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Ida Lövgren was a Swedish opera singer.
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Ida Lövgren was a Swedish opera singer.
She was engaged at the Royal Swedish Opera in Stockholm in 1855-56, and then in Germany. In 1860, she married the German opera singer Herrmann Cesar at the Royal Opera in Berlin. She was then engaged with her spouse in several stages in Germany, as well as in Vienna and Budapest.
Kerstin Margareta Meyer, CBE was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's Arden Must Die and György Ligeti's Le Grand Macabre.
Caroline Frederikke Müller née Halle also known as Caroline Walther, was a Danish and later naturalized Swedish opera singer (mezzo-soprano). She was also active as an instructor at the Royal Dramatic Training Academy. She was a member of the Royal Swedish Academy of Music and a Hovsångare.
Elisabeth Olin née Lillström was a Swedish opera singer and a music composer. She performed the leading female role in the inauguration performance of the Royal Swedish Opera in 1773, and is referred to as the first Swedish opera prima donna. She was the first female to be made Hovsångerska (1773), and the first woman to become a member of the Royal Swedish Academy of Music (1782).
Lovisa Sofia Augusti was a Swedish opera singer (soprano). She was regarded as one of the most noted opera singers of the Royal Swedish Opera during the Gustavian era. She was appointed Hovsångare in 1773 and inducted to the Royal Swedish Academy of Music in 1788.
Marie Louise Marcadet née Baptiste was a Swedish opera singer and a dramatic stage actress of French origin. She was active in the Royal Swedish Opera as a singer, and in the Royal Dramatic Theatre and the French Theater of Gustav III as an actress. She was a member of the Royal Swedish Academy of Music from 1795.
Inga Åberg was a Swedish actress and opera singer. She was engaged as an opera singer at the Royal Swedish Opera, and as a stage actress at the Royal Dramatic Theater, between 1787 and 1810.
Justina Kristina Casagli née Wässelius was a Swedish opera singer. She was internationally famous and active in Italy and Germany. She was a member of the Royal Swedish Academy of Music.
Mariane Theresia Sophie Stebnowska also called Zofia Stępkowska or Stempkosta was a Swedish opera singer and harpist of Polish origin. She has been referred to as one of the more notable stage artists of the Gustavian era Royal Swedish Opera. She was the maternal grandmother of the famous ballerina Marie Taglioni.
Louise Charlotte Helene Michaëli, née Michal, was a Swedish opera singer.
Carl Stenborg was a Swedish opera singer, composer and theatre director. He belonged to the pioneer generation of the Royal Swedish Opera and was regarded as one of the leading opera singers of the Gustavian era. He was a hovsångare and a member of the Royal Swedish Academy of Music.
Hedvig Christina Wigert née Falk was a Swedish opera singer. She belonged to the pioneer generation of performers of the Royal Swedish Opera.
Sofia Ulrika Liljegren, also known as Sofia Uttini, was a Swedish-Finnish soprano. She was likely the first professional opera singer from Finland, although she was active in Sweden. She was given the title hovsångerska.
Hedvig Charlotta Konstantina Willman née Harling was a Swedish stage actor, opera singer and drama teacher. She was co-principal of Dramatens elevskola in 1877-86.
Rosa Scarlatti was an Italian opera singer.
Charlotte Helene Frederikke Bournonville (1832–1911) was a Danish opera singer and actress. Daughter of the celebrated Danish ballet master, August Bournonville, she first sang in Stockholm in 1857 before joining the Royal Danish Theatre in Copenhagen two years later. She is also remembered for giving singing lessons to the daughters of King Christian IX. In appreciation of her services, the king elevated her to the status of Kongelig Kammersanger in 1863.
Wilhelmina ("Mina") Christina Fundin was a Swedish operatic soprano who sang at the Royal Swedish Opera without interruption for 30 years. In the mid-1800s, she was considered to be one of the opera's most talented performers.
Anna Catharina Widerberg née Widebäck or Widebeck (1765-1824), was a Swedish stage actress and singer.
Anna Dorothea Oscàr (1875–1915) was a Swedish opera singer. Considered to be Sweden's leading soprano of the period, she made her debut using her maiden name, Anna Thulin, at the Royal Swedish Opera as Papagena in Mozart's The Magic Flute when she was 16. Engaged by the company in 1896, she remained there for the rest of her life singing some 60 different roles in the major German, Italian, French and Swedish operas. Apart from three successful summer tours to the United States in the 1900s, she was otherwise based in Sweden. Married twice, she performed under the name Anna Hellström during her first marriage from 1900 through 1905, and after her second marriage in 1907 to the baritone Martin Oscàr, as Anna Oscàr. In 1908 she was elected a member of the Royal Swedish Academy of Music.
Lilly Walleni is the stage name of Sanna Klara Vallentin (1875–1920), a Swedish mezzo-soprano. Thanks to her powerful voice and her dramatic temperament, she is remembered in particular for the Wagner roles she performed in Germany's principal opera houses as well as in Stockholm. From 1911 to 1916, she was engaged by the Court Opera in Hannover where she was honoured with two Lippe awards.
Magna Elvine Lykseth-Skogman, also known as Magna Lykseth-Schjerven, was a Norwegian-born Swedish operatic soprano. After making her début at the Royal Swedish Opera in 1901 as Santuzza in Cavalleria rusticana, she was engaged there until 1918 becoming the company's prima donna. She performed leading roles in a wide range of operas but is remembered in particular for her Wagnerian interpretations, creating Brünnhilde in the Swedish premières of Siegfried and Götterdämmerung, and Isolde in 1909. Considered to be one of the most outstanding Swedish opera singers of her generation, she was awarded the Litteris et Artibus medal in 1907 and became a member of the Royal Swedish Academy of Music in 1912.
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