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Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music.
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John Stanton Shirley-Quirk CBE was an English bass-baritone. A member of the English Opera Group from 1964 to 1976, he gave premiere performances of several operatic and vocal works by Benjamin Britten, recording these and other works under the composer's direction. He also sang and recorded a wide range of works by other composers, ranging from Handel through Tchaikovsky to Henze.
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Jacques Jansen was a French baryton-martin singer, particularly associated with the role of Pelléas in the opera by Debussy, but also active in operetta and on the concert platform, and later as a teacher.
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Hector Dufranne was a Belgian operatic bass-baritone who enjoyed a long career that took him to opera houses throughout Europe and the United States for more than four decades. Admired for both his singing and his acting, Dufranne appeared in a large number of world premieres, most notably the role Golaud in the original Opéra-Comique production of Claude Debussy's Pelléas et Mélisande at the Salle Favart in Paris in 1902, which he went on to sing 120 times at that house. He had an excellent singing technique which maintained the quality of his voice even into the latter part of his career. His wide vocal range and rich resonant voice enabled him to sing a variety of roles which encompassed French, German, and Italian opera.
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Walter Hyde was a British tenor, actor and teacher of voice whose career spanned genres from musical theatre to grand opera. In 1901 he sang Borrachio in the premiere of Stanford's Much Ado About Nothing and soon appeared in London's West End in light opera and Edwardian musical comedy. He appeared regularly at the Royal Opera House in Covent Garden between 1908 and 1924, becoming known for roles in Wagner operas, among others, both in Britain and America. He was also in demand as a concert artist. In his later years he was Professor of Voice at the Guildhall School of Music where his students included Geraint Evans and Owen Brannigan.
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References
- ↑ operatraveller (28 May 2018). "Interview with Jonathan McGovern". operatraveller.com. Retrieved 20 September 2022.
- ↑ "The Choir | The Choir of King's College London | King's College London". www.kcl.ac.uk. Retrieved 20 September 2022.
- 1 2 Christiansen, Rupert (11 January 2012). "Jonathan McGovern: New Face". The Daily Telegraph . Retrieved 24 May 2019.
- ↑ Ashley, Tim (2 October 2015). "Pelléas et Mélisande review – a brave, deeply affecting achievement". The Guardian . Retrieved 24 May 2019.
- ↑ Ashley, Tim (18 June 2017). "Pelléas et Mélisande review – fresh light on Debussy's mysterious fairytale". The Guardian. Retrieved 24 May 2019.
- 1 2 "Jonathan McGovern". HarrisonParrott. 5 March 2018. Retrieved 24 May 2019.
- 1 2 "Jonathan McGovern". Welsh National Opera. Retrieved 24 May 2019.
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