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Judith Clurman is an American conductor and educator. She is the musical director for Essential Voices USA and The Singing Christmas Tree Float in the Macy's Thanksgiving Day Parade(NBC). She teaches voice and ensemble voice at The Manhattan School of Music and edits two choral series for Hal Leonard Music. She is a member of ASCAP, ASCAP's Special Classification Committee, and the National Academy of Television Arts and Sciences.
Born Judith Sue Clurman, in Brooklyn, New York, she is the daughter of Herman Clurman and Gloria Alice Glick Clurman. She has a sister, Ann Deborah. She grew up in Hicksville, Long Island, and attended the public schools there. Judith was originally trained as a pianist and vocalist, and sang in operatic, concert, and oratorio performances before concentrating on conducting. She received her Bachelors and Master's degrees in voice from The Juilliard School. She also studied at Oberlin College, the Aspen Music Festival, and the Temple University Ambler Music Institute and Festival. She studied conducting with Jorge Mester and Richard Westenburg, and furthered her studies in England, with Sir David Willcocks.
Judith is married to Bruce Leonard Ruben. Their son, Ari Solomon Ruben, is married to Alexandra Ross Ruben. She is the grandmother to Penelope Freida Ruben.
Clurman made her conducting debut with her New York Concert Singers, a professional chorus, on March 23, 1988, at Merkin Concert Hall, in New York City. Her group appeared numerous times at Merkin Hall, on Carnegie Hall's subscription series, the 92nd Street YMCA, and at Lincoln Center, including an appearance on a “Live from Lincoln Center“ PBS Broadcast. The ensemble's educational program, Project Youth Chorus, provided singing opportunities for students from the five boroughs of New York's public and private schools. The chorus was the recipient of the first ASCAP-Chorus American Award for Adventuresome Programming of Contemporary Music.
Clurman has worked with many of the finest symphonies, including the New York Philharmonic, the Boston Symphony Orchestra, the Orchestra of St Luke's, the American Composer's Orchestra, and the Mostly Mozart Festival Orchestra, and the Omaha Symphony. She enjoyed collaborating with the world's finest musicians, including James Conlon, Dennis Russell Davies, Charles Dutoit, Christoph Eschenbach, James Levine, Sir Charles Mackerras, Sir Roger Norrington, Seiji Ozawa, Trevor Pinnock, Julius Rudel, Leonard Slatkin, and Thomas Wilkins. She often conducted at Lincoln Center Out of Doors Festival, and created the Lincoln Center Holiday Tree Lighting, for which she commissioned new holiday music, collaborated with the world's finest classical and jazz artists, and invited students to sing and perform in choral ensembles with the Sesame Street Muppets.
Highlights of Clurman's career include conducting performances at the Mozarteum Grosser Saal in Salzburg and the Mozart Requiem at Carnegie Hall with the Juilliard Orchestra and Juilliard Choral Singers in a performance commemorating the Fifth anniversary of 9/11. She conducted the Concerts for Peace at the Cathedral Church of St. John the Divine in NYC, the nationally televised “Music of the Spirit” (NBC and PBS) with her New York Concert Singers and the St Luke's Chamber Ensemble, and Howard Shore's choral music for the SONY movie The Song of Names. She was featured on the nationally televised Macy's 4th of July Fireworks Spectacular (NBC) on July 4, 2014, with the Diva Jazz Orchestra (their recording of national anthem, with Idina Menzel, has been catalogued at Fort McHenry Museum in Baltimore, MD). In addition, she conducted the complete Mozart canons for Lincoln Center's Mozart Bicentennial, which included the world premiere and US premieres of the versions of the music that were found in Constanze Mozart's edition of the music (K. 233a, K. 231, K. 234), the US premiere of the original edition of Rossini's Petite messe solennelle ; the world premiere of Leonard Bernstein's arrangement of George Gershwin's Rhapsody in Blue, the NY Premiere of Bernstein's Missa Brevis, and the US premieres of music by Philip Glass, Arvo Pärt, and Ned Rorem. She has commissioned and conducted new works by over seventy composers, including music by Tzvi Avni, Milton Babbitt, Robert Beaser, William Bolcom, Jason Robert Brown, David Chase, William Cutter, Marvin Hamlisch, Jake Heggie, Jennifer Higdon, Laura Karpman, Libby Larsen, Tania Léon, Andrew Lippa, David Ludwig, Nico Muhly, Stephen Paulus, Shulamit Ran, Christopher Rouse, Augusta Read Thomas, Joshua Schmidt, Howard Shore, Mark Sirett, and Stephen Schwartz.
Clurman served as an Artist in Residence for National Public Radio for one month in 2011, presenting recordings of fifteen composers, from the cycle “Sing Out Mr. President.” She has received two Emmy nominations, one for music direction and composition as Associate Music Director for Sesame Street (Season 39), and one for outstanding original song (Macy's Thanksgiving Day Parade – “The Holidays Are Here”). She conducted Tania Léon's music on the Grammy and Latin Grammy nominated CD, In Motion. Her own music and arrangements are published by G. Schirmer, Hal Leonard, and Schott, and have been performed by the Boston, Detroit, Houston, New Jersey, National, San Francisco, and Toronto Symphonies, and the New York Pops.
