![]() |
Ira Robbins may refer to:
Ira Gershwin was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", "The Man I Love" and "Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess.
Anthony Jay Robbins is an American author, coach and speaker. He is known for his infomercials, seminars, and self-help books including the books Unlimited Power and Awaken the Giant Within.
Ozma is the second studio album by the Melvins, released in 1989 through Boner Records. It is the first Melvins album to feature Lori Black on bass guitar and was recorded when the band relocated to San Francisco.
Pink Flag is the debut album by the English rock band Wire, released in November 1977. The album was critically acclaimed on release, and has since been highly influential. It is widely regarded as a landmark in the development of post-punk music.
The Irish Republican Army (IRA) is a name used by various resistance organisations in Ireland throughout the 20th and 21st centuries. Organisations by this name have been dedicated to anti-imperialism through Irish republicanism, the belief that all of Ireland should be an independent republic free from British colonial rule.
Good for Your Soul is the third studio album by American new wave band Oingo Boingo, released in 1983. It was produced by Robert Margouleff and was the band's last album to be released on A&M Records.
Wrong Way Up is the sole collaborative studio album by Brian Eno and John Cale, originally released on October 5, 1990 on Opal and Warner Bros. Records. The album sits between the electronic, prog-rock and art rock genres and features some of both Eno and Cale's most mainstream work.
The Barkleys of Broadway is a 1949 American Technicolor musical comedy film from the Arthur Freed unit at Metro-Goldwyn-Mayer that reunited Fred Astaire and Ginger Rogers after ten years apart. Directed by Charles Walters, the screenplay is by Betty Comden, Adolph Green, and Sidney Sheldon, the songs are by Harry Warren (music) and Ira Gershwin (lyrics) with the addition of "They Can't Take That Away from Me" by George and Ira Gershwin, and the choreography was created by Robert Alton and Hermes Pan. Also featured in the cast were Oscar Levant, Billie Burke, Jacques François and Gale Robbins. It is the last film that Astaire and Rogers made together, and their only film together in color. Rogers came in as a last-minute replacement for Judy Garland, whose frequent absences due to a dependence on prescription medication cost her the role.
Trouser Press was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who, Dave Schulps, and Karen Rose under the name "Trans-Oceanic Trouser Press". Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by Rolling Stone sister publication Record, which itself folded in 1985. Trouser Press has continued to exist in various formats.
Martin Charles Rushent was an English record producer, best known for his work with the Human League, the Stranglers and Buzzcocks.
In the Clear is the fifth studio album by American band Ivy. It was released on March 1, 2005 in the United States by Nettwerk. Considered the "follow-up" to Ivy's third studio album Long Distance (2000), it continues the intimate and refined approach of modern indie pop and indie rock music. Band members Andy Chase and Adam Schlesinger produced the album, while musician Steve Osborne co-produced one of the album's tracks.
Urban Blitz is an English rock musician, best known for his "eerie and atmospheric" electric violin, baritone violectra and lead guitar work with the 1970s London protopunk art rock band Doctors of Madness.
"Slateman" is a song by English industrial metal band Godflesh. It was released as a 7-inch single in 1991 through Sub Pop and later reissued on Earache Records as a CD, a 7-inch and a 12-inch. In 1996, the single was repackaged alongside Cold World (1991) on one disc by Earache Records as the compilation Slateman/Cold World. Both "Slateman" and its b-side, "Wound '91", were appended to the end of most issues of Godflesh's 1991 EP Slavestate.
Proud Mary: The Best of Ike & Tina Turner is a compilation album released as part of EMI's Legends Of Rock N' Roll Series in 1991. In 2003, Rolling Stone magazine ranked the album number 212 on their list of the 500 greatest albums of all time.
Gary Barnacle is an English saxophonist, flautist, brass instrument arranger, composer, and producer. Barnacle is primarily noted for his session work and live work, including various Prince's Trust concerts at Wembley Arena, the Royal Albert Hall and the National Exhibition Centre in Birmingham. He performed at the Nelson Mandela 70th Birthday Tribute at Wembley Stadium in 1988, and appeared on television and in music videos during the 1980s and 1990s with many popular music acts. He was also in an electropop duo called Leisure Process from 1982 to 1983 with ex-Positive Noise singer Ross Middleton.
"Let Go" is a song by the American rock band Cheap Trick, which was released in 1988 as the fourth single from their tenth studio album Lap of Luxury. It was written by guitarist Rick Nielsen and Todd Cerney, and produced by Richie Zito.
Chasms Accord is the second and final studio album by experimental ensemble Rhythm & Noise, released in 1985 through Ralph Records.
Don't Get Any on You is a live album by New York City noise rock band Live Skull, released in 1987 by Homestead Records.
"Mothra" is a song by English industrial metal band Godflesh. It was taken from their 1992 album Pure and saw release as a radio promo and music video in the same year. The track's title is derived from 1961 Japanese film of the same name by Ishirō Honda. Musically, "Mothra" is a grinding, mechanical song with shouted vocals and heavily distorted instruments.
Ira P. Robbins is Distinguished Professor of Law and Barnard T. Welsh Scholar at American University Washington College of Law, where he specializes in criminal law.