Jan van Assen, who was born at Amsterdam in 1635, was a painter of history, portraits, and landscape, in the Italian manner; he studied particularly the works of Tempesta. He died at his birthplace in 1695.
Jan van Assen, who was born at Amsterdam in 1635, was a painter of history, portraits, and landscape, in the Italian manner; he studied particularly the works of Tempesta. He died at his birthplace in 1695.
Johannes Carolus Bernardus (Jan) Sluijters, or Sluyters was a Dutch painter and co-founder of the Moderne Kunstkring.
Jan Maurits Quinkhard was an 18th-century painter and print designer from the Northern Netherlands.
Adriaen, or Jan van Alen (1651–1698) was a painter from the Northern Netherlands. He was born as the son of the animal painter Jacob van Oolen in Amsterdam, with whom his works are sometimes confused. He became an imitator of Melchior Hondekoeter, and his pictures, like those of that master, represent fowls, landscapes, and still-life.
Hendrick van Anthonissen was a Dutch marine painter.
Reyer Jacobsz van Blommendael was a Dutch Golden Age painter from Haarlem.
Arnold van Boonen was a Dutch portrait painter.
Frederik Bouttats, an engraver, was born at Antwerp about the year 1620. He engraved several plates after his own designs, principally portraits, and some after other masters. They are worked with the graver, in a neat style, and are not without merit. We have by him, among others, the following:
Albertus Jonas Brandt was a Dutch still life painter. He was the son of a book printer and seller. While working in his father's shop, he became a pupil of J. E. Morel. After Morel's death in 1808, he spent two years with the painter G. J. J. van Os,. When van Os moved to France in 1810, Brandt taught himself, copying Jan van Huysum. In 1814 and 1816 he won prizes in the academy Felix Meritis. Soon he became famous, painting dead game, fruit, and flowers.
Jes Bundsen was a Danish architectural and landscape painter and etcher.
Jan van Bunnik (1654–1727) was a Dutch Golden Age landscape painter.
Jan Coelenbier, was a Dutch Golden Age landscape painter.
Jan van Coninxloo or van Coninxlo, also known as Jan II or Jan the Younger, was born at Brussels in 1489 (?), but nothing is known of the details of his career. His father, who bore the same Christian name, had another son, Pieter van Coninxloo: both were painters. The name is found written in a variety of ways — Ccninxlo, Conninxlo, Connixlo, Cooninxloo, Conixloo — and sometimes with the additional name of Schemier. The Brussels Gallery contains five works by Jan van Coninxlo : a triptych of the 'Life of St. Anne,' which bears on its right wing the signature 'Jan van Conixlo 1546'; the 'Birth of St. Nicholas,' and the 'Death of St. Nicholas,' both of which were formerly in a church in Louvain; 'Christ among the Doctors,' and the 'Marriage at Cana.' These were formerly attributed to Gilles van Coninxlo.
Jan Daemen Cool, was a Dutch Golden Age painter.
Lluís Dalmau was a valencian 15th-century painter who flourished between 1431 and 1460. He was active in Barcelona from 1428 to 1460 and served the king of Spain in an official capacity. In 1431, King Alfonso V sent him to Flanders to learn the language of realist painting. He made a copy of the Adoration of the Lamb by Hubert and Jan van Eyck; in 1432, this was placed in St Bavo's Cathedral, Ghent. The next year, he had returned to Barcelona. In 1443, Dalmau was commissioned to paint the Virgin of the Consellers altarpiece for the chapel of the City Hall, which he completed in 1445; this is perhaps the only known work of his to survive. In 1445, he also painted a Virgin and Child in the style of Jan van Eyck, which is in the church of San Miguel at Barcelona.
Adriaan de Lelie was a Dutch painter.
Isaac van Duynen was a Dutch Golden Age still life painter.
Roeland van Eynden was a Dutch painter. He was born at Nymegen in 1747, and died at Dordrecht in 1819. Like his brother he devoted but a portion of his time to painting, and is principally known by his works on art and artists, of which the most important is the Geschiedenis der Vaderlandsche Schilderkunst, written in conjunction with Van der Willigen, and published in 1816–1842.
Jan George Freezen or Johann Georg Freesen, a portrait painter, was born in Palts, near Heidelberg, in 1701. He first studied under Jan van Nikkelen, and afterwards under Philip van Dyk, with whom he became one of the best scholars, and with whom he stayed seven years at the Hague. He was patronized by the Duke of Hesse, and was appointed as the historical and portrait painter at the court of Cassel. He possessed a great knowledge of paintings, which he acquired in Germany, Italy, France, and in the school of Philip van Dyk — an acquisition which was of the greatest use in the establishment of the Cassel Gallery. He died in Cassel in 1775.
Matthijs Nicolaas Röling is a Dutch painter, active as graphic designer, wall painter, painter, draftsman, lithographer, pen artist, etcher, and academy lecturer. He is considered a kindred spirit of the 3rd generation of the Dutch Group of figurative abstraction. Röling is described as the "figurehead of contemporary figurative painting in the Netherlands."
Assen is a municipality and a city in the Netherlands. It can also refer to:
This article incorporates text from a publication now in the public domain : Bryan, Michael (1886). "Assen, Jan van". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.| International | |
|---|---|
| Artists | |
| People | |
 | This article about a Dutch painter is a stub. You can help Wikipedia by expanding it. |
