante and Best Rock Song for "Ahora 1".
Flavio Oscar Cianciarulo, a.k.a.Sr. Flavio, is the electric and upright bass player from the reunited Argentine band Los Fabulosos Cadillacs and Latin American supergroup De La Tierra.
En Vivo en Buenos Aires Released in 1994 is the ninth album and first live one from the Argentine ska reggae Latin rock band Los Fabulosos Cadillacs. It was well received and earned a gold disc.
La Luz del Ritmo is the fifteenth album by Argentine ska band Los Fabulosos Cadillacs. After a 7-year-long hiatus of the group in which some of the members of the band spent some time in their own projects, Los Fabulosos Cadillacs regrouped to launch a very anticipated disc which includes 5 new songs, 6 remakes and 2 covers, all new versions.
El Arte de la Elegancia de LFC (2009) is the sixteenth album by Argentine ska band Los Fabulosos Cadillacs.
Rey Azúcar is the tenth album by Argentine band Los Fabulosos Cadillacs. It was produced by Tina Weymouth and Chris Frantz of Talking Heads, and contained guest appearances from punk icons Mick Jones of The Clash and Blondie's Debbie Harry, as well as reggae star Big Youth on several tracks. The album title comes from a line on the song "Las Venas Abiertas de América Latina". The song is based on Eduardo Galeano's book of the same title, which also contains a chapter called Rey Azúcar.
Sólo un Momento is the fourth album by Argentine rock and pop singer-songwriter Vicentico. It was released on September 29, 2010.
20 Grandes Exitos is the second Compilation album by Argentine rock and ska band Los Fabulosos Cadillacs, released in 1998. It is a two-CDs set covering 8 years and 6 albums plus a never-released song "Igual a Quien"
Los Fabulosos Cadillacs is an Argentine musical group from Buenos Aires. Their music fuses ska with Latin rock and various other styles.
The 17th Annual Latin Grammy Awards were held on November 17, 2016 at the T-Mobile Arena in Paradise, Nevada.