Jan Van Imschoot (born 1963, Ghent) is a Belgian contemporary artist whose works are collected by various international museums.
He is represented by major galleries including Galerie Daniel Templon in Paris and Brussels, Switzerland and Los Angeles.
He is a laureate of several awards in contemporary art. He studied at the Stedelijk Secundair Kunstinstituut Gent (Municipal Secondary Art Institute of Ghent) and the Koninklijke Academie voor Schone Kunsten (Royal Academy of Fine Arts). He significantly contributed to the discovery of the now very popular Flemish painter Michaël Borremans.
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Jan van Eyck was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, though most now regard that claim as an oversimplification.
Hubert van Eyck or Huybrecht van Eyck was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to have completed continues to make an assessment of his achievement highly uncertain, although for centuries he had the reputation of being an outstanding founding artist of Early Netherlandish painting.
Adriaen Isenbrandt or Adriaen Ysenbrandt was a painter in Bruges, in the final years of Early Netherlandish painting, and the first of the Dutch and Flemish Renaissance painting of the Northern Renaissance. Documentary evidence suggests he was a significant and successful artist of his period, even though no specific works by his hand are clearly documented. Art historians have conjectured that he operated a large workshop specializing in religious subjects and devotional paintings, which were executed in a conservative style in the tradition of the Early Netherlandish painting of the previous century. By his time, the new booming economy of Antwerp had made this the centre of painting in the Low Countries, but the previous centre of Bruges retained considerable prestige.
Jan Gossaert was a French-speaking painter from the Low Countries also known as Jan Mabuse or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity.
Bastiaan Johan Christiaan "Bas Jan" Ader was a Dutch conceptual and performance artist, and photographer. His work was in many instances presented as photographs and film of his performances. He made performative installations, including Please Don't Leave Me (1969).
Simon Bening was a Flemish miniaturist, generally regarded as the last major artist of the Netherlandish tradition.
Jason Fayette Rhoades was an American installation artist. Better known in Europe, where he exhibited regularly for the last twelve years of his life, Rhoades was celebrated for his combination dinner party/exhibitions that feature violet neon signs and his large scale sculptural installations inspired by his rural upbringing in Northern California and Los Angeles car culture. His work often incorporates building materials and found objects assembled with "humor and conceptual rigor." He was known for by-passing conventional ideas of taste and political correctness in his pursuit of the creative drive.
Michaël Borremans is a Belgian painter and filmmaker who lives and works in Ghent. His painting technique draws on 18th-century art, as well as the works of Édouard Manet and Degas. The artist also cites the Spanish court painter Diego Velázquez as an important influence. In recent years, he has been using photographs he has made himself or made-to-order sculptures as the basis for his paintings.
Mark Manders is a Dutch artist, currently living and working in Ronse, Belgium. His work consists mainly of installations, drawings and sculptures. He is probably best known for his large bronze figures that look like rough-hewn, wet or peeling clay. Typical of his work is also the arrangement of random objects, such as tables, chairs, light bulbs, blankets and dead animals.
Danny Matthys is a Flemish - Belgian visual artist, which was originally known as conceptual artist of international reputation. In the beginning of his career in the 1960s, he was a pioneer in Polaroid art and Video art.
Ger van Elk was a Dutch artist who created sculptures, painted photographs, installations and film. His work has been described as being both conceptual art and arte povera. Between 1959 and 1988 he lived and worked in Los Angeles, New York City, and Amsterdam, except for a period of study in Groningen in the 1960s. In 1996 he won the J. C. van Lanschot Prize for Sculpture.
James Welling is an American artist, photographer and educator living in New York City. He attended Carnegie-Mellon University where he studied drawing with Gandy Brodie and at the University of Pittsburgh where he took modern dance classes. Welling transferred to the California Institute of the Arts in Valencia, California in 1971 and received a B.F.A. and an M.F.A. in the School of Art. At Cal Arts, he studied with John Baldessari, Wolfgang Stoerchle and Jack Goldstein.
Saint Bavo's Cathedral, also known as Sint-Baafs Cathedral, is a cathedral of the Catholic Church in Ghent, Belgium. The 89-meter-tall Gothic building is the seat of the Diocese of Ghent and is named for Saint Bavo of Ghent. It contains the well-known Ghent Altarpiece.
Jordan Wolfson is an American visual artist who lives in Los Angeles. He has worked in video and film, in sculptural installation, and in virtual reality.
Koen van den Broek is a Belgian artist who lives and works in Antwerp and Seoul, South Korea.
Lieven van Lathem (1430–1493), was an Early Netherlandish painter and manuscript illuminator.
Reniere & Depla is a Belgian artist duo, consisting of Paul Reniere and Martine Depla. Together they paint primarily with acrylic paint on canvas and wood panel. They have curated exhibitions in Belgium and France, showing the works of [Berlinde De Bruyckere], [Hans op de Beeck], and other celebrated Belgian artists. In 2018, they organised the first edition of Art Autun, a biennale of contemporary art in Autun. Their common career as artists began in 1995. They live and work in [Watou] and Autun. Like a growing group of contemporary artists they use photography as source material for their work.
Paul van Imschoot was a Catholic priest of the Diocese of Ghent and Professor of Exegesis at the seminary of Ghent from 1919–1948. His best-known work is Théologie de l’Ancien Testament, the last Catholic-authored Old Testament theology prior to the Second Vatican Council.
Myriam Van Imschoot is a Brussels-based artist. She uses the voice as her main medium in video, performance and sound installations. The position Van Imschoot occupies in the Belgian art scene is characterized by a movement between the institutional field and the medias, through which she experiments with already existing contexts, if not creating her own. Myriam is a founding member of Sarma and runs within this organization a publishing house for digital artist publications that embraces orality. She forms a duo with sound poet Marcus Bergner.
Bart Cassiman (1961), is an international freelance-curator, art critic and editor, is an art historian and studied press- and communication sciences at the Ghent University (1979-1984).
