I'm Like All Lovers

Last updated

"I'm Like All Lovers"
by Lesbia Harford
Original titlePoems XIV
First published inThe Poems of Lesbia Harford (1941)
CountryAustralia
LanguageEnglish
Publication date1917
Full text
Wikisource-logo.svg I'm Like All Lovers at Wikisource

"I'm Like All Lovers" is a poem by Australian poet Lesbia Harford. [1] It was written in 1917, though first published in the poet's collection The Poems of Lesbia Harford in 1941 under the title "Poems XIV", and later in other Australian poetry anthologies.

Contents

Outline

A woman, the poet, speaks plainly to her man demanding that he ask no more of her than she asks of him, noting that she is free and so should he be, and that it is her love that sets him free, as long as he loves the woman in her. A very proto-feminist poem.

Analysis

In his commentary on the poem in 60 Classic Australian Poems Geoff Page called the poem "curiously both modern and traditional." He also noted that in "1917 it may well have been ahead of its time (especially in Australia), but it has already outlived that time and promises to be around for quite a while yet". [2]

Further publications

See also

Related Research Articles

<span class="mw-page-title-main">Lesbia Harford</span> Australian poet and activist

Lesbia Venner Harford was an Australian poet, novelist and political activist. She was one of the first women to study for a law degree at the University of Melbourne. She agitated for the rights of workers, supporting a group of union workers who were imprisoned for treason and other crimes. A later reading of Harford's poetry and biography have raised her profile as a pioneer of 'free love' and a queer icon.

"Up The Country" is a popular poem by iconic Australian writer and poet Henry Lawson. It was first published in The Bulletin magazine on 9 July 1892, under the title "Borderland." Its publication marked the start of the Bulletin Debate, a series of poems by both Lawson and Andrew Barton "Banjo" Paterson asserting contrasting views of the true nature of life in the Australian bush.

Susan Hampton is an Australian poet who lives in Davistown, New South Wales.

Marjorie Pizer was an Australian poet.

"Where the Dead Men Lie" is a poem by Australian poet Barcroft Boake. It was first published in The Bulletin magazine on 19 December 1891, and later in the poet's poetry collection Where the Dead Men Lie, and Other Poems (1897).

Where the Pelican Builds is a poem by Australian poet Mary Hannay Foott. It was first published in The Bulletin magazine on 12 March 1881, and later in the poet's collection Where the Pelican Builds and Other Poems (1885).

The Wind at Your Door (1959) is a one-poem volume by Australian poet R. D. Fitzgerald. The poem was originally published in The Bulletin on 17 December 1958, and later in this 275 copy Talkarra Press limited edition, signed by the author. It won the Grace Leven Prize for Poetry in 1959.

"Five Bells" (1939) is a meditative poem by Australian poet Kenneth Slessor. It was originally published as the title poem in the author's collection Five Bells : XX Poems, and later appeared in numerous poetry anthologies. A 2017 study of Australian national poetry anthologies ranked "Five Bells" as the most anthologised poem, appearing in all except one anthology published between 1946 and 2011.

"The Crane is My Neighbour" (1938) is a poem by Australian poet John Shaw Neilson.

"Beach Burial" (1944) is a poem by Australian poet Kenneth Slessor.

"Five Days Old" (1958) is a poem by Australian poet Francis Webb.

"Nationality" is a poem by Australian poet Mary Gilmore. It was first published in Australian Poetry 1942, edited by Robert D. Fitzgerald in 1942, and later in the poet's collection Selected Verse, and other Australian poetry anthologies.

"The Orange Tree" is a poem by Australian poet John Shaw Neilson. It was first published in The Bookfellow on 15 February 1921, and later in the poet's collections and other Australian poetry anthologies.

"The Beautiful Squatter" (1845) is a poem by Australian poet Charles Harpur.

"Middleton's Rouseabout" is a poem by Australian poet Henry Lawson. It was first published in The Freeman's Journal on 8 March 1890, and later in the poet's collections and other Australian poetry anthologies.

Unfinished - individual poem - Gilmore, Lawson, Harpur, Kendall, Paterson

"The Mayan Books" is a poem by Australian poet A. D. Hope. It was first published in the poet's collection Orpheus in 1991, and later in other Australian poetry anthologies.

"Suburban Sonnet" is a poem by Australian poet Gwen Harwood.

"Because" is a poem by Australian poet James McAuley.

"The Children March" is a poem by Australian poet Elizabeth Riddell.

References

  1. ""I'm Like All Lovers" by Lesbia Harford". Austlit. Retrieved 1 December 2024.
  2. 60 Classic Australian Poems edited by Geoff Page, University of NSW Press, 2009, pp. 55-57
  3. "The Poems of Lesbia Harford edited by Drusilla Modjeska and Marjorie Pizer". National Library of Australia. Retrieved 1 December 2024.
  4. "The New Oxford Book of Australian Verse edited by Les Murray". National Library of Australia. Retrieved 1 December 2024.
  5. "The Oxford Book of Australian Love Poems edited by Jennifer Strauss". National Library of Australia. Retrieved 1 December 2024.
  6. "Australian Verse : An Oxford Anthology edited by John Leonard". National Library of Australia. Retrieved 1 December 2024.
  7. "Hell and After : Four Early English-language Poets of Australia by Les Murray". National Library of Australia. Retrieved 1 December 2024.
  8. "60 Classic Australian Poems edited by Geoff Page". National Library of Australia. Retrieved 1 December 2024.
  9. "The Puncher & Wattmann Anthology of Australian Poetry edited by John Leonard". National Library of Australia. Retrieved 1 December 2024.
  10. "100 Australian Poems of Love and Loss edited by Jamie Grant". National Library of Australia. Retrieved 1 December 2024.
  11. "Selected Poems edited by Gerald Murnane". National Library of Australia. Retrieved 1 December 2024.