 |
John Watts | |
|---|---|
 | |
| Background information | |
| Born | 27 December 1954 Frimley, Surrey, United Kingdom |
| Instrument(s) | Vocals, guitar, keyboards |
| Years active | 1976–present |
| Website | www |
John Watts is a British musician and multimedia artist. He was born into a family of singers on 27 December 1954 in Frimley, Surrey. Watts began his career as a mental health worker having studied clinical psychology before finding success as a musician with his band Fischer-Z. He currently lives and works in Brighton, UK.
Having played the punk and new wave circuit through the early 1970s, Watts formed the band Fischer-Z with Steve Skolnik at Brunel University in 1976. Arriving at a point where punk, art wave, and reggae crossed over, they secured a record deal with UA in 1978 alongside the Buzzcocks, The Stranglers, and Dr. Feelgood.
Their first album, Word Salad , was released in 1979 and was a cult success in the UK (John Peel supported the single "Remember Russia"), but an even bigger critical success and commercial start across continental Europe. [1] There were substantial appearances on The Old Grey Whistle Test and a first Top of the Pops with "The Worker" single. [2]
The second album, entitled Going Deaf for a Living (1980), reinforced Watts' trademark insightful and humorous view of the world set against strong melodies. It included the track, "So Long", [3] his first chart hit single across Europe and in Australia. The band toured extensively throughout Europe and also made their first trip to America. European success was growing fast and the demand for a new album brought Watts back with the powerfully atmospheric Red Skies Over Paradise (1981). [4] A performance at Pinkpop Festival that summer followed and also a performance on the bill with Bob Marley on his final European festival tour.
Watts split up Fischer-Z in summer 1981. [5]
His first solo album, One More Twist, was released in 1982 along with the debut solo single, One Voice, and was followed in 1983 by The Iceberg Model (1983). This project incorporated Dexys Midnight Runners' brass section, strings, improvisations and experimental techniques usually associated with modern classical music. The Quick Quick Slow album (1984) followed, which he released as The Cry.
Reveal, Watts' seventh studio album, appeared early in 1988. This included his biggest single success to date, "The Perfect Day". [6] Fans found it difficult to differentiate between Watts' identity and that of his band Fischer-Z. This was a new sound and totally different personnel. His reluctance to perform older classic material in its original arrangement and his total emphasis on new work has become his trademark. "My only obligation is to be good, not to play what the audience want." The album represented a commercial high point, but coincided with a lengthy period of personal and family upheaval for Watts.
A second album in this series, Fish's Head, arrived a year later (1989). Including the single "Say No". In this period Watts performed to 167,000 people at a Peace Festival in East Berlin along with James Brown. [7] He was interviewed about Thatcherism on German national news. After a change of record companies, Watts combined two different sets of recordings to produce the Destination Paradise album (1992). The title track was a chart single and it once again demonstrated Watts' acute observation of political events. Will You Be There? was another chart single and was adopted by the fans as a firm live favourite. Watts' next project was the Kamikaze Shirt album (1994). The single "Human Beings", was a harrowing indictment of the low value of human life in many parts of the world. "Protection", the first single from his next album Stream (1995), also dealt with the dark area of child exploitation.
1997 saw the release of one of Thirteen Stories High (1997). Until then, Watts had worked with a variety of musicians and band line-ups. Instruments had been arranged around his song structures. From this point in his career he was to turn this method on its head. Bigbeatpoetry (1999) and the Spiritual Headcase Remixes (2000) signalled a much more radical approach to making music. This, Watts' thirteenth album, combined his poetry, prose and song lyrics with Ingo Worner's DJ beats, audio collages and dance floor rhythms. The title track, Bigbeatpoetry, was a substantial 'Beat' style poem half-spoken over a simple hip-hop beat. [8]
His next album, Real Life Is Good Enough (2004), was recorded spontaneously in a raw 'back to basics' fashion. This was organic multimedia in a different form, the CD accompanied by a 60-page book of related poetry and short stories. It Has To Be (2006) was the album that followed as a sequel to Real Life Is Good Enough. Again, Watts travelled and explored, with the intention of collecting strangers' 'real-life stories', filmed by Sarah Vermeersch.
