Joe Licari (born January 10, 1934, in Brooklyn, New York) is an American jazz clarinetist.
Known as an especially "hot" player with an exuberant and always emotive attack, Licari is considered, by critics and peers alike, to be in the front rank of contemporary "classic" jazz musicians.
He is also among the most immediately recognizable. The renowned Bob Wilber, with whom Licari studied for nearly a year, said of him: “You hear the influence of Benny Goodman in his playing…also the Chicago players Frank Teschemacher and Pee Wee Russell, plus the New Orleans clarinetists Johnny Dodds, Sidney Bechet and Jimmie Noone. He has used some of their ideas and rejected others to come up with his own style. To achieve [your own] identity is the goal of all serious [jazz] players. When you hear [Licari's] clarinet you know it's him.”
In a 60 plus-year career Licari (who also plays the soprano and alto saxophones) has worked alongside Roy Eldridge, "Wild" Bill Davison, Conrad Janis, Big Chief Russell Moore, Connie Kay, Bob Haggart, Vic Dickenson, Pee Wee Erwin, Doc Cheatham and the vocalist Julie Wilson. He's also appeared in films, on The Today Show, on Jim Lowe's radio show (eight years), and in venues that have included The Algonquin, Eddie Condon's, Jimmy Ryan's and Michael's Pub (where he was a stand-in for Woody Allen).
In addition to three recordings under his leadership, Licari has been a featured player on albums by The Red Onion Jazz Band, Julie Wilson, "Big Chief" Russell Moore, Herb Gardner, Dick Voigt’s Big Apple Jazz Band, Jim Lowe, Dorothy Loudon, Betty Comora, The Grove Street Stompers (with whom he's been a prominent fixture at Arthur's Tavern in Greenwich Village on Monday nights for decades), The Speakeasy Jazz Babies, The Smith Street Society Jazz Band and Swing 39..Mark Shane. Delta Five, Jon-Erik Kellso's Hot Four, The Galvanized Jazz Band.
Haunting Melody (with pianist Larry Weiss), Claril Productions
That's A Plenty, Claril Productions
Jazz Quartets, Waiting for Katy, Claril Productions
Ronald Levin Carter is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy Awards, and is also a cellist who has recorded numerous times on that instrument. In addition to a solo career of more than 60 years, Carter is well-known for playing on numerous iconic Blue Note albums in the 1960s, as well as being the anchor of trumpeter Miles Davis's "Second Great Quintet" from 1963-1968.
Albert Edwin Condon was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang. He also owned a self-named night club in New York City.
Charles Ellsworth "Pee Wee" Russell was an American jazz musician. Early in his career he played clarinet and saxophones, but he eventually focused solely on clarinet.
Jazzology Records is an American jazz record company and label. It is part of the Jazzology group of labels owned and operated by the George H. Buck Jr. Jazz Foundation.
Reuben "Ruby" Braff was an American jazz trumpeter and cornetist. Jack Teagarden was once asked about him on the Garry Moore television show and described Ruby as "the Ivy League Louis Armstrong".
Robert Leo Hackett was a versatile American jazz musician who played swing music, Dixieland jazz and mood music, now called easy listening, on trumpet, cornet, and guitar. He played Swing with the bands of Glenn Miller and Benny Goodman in the late 1930s and early 1940s, he played Dixieland from the 1930s into the 1970s in a variety of groups with many of the major figures in the field, and he was a featured soloist on the first ten of the numerous Jackie Gleason mood music albums during the 1950s.
John Kenneth Davern was an American jazz clarinetist.
Robert Sage Wilber was an American jazz clarinetist, saxophonist, and band leader. Although his scope covers a wide range of jazz, Wilber was a dedicated advocate of classic styles, working throughout his career to present traditional jazz pieces in a contemporary manner. He played with many distinguished jazz leaders in the 1950s and 1960s, including Bobby Hackett, Benny Goodman, Sidney Bechet, Jack Teagarden and Eddie Condon. In the late 1960s, he was an original member of the World's Greatest Jazz Band, and in the early 70s of Soprano Summit, a band which gained wide attention. In the late 1970s, he formed the Bechet Legacy Band.
Johnny Varro is a pianist with roots in the swing style of jazz. He is also a leader and arranger.
Edmond Hall was an American jazz clarinetist and bandleader. Over his career, Hall worked extensively with many leading performers as both a sideman and bandleader and is possibly best known for the 1941 chamber jazz song "Profoundly Blue".
James Milton Cleveland was an American jazz trombonist born in Wartrace, Tennessee.
The Melbourne International Jazz Festival is an annual jazz music festival first held in Melbourne, Australia in 1998. The Festival takes place in concert halls, arts venues, jazz clubs and throughout the streets of Melbourne.
Daniel Bernard Bank was an American jazz saxophonist, clarinetist, and flautist. He is credited on some releases as Danny Banks.
"Big Chief" Russell Moore was an American jazz trombonist. Moore, a Pima tribe member, grew up on a Native American reservation before moving to Chicago and then Los Angeles where he learned to play various instruments, eventually settling on trombone. Throughout his career, Moore worked with an array of artists including Frank Sinatra, Lionel Hampton, Alberta Hunter and Pee Wee Russell as well as recording under his own name. He is best remembered for his work as a member of Louis Armstrong's band.
Charles Coleridge "Red" Richards was an American jazz pianist.
McKenzie and Condon's Chicagoans was an American jazz band from Chicago, led by banjo player Eddie Condon and sponsored by singer and comb player Red McKenzie. Their four recordings in December 1927 were important influences on early Chicago style jazz.
Chiaroscuro Records is a jazz record company and label founded by Hank O'Neal in 1970. The label's name comes from the art term for the use of light and dark in a painting. O'Neal came up with the name via his friend and mentor Eddie Condon, a jazz musician who performed in what were called Chiaroscuro Concerts in the 1930s. O'Neal also got the name from a store that sold only black and white dresses.
Progressive Records is an American jazz record company and label owned by the Jazzology group. It produces reissues and compilations of musicians such as Sonny Stitt, Eddie Barefield, George Masso, and Eddie Miller.
This is a timeline documenting events of Jazz in the year 1916.
The Spirit of '67 is an album by American jazz clarinetist Pee Wee Russell and composer/arranger Oliver Nelson featuring performances recorded in 1967 for the Impulse! label.
Marty Grosz: Liner Notes, That's A Plenty, Claril Productions
Clarrie Henley: Liner Notes, Jazz Quartets, Claril Productions
Joe H. Klee: “Joe Licari: An Impressive Body of Work,” Mississippi Rag, September 2000
Bob Wilber: Foreword, The Invisible Clarinetist by Joe Licari, Xlibris, 2004
http://www.joelicari.net