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Inventory are a collective of British artists, writers and art theorists, founded in 1996.
Some of their pieces see them engage in performance art in public spaces.
Coagulum (Oxford Street) in 2000, saw them form into a close group on London's Oxford Street, thus disrupting the flow of pedestrians, before entering a shopping centre and dancing to the piped music. For another piece, they played football on The Mall with a rubber skull, using Buckingham Palace and Admiralty Arch as goals.
Other pieces, such as the installation Requiem for the Empty Quarter at The Approach Gallery in Bethnal Green during 2002, used modified and written-upon objects found on the street.
In 2003, Inventory were nominated for the Beck's Futures prize.
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Romare Bearden was an African-American artist and author of a history of his people's art. He worked with many types of media including cartoons, oils, and collages. Born in Charlotte, North Carolina, Bearden grew up in New York City and Pittsburgh, Pennsylvania, and graduated from NYU in 1935.
The Ashmolean Museum of Art and Archaeology on Beaumont Street, Oxford, England, is the world's first university museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677.
Michael Landy RA is one of the Young British Artists (YBAs). He is best known for the performance piece installation Break Down (2001), in which he destroyed all his possessions, and for the Art Bin project (2010) at the South London Gallery. On 29 May 2008, Landy was elected a member of the Royal Academy of Arts in London.
Gary Stewart Hume is an English artist. Hume's work is strongly identified with the YBA who came to prominence in the early 1990s. Hume lives and works in London and Accord, New York.
Herzog & de Meuron Basel Ltd., or Herzog & de Meuron Architekten, BSA/SIA/ETH (HdM), is a Swiss architecture firm with its head office in Basel, Switzerland. The careers of founders and senior partners Jacques Herzog and Pierre de Meuron closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zurich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of Tate Modern. Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 and professors at ETH Zürich since 1999.
Donald Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. It created an outpouring of seemingly effervescent works that defied the term "minimalism". Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Judd voices his unorthodox perception of minimalism in Arts Yearbook 8, where he asserts; "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities" Through his work Judd shines light on the profound effect on new three dimensional by specificity and generality.
The Wadsworth Atheneum is an art museum in Hartford, Connecticut. The Wadsworth is noted for its collections of European Baroque art, ancient Egyptian and Classical bronzes, French and American Impressionist paintings, Hudson River School landscapes, modernist masterpieces and contemporary works, as well as collections of early American furniture and decorative arts.
The Frans Hals Museum is a museum located in Haarlem, the Netherlands.
Allan Kaprow was an American painter, assemblagist and a pioneer in establishing the concepts of performance art. He helped to develop the "Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work.
The Portland Art Museum in Portland, Oregon, United States, was founded in 1892, making it the oldest art museum on the West Coast and seventh oldest in the US. Upon completion of the most recent renovations, the Portland Art Museum became one of the 25 largest art museums in the US, at a total of 240,000 square feet, with more than 112,000 square feet of gallery space. The permanent collection has more than 42,000 works of art, and at least one major traveling exhibition is usually on show. The Portland Art Museum features a center for Native American art, a center for Northwest art, a center for modern and contemporary art, permanent exhibitions of Asian art, and an outdoor public sculpture garden. The Northwest Film Center is also a component of Portland Art Museum.
The Glasgow School was a circle of influential artists and designers that began to coalesce in Glasgow, Scotland in the 1870s, and flourished from the 1890s to around 1910. Representative groups included The Four, the Glasgow Girls and the Glasgow Boys. Part of the international art nouveau movement, they were responsible for creating the distinctive Glasgow Style.
Opus Anglicanum or English work is fine needlework of Medieval England done for ecclesiastical or secular use on clothing, hangings or other textiles, often using gold and silver threads on rich velvet or linen grounds. Such English embroidery was in great demand across Europe, particularly from the late 12th to mid-14th centuries and was a luxury product often used for diplomatic gifts.
G. H. Hovagimyan is an experimental cross media, new media and performance artist who lives and works in New York City.
Gagosian is a contemporary art gallery owned and directed by Larry Gagosian. The gallery exhibits some of the most influential artists of the 20th and 21st centuries. There are 16 gallery spaces: five in New York; three in London; two in Paris; one each in Basel, Beverly Hills, San Francisco, Rome, Athens, Geneva and Hong Kong.
A.I.R. Gallery is the first all female artists cooperative gallery in the United States. It was founded in 1972 with the objective of providing a professional and permanent exhibition space for women artists during a time in which the works shown at commercial galleries in New York City were almost exclusively by male artists. A.I.R. is a not-for-profit, self-underwritten arts organization, with a board of directors made up of its New York based artists. The gallery was originally located in SoHo at 97 Wooster Street, and was located on 111 Front Street in the DUMBO neighborhood of Brooklyn until 2015. In May 2015, A.I.R. Gallery moved to its current location at 155 Plymouth St, Brooklyn, NY 11201.
The Potteries Museum & Art Gallery is in Bethesda Street, Hanley, one of the six towns of Stoke-on-Trent in Staffordshire. Admission is free.
Anthony Benjamin FRSA, RE was an English painter, sculptor and printmaker. Referred to as a 'polymathic artist' by critic Rosemary Simmons when writing about his work for the Borderline Images By Anthony Benjamin show at The Graffiti Gallery in 1979.
Break Down was an artwork created by Young British Artist Michael Landy in London in February 2001, as a reaction to the consumerist society.
Nehemia Azaz, also Nehemiah, Henri or N H Azaz, was an Israeli sculptor, ceramicist and architectural artist, who spent half of his working life in the UK. Best known in Israel as founder of the Department of Artistic Ceramics at the Harsa factory in Beersheba, Azaz made his studio base in Oxfordshire, England from the late 1960s onwards, working in stained glass, wood, concrete, bronze, brass, copper and aluminium.
The conservation and restoration of Ancient Greek pottery is a sub-section of the broader topic of conservation and restoration of ceramic objects. Ancient Greek pottery is one of the most commonly found types of artifacts from the ancient Greek world. The information learned from vase paintings forms the foundation of modern knowledge of ancient Greek art and culture. Most ancient Greek pottery is terracotta, a type of earthenware ceramic, dating from the 11th century BCE through the 1st century CE. The objects are usually excavated from archaeological sites in broken pieces, or shards, and then reassembled. Some have been discovered intact in tombs. Professional conservator-restorers, often in collaboration with curators and conservation scientists, undertake the conservation-restoration of ancient Greek pottery.