His next Morethanmusic (2011) reinforces his reputation as "an artist in music and words."[ citation needed ] Instead of releasing singles, Watts made exhibitions of artifacts and wrote customised songs.
World Go Round (2013 – present), [9] Watts new project, entitled World Go Round, is a multimedia combination of a play entitled The Last Picasso, an album called World Go Round and poetry book called The Grand National Lobotomy. Watts is performing the play at the Edinburgh Festival alongside a world tour incorporating different local musicians at each venue and with a variety of musical styles.
Styx is an American rock band from Chicago that formed in 1972 and is best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s.
Wang Chung are an English new wave band, formed in London in 1980 by Nick Feldman, Jack Hues and Darren Costin. The name Wang Chung is Chinese, meaning "yellow bell" in English, and is the first note in the Chinese classical music scale. The band found their greatest success in the US, with five top 40 hits there, all charting between 1983 and 1987, including "Dance Hall Days", "Everybody Have Fun Tonight" and "Let's Go!".
Aether, æther or ether may refer to:
Emitt Lynn Rhodes was an American singer-songwriter, multi-instrumentalist and recording engineer. At 14 years, Rhodes began his career in musical ensembles the Palace Guard as the group's drummer before joining the Merry-Go-Round as a multi-instrumentalist. He has been called the "One-Man Beatles" due to the style and skill of his songwriting and instrumentation.
Fischer-Z are a British rock group and main creative project of singer, guitarist and poet John Watts. In 1982 Watts temporarily dissolved Fischer-Z and started a solo career under his own name. John Watts has gone on to release both solo and Fischer-Z projects. The original line-up consisted of Watts, Steve Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums).
"Lowdown" is a song originally recorded in 1976 by Boz Scaggs from his album Silk Degrees. The song was co-written by Scaggs and keyboardist David Paich. Paich, along with fellow "Lowdown" session musicians bassist David Hungate and drummer Jeff Porcaro, would later go on to form the band Toto.
La Roux is an English synth-pop act formed in 2008 by singer Elly Jackson and record producer Ben Langmaid. The act's debut album La Roux (2009) was a critical and commercial success, winning a Grammy Award and producing hit singles such as "In for the Kill" and "Bulletproof". Recording of a follow-up album was marred by unsuccessful collaborations, the cancellation of two planned release dates, and reported conflict between the duo.
Word Salad is a 1979 debut album by Fischer-Z. John Watts and Steve Skolnik formed the band in 1976 whilst at Brunel University. John Watts had been travelling up and down the country playing the club circuit. Fischer-Z was playing a crossover of the new wave, punk and reggae genres. In 1978, the band secured a record deal with United Artists, alongside the Buzzcocks, The Stranglers and Dr. Feelgood.
Red Skies over Paradise is a 1981 album by Fischer-Z. This was the last album released under the classic line-up, despite the departure of keyboardist Steve Skolnik. This album featured many songs about politics and several references to the Cold War, the album title and cover in particular. The album received positive reviews from fans and encouraged band leader John Watts to pursue a solo career, thus ending Fischer-Z until its revival in 1987. Two of these songs were used in Deutschland 83. The sleeve stated: "This record owes a lot to Brighton."
Reveal is an album by the new wave rock band Fischer-Z. In the summer of 1981 John Watts split up with his group, Fischer-Z, on the grounds that his art could not evolve within the context of the band. Prompted by the encouragement of the well-received Fischer-Z album, Red Skies Over Paradise, Watts soon embarked on a solo career, releasing his first solo album, One More Twist (1982), followed quickly by his second, The Iceberg Model (1983). Watts toured extensively and even produced a mini-album for Zulu artist Busi Mhlongo. He released an album entitled Quick Quick Slow under the name The Cry in 1984.
Kamikaze Shirt is the seventh album by Fischer-Z. Due to the critical praise the previous album, Destination Paradise received, Fischer-Z carried on in the same style for this album. Still focusing on political observational lyrics, the album is considered to be the darker half of Destination Paradise, dealing with the international "have nots" of the world.
