Jeffrey & Co was an English producer of fine wallpapers that operated from 1836 to the 1930s.
The company was founded in 1836 at 64 Essex Road in London, England. [1] [2] [3]
From 1864 to 1896, the company was owned by Metford Warner. [4]
The company produced papers based on designs by William Morris as early as 1864. [5] [6] In 1871, under Warner's direction, it began printing papers by designers such as Walter Crane, [7] Lewis F. Day, Bruce J. Talbert and C. F. A. Voysey. [6] [8] : 13 [9]
IN 1851 the company exhibited at the Crystal Palace Exhibition in London. [9] In 1878 the company received a gold medal at the Paris exhibition for their wallpaper Sunflowers, designed by Bruce J. Talbert. [7]
Historical examples of the papers produced by Jeffrey & Co are found in the Museum of Fine Arts Houston [10] the RISD Museum, [11] the National Gallery of Victoria, Australia, [2] and the Victoria and Albert Museum, London. [6] [12]
The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and America.
Wallpaper is a material used in interior decoration to decorate the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper", textured, with a regular repeating pattern design, or, much less commonly today, with a single non-repeating large design carried over a set of sheets. The smallest rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Walter Crane was an English artist and book illustrator. He is considered to be the most influential, and among the most prolific, children's book creators of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child's nursery motif that the genre of English children's illustrated literature would exhibit in its developmental stages in the later 19th century.
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Charles Francis Annesley Voysey was an English architect and furniture and textile designer. Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style, and was recognized by the seminal The Studio magazine. He is renowned as the architect of several country houses.
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The Anglo-Japanese style developed in the United Kingdom through the Victorian period and early Edwardian period from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
John Henry Dearle was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898.
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Lewis Foreman Day was a British decorative artist and industrial designer and an important figure in the Arts and Crafts movement.
William George Paulson Townsend (1868–1941) was an English artist, designer, writer and editor.
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William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven and printed cloth, upholstery, and other textiles.
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