Lawrence Donald Clark is an American film director, photographer, writer and film producer who is best known for his controversial teen film Kids (1995) and his photography book Tulsa (1971). His work focuses primarily on youth who casually engage in illegal drug use, underage sex, and violence, and who are part of a specific subculture, such as surfing, punk rock, or skateboarding.
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. [ ... ] it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
David Hamilton was a British photographer and film director best known for his photography of young women and girls, mostly in the nude. His signature soft focus style was called the "Hamilton Blur", which was erroneously thought to be achieved by smearing Vaseline on the lens of his camera. Hamilton's images became part of an "art or pornography" debate.
Sally Mann HonFRPS is an American photographer who has made large format black and white photographs—at first of her young children, then later of landscapes suggesting decay and death.
Washday at the Pa is a New Zealand illustrated children's book by photographer Ans Westra that describes a day in the lives of a rural Māori family. The book was first published by the government Department of Education in 1964 and distributed to primary schools as a bulletin.
John Brian Brake was a photographer from New Zealand.
Where the Sidewalk Ends is a 1974 children's poetry collection written and illustrated by Shel Silverstein. It was published by Harper and Row Publishers. The book's poems address common childhood concerns and also present fanciful stories and imaginative images. Silverstein's work is valued by people of all ages, primarily due to his skill in subtly communicating social implications through his simple language. Controversial because of profanity and theme of rebellion, the book was first banned in 1986 in many libraries and schools.
The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.
Horst Faas was a German photo-journalist and two-time Pulitzer Prize winner. He is best known for his images of the Vietnam War.
The term found photography can be used as a synonym for found photos: photographs, usually anonymous, that were not originally intended as art but have been given fresh aesthetic meaning by an artist’s eye.
Emil Otto Hoppé was a German-born British portrait, travel, and topographic photographer active between 1907 and 1945. Born to a wealthy family in Munich, he moved to London in 1900 to train as a financier, but took up photography and rapidly achieved great success.
Graham Stuart Ovenden is an English painter, fine art photographer and writer.
The Age of Innocence is a 1995 photography and poetry book by David Hamilton. The book contains images of early-teen girls, often nude, accompanied by lyrical poetry. Images are in a boudoir setting and photographed mainly in colour using a soft-focus filter, with some shots in black-and-white.
Mario Santoro – Woith is an Italian photographer working in the field of experimental photography, xerography, printmaking and self-publishing artist's books. He is based in Todi (Umbria).
Ian Christopher Scott was a New Zealand painter. His work was significant for pursuing an international scope and vision within a local context previously dominated by regionalist and national concerns. Over the course of his career he consistently sought to push his work towards new possibilities for painting, in the process moving between abstraction and representation, and using controversial themes and approaches, while maintaining a highly personal and recognisable style. His work spans a wide range of concerns including the New Zealand landscape, popular imagery, appropriation and art historical references. Scott's paintings are distinctive for their intensity of colour and light. His approach to painting is aligned with the modernist tradition, responding to the formal standards set by the American painters Morris Louis, Kenneth Noland and Jules Olitski.
Gillian McCain is a Canadian poet, author, and photography collector best known for Please Kill Me: The Uncensored Oral History of Punk, which she co-wrote with Legs McNeil. McCain is the author of two books of poetry: Tilt and Religion. Portions of her "found photo" collection have been featured in magazines, published as limited edition books, and exhibited at the Camera Club of New York gallery. She sat on the board of directors of the Nova Scotia College of Art and Design in Halifax and was the Chair of the Board of Directors of the Poetry Project at St. Mark's Church in-the-Bowery New York City.
William Jay was a photographer, writer on and advocate of photography, curator, magazine and picture editor, lecturer, public speaker and mentor. He was the first editor of "the immensely influential magazine" Creative Camera (1968–1969); and founder and editor of Album (1970–1971). He is the author of more than 20 books on the history and criticism of photography, and roughly 400 essays, lectures and articles. His own photographs have been widely published, including a solo exhibition at the San Francisco Museum of Modern Art. He is known for his portrait photographs of photographers.
Blast Books is a New York-based book publisher whose catalog consists of non-fiction books which focus on cultural and historical subjects, often of an obscure or unusual nature. Many of their publications include archival illustrations and photography.
Odette England is an Australian-British photographer whose artwork has been exhibited internationally. She often uses family photographs in her practice.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.