Stream is the eighth album by Fischer-Z. The album contains the single "Protection", which explored the dark area of child exploitation. Following the album, John Watts concentrated on his solo career again, making this the last album by Fischer-Z, before its slight revival again in 2002.
Serious Fun is the fourth album by power pop/new wave band the Knack released by Charisma Records on January 16, 1991. It was their fourth record; a comeback after a decade-long separation. It was accompanied by a public reunion and tour. Although the album did not achieve either commercial or critical success, it resulted in the hit single "Rocket O' Love," which reached number 9 in Billboard's Mainstream Rock Chart.
Round Trip is the third studio album by power pop/new wave band The Knack that was released by Capitol Records in 1981. It received generally unfavorable critical reviews, and stalled at #93 in the Billboard 200. It contained the single "Pay The Devil ". "Boys Go Crazy" was issued as the single from the album in Australia. It was also issued as a follow up single to "Pay the Devil" in the U.S. and was expected to be "chart bound" on the Hot 100, but it did not chart. The band broke up a few months after its release, with their label dropping them due to failed expectations. They remained disbanded until a 1986 reunion.
...But the Little Girls Understand is the second studio album by power pop/new wave group the Knack, released by Capitol Records in February 1980. The album reached the number 15 spot on the Billboard 200 album chart in 1980. The singles "Baby Talks Dirty" and "Can't Put a Price on Love" charted on the Billboard Hot 100 at No. 38 and No. 62, respectively. The song "Mr. Handleman" was released as a single in some countries, such as New Zealand. Guitarist Berton Averre has stated that "Mr. Handleman" was the first song he and lead singer Doug Fieger wrote together. The RIAA certified the album as Gold on April 14, 1980.
"Pay the Devil " is a song written by Berton Averre and first released by the Knack on their 1981 album Round Trip. It was also released as a single, and reached #67 on the Billboard Hot 100. It continued the descending patterns of the Knack's singles from "My Sharona" which reached #1 to "Good Girls Don't" which reached #11 to "Baby Talks Dirty" which peaked at #38 to "Can't Put a Price on Love" which only reached #62. However, it was the last Knack single to chart at all until "My Sharona" re-entered the charts at #91 in 1994 in the wake of its appearance in the soundtrack of Reality Bites. "Pay the Devil" was later included on Knack compilation albums The Retrospective: The Best of the Knack and Very Best of the Knack.
The Biggest Prize in Sport is the third studio album by English punk/rock band 999. It peaked at No. 177 on the U.S. Billboard Album Chart. The album was re-released on CD in 1999 on Anagram Records. Nick Cash: "Pablo (Labritain) broke his arm in ’78, two days before we were doing a show at the SO36 Club in Berlin. Ed (Case) was part of our following, the Southall Crew. We went to the rehearsal and he knew all the songs note perfect. He was very young, about 17. He was fantastic and got a standing ovation. He was a brilliant drummer. From that, Ed then went on to play with Hazel O'Connor, and then worked at the Victoria Theatre playing the drummer in Buddy the Musical."
Fort Hope are a British rock band formed in 2013 after the disbandment of electronic rock band My Passion in 2012. The band has released three EPs and released their debut mini-album in May 2014, which peaked at 8 on the UK top Rock and Metal albums.
Rob Clarke is a British singer-songwriter. Described by AltSounds as 'more than just a man and a guitar' he is influenced by a range of genres including folk music, country music and psychedelic rock as well as formative experiences growing up in Liverpool, Nottingham, Huddersfield, Skipton and Aberdeen.
Touch Sensitive is the debut solo studio album by English rock musician Bruce Foxton, released on 12 May 1984 by Arista Records. Two tracks, "It Makes Me Wonder" and "Trying to Forget You " were co-written by Foxton and Pete Glenister. The remainder of the songs are credited solely to Foxton himself. In March of the same year, fellow Jam counterpart Paul Weller released his first official studio album with the band the Style Council, titled Café Bleu. The album was notably his last recording of original material for twenty-eight years, until he released Back in the Room in 2012. Keen to establish himself as a solo artist after the breakup of the Jam, Foxton enlisted producer Steve Lillywhite to give the album a contemporary sound.
| International | |
|---|---|
| National | |
| Artists | |
