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Juan Pampin (born January 23, 1967) is an Argentine composer and sound artist who lives and works in Seattle.
Since 2002, Pampin has been a professor of composition at the University of Washington and a founding faculty member of the Center for Digital Arts and Experimental Media (DXARTS). He received an MA in Composition from the Conservatoire National Superieur de Musique de Lyon, France and a DMA in Composition from Stanford University, where he studied with composer Jonathan Harvey.
Juan Pampin's works explore the territory articulated by the concept of space, memory, and material, using mostly algorithmic composition and signal processing tools of his own development. His compositions, including works for instrumental, digital, and mixed media, have been performed around the world by world-class soloists and ensembles such as Susana Kasakoff, Les Percussions de Strasbourg, Arditti String Quartet, and Sinfonia 21.
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Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering, and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.
Miya Masaoka is an American composer, musician, and sound artist active in the field of contemporary classical music and experimental music. Her work encompasses contemporary classical composition, improvisation, electroacoustic music, inter-disciplinary sound art, sound installation, traditional Japanese instruments, and performance art. She is based in New York City.
Ben Neill is an American composer, trumpeter, producer, and educator. He is the inventor of the "Mutantrumpet", a hybrid electro-acoustic instrument.
Elodie Lauten was a French-born American composer described as postminimalist or a microtonalist.
Karlheinz Essl is an Austrian composer, performer, sound artist, improviser, and composition teacher.
Trimpin is a German born kinetic sculptor, sound artist, and musician currently living in Seattle and Tieton, Washington.
Chris Brown is an American composer, pianist and electronic musician, who creates music for acoustic instruments with interactive electronics, for computer networks, and for improvising ensembles. He was active early in his career as an inventor and builder of electroacoustic instruments; he has also performed widely as an improviser and pianist with groups as "Room" and the "Glenn Spearman Double Trio." In 1986 he co-founded the pioneering computer network music ensemble "The Hub". He is also known for his recorded performances of music by Henry Cowell, Luc Ferrari, and John Zorn. He has received commissions from the Berkeley Symphony, the Rova Saxophone Quartet, the Abel-Steinberg-Winant Trio, the Gerbode Foundation, the Phonos Foundation and the Creative Work Fund. His recent music includes the poly-rhythm installation "Talking Drum", the "Inventions" series for computers and interactive performers, and the radio performance "Transmissions" series, with composer Guillermo Galindo.
Eduardo Reck Miranda is a Brazilian composer of chamber and electroacoustic pieces but is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically.
Víctor Varela is a Venezuelan-Swedish composer based in Gothenburg. His compositions include works for orchestra, vocal and instrumental chamber music, with electronics and computer devices.
Banded Waveguides Synthesis is a physical modeling synthesis method to simulate sounds of dispersive sounding objects, or objects with strongly inharmonic resonant frequencies efficiently. It can be used to model the sound of instruments based on elastic solids such as vibraphone and marimba bars, singing bowls and bells. It can also be used for other instruments with inharmonic partials, such as membranes or plates. For example, simulations of tabla drums and cymbals have been implemented using this method. Because banded waveguides retain the dynamics of the system, complex non-linear excitations can be implemented. The method was originally invented in 1999 by Georg Essl and Perry Cook to synthesize the sound of bowed vibraphone bars.
Michael Edward Edgerton is an American composer and associate professor of music composition and theory at the Guangxi Arts University. He received his D.M.A. in music composition from the University of Illinois at Urbana (1994); the M.M. from Michigan State University (1987) and the B.A. from the University of Wisconsin–Parkside (1984). From 1996 to 1999, Edgerton was a postdoctoral fellow with the National Center for Voice and Speech, based at the Waisman Center at the University of Wisconsin–Madison. He has studied composition with William Brooks, Morgan Powell, Jere Hutcheson and August Wegner.
Edward A. Shanken is an American art historian, whose work focuses on the entwinement of art, science and technology, with a focus on experimental new media art and visual culture. Shanken is Professor, Arts Division, at UC Santa Cruz. His scholarship has appeared in numerous journals and anthologies and has been translated into many languages. Shanken is the author of Art and Electronic Media, among other titles.
Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
Oliver Martin Schneller is a German composer and saxophonist.
Lindsay Vickery is an Australian composer and performer.
Sergi Jordà is a Catalan innovator, installation artist, digital musician and Associate Professor at the Music Technology Group, Universitat Pompeu Fabra in Barcelona. He is best known for directing the team that invented the Reactable. He is also a trained Physicist.
Marc Battier is a French composer and musicologist.
Simon Steen-Andersen is a Danish composer, performer, director and media artist.
Henry Vega is a composer and Electroacoustic musician from New York City, currently living in The Hague, Netherlands. He founded The Spycollective in 2006, a now defunct music, theater and dance group, and is a founding director of Artek Foundation. Vega has been composing and performing internationally since 2001 and is also a founding member of The Electronic Hammer trio with Diego Espinosa and Juan Parra Cancino. He is married to Polish composer Kasia Glowicka.
Dario Palermo is an Italian composer.
