John Spurling

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John Spurling may refer to:

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The Brick Testament Lego illustrations of Bible stories

The Brick Testament is a project created by Elbe Spurling in which Bible stories are illustrated using still photographs of dioramas constructed entirely out of Lego bricks.

Susan Hilary Spurling CBE FRSL is a British writer, known for her work as a journalist and biographer.

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The Spurling test is a medical maneuver used to assess nerve root pain. The examiner turns the patient's head to the affected side while extending and applying downward pressure to the top of the patient's head. A positive Spurling's sign is when the pain arising in the neck radiates in the direction of the corresponding dermatome ipsilaterally. It is a type of cervical compression test.

<i>Elinor Fettiplaces Receipt Book</i> 1986 book compiling recipes from 1604 volume

Elinor Fettiplace's Receipt Book is a 1986 book by Hilary Spurling containing and describing the recipes in a book inscribed by Elinor Fettiplace with the date 1604 and compiled in her lifetime: the manuscript contains additions and marginal notes in several hands. Spurling is the wife of a descendant of Fettiplace who had inherited the manuscript. The book provides a direct view of Elizabethan era cookery in an aristocratic country house, with Fettiplace's notes on household management.

Spurling may refer to:

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Elinor Fettiplace was an English cookery book writer. Probably born in Pauntley, Gloucestershire into an upper class land-owning farming family, she married into the well-connected Fettiplace family and moved to a manor house in the Vale of White Horse, in what was then Berkshire.

John Antony Spurling is a Kenyan-English playwright and author who has written thirty-five plays and seven books. Spurling won the 2015 Walter Scott Prize for The Ten Thousand Things. Spurling worked in various other capacities between the 1960s and 1990s, including announcing for BBC Radio from 1963 to 1966, reviewing books and art for BBC Radio and many magazines and newspapers, and as principal art critic for the New Statesman from 1976 to 1988.