Clurman's work on the Decca, Delos, New World, Acis, Sono Luminus, Symphony Space, and Albany labels includes: May You Heal, (music of comfort during the COVID-19 pandemic), Words Matter (Stephen Schwartz and Shawn Crouch), Winter Harmonies, Appalachian Stories (with Tessa Lark, violin), Holiday Harmonies (with Jamie Barton), Cherished Moments: Songs of the Jewish Spirit, Divine Grandeur, The Mask,A Season's Promise, The Song of Names (Movie Soundtrack), America At Heart (with Brian Stokes Mitchell and Randy Graff), Rejoice: Honoring the Jewish Spirit, Cradle Hymn, A Palace Among Ruins (Howard Shore), Celebrating the American Spirit (With Ron Raines and Kelli O’Hara), The Music in My Mind (Marvin Hamlisch and Ruppert Holmes), Stephen Sondheim's 75th Birthday, Works of Amy Beach (Cabildo), and In Motion (Tania Léon).
As an educator, Clurman was Director of Choral Activities at The Juilliard School from 1989-2007 where she created and conducted the Juilliard Choral Union and taught conducting and vocal chamber music. She has served as a visiting artist/teacher at University of Cambridge, Curtis Institute of Music, Harvard University, Princeton University, the Janacek Academy, the Hebrew Union College School of Sacred Music, and at Israel's Zimriya Festival at Hebrew University. She served as a vocal specialist at the National Endowment for the Arts/Columbia University Institute of Classical Music, and taught for the Leonard Bernstein Artful Learning program.
Robert Lawson Shaw was an American conductor most famous for his work with his namesake Chorale, with the Cleveland Orchestra and Chorus, and the Atlanta Symphony Orchestra and Chorus. He was known for drawing public attention to choral music through his wide-ranging influence and mentoring of younger conductors, the high standard of his recordings, his support for racial integration in his choruses, and his support for modern music, winning many awards throughout his career.
Tania León is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.
Mass is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress and choreographed by Alvin Ailey. The production used costume designs by Frank Thompson. The performance was part of the opening of the John F. Kennedy Center for the Performing Arts in Washington, D.C. Mass premiered in Europe in 1973, with John Mauceri conducting the Yale Symphony Orchestra in Vienna.
Melinda Jane Wagner is a US composer, and winner of the 1999 Pulitzer Prize in music. Her undergraduate degree is from Hamilton College. She received her graduates degrees from University of Chicago and University of Pennsylvania. She also served as Composer-in-Residence at the University of Texas (Austin) and at the 'Bravo!' Vail Valley Music Festival. Some of her teachers included Richard Wernick, George Crumb, Shulamit Ran, and Jay Reise.
The Harvard Glee Club is a 60-voice, Tenor-Bass choral ensemble at Harvard University. Founded in 1858 in the tradition of English and American glee clubs, it is the oldest collegiate chorus in the United States. The Glee Club is part of the Harvard Choruses of Harvard University, which also include the treble voice Radcliffe Choral Society and the mixed-voice Harvard-Radcliffe Collegium Musicum. All three groups are led by Harvard's current Director of Choral Activities Andrew Clark.
Margaret Eleanor Hillis was an American conductor. She was the founder and first director of the Chicago Symphony Chorus.
Bernard Rands is a British-American contemporary classical composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.
Kent Tritle is a choral conductor and organist in New York City, United States. He is the current director of the professional chorus Musica Sacra and of the Oratorio Society of New York, and director of cathedral music and organist at the Cathedral of St. John the Divine. He is a concert organist, including organist of the New York Philharmonic and the American Symphony Orchestra. He has been Director of Choral Activities at the Manhattan School of Music, and on the graduate faculty of the Juilliard School.
Dalit Hadass Warshaw is a New York-based composer, pianist, and thereminist. Previously on the composition and music theory faculty of Boston Conservatory, she currently serves on the composition faculty at Juilliard and CUNY-Brooklyn College. Her works have been performed by dozens of orchestral ensembles, including the New York Philharmonic and Israel Philharmonic Orchestras, the Boston Symphony, the Cleveland Orchestra, the Houston Symphony, the Y Chamber Orchestra, the Colorado Symphony and the Albany Symphony Orchestra. In April 2006, her piece After the Victory for orchestra and chorus, was premiered by the Grand Rapids Symphony and the North American Choral Company. Her first recording, entitled "Invocations" was released by Albany Records in 2011. Her first piano concerto, Conjuring Tristan, was commissioned by the Grand Rapids Symphony in 2014. The work was inspired by Richard Wagner's Tristan und Isolde, as well as by Thomas Mann's novella Tristan. The piece received its world premiere in January 2015, with Warshaw as the soloist.
Ransom Wilson is an American flutist, conductor, and educator.
David Alan Miller is a multi-Grammy Award-winning American symphony orchestra conductor, and since 1992, music director of the Albany Symphony Orchestra. Miller served as assistant and associate conductor of the Los Angeles Philharmonic from 1987–92 and music director of the New York Youth Symphony from 1982-88. He is currently also Artistic Advisor to both the Sarasota Orchestra and to The Little Orchestra Society in New York City.
The Chicago Symphony Chorus began on September 22, 1957, when the Chicago Symphony Orchestra (CSO) announced that Margaret Hillis would organize and train a symphony chorus. The music director Fritz Reiner's original intent was to utilize the chorus for the two weeks of subscription concerts that season, performing George Frideric Handel's Messiah in December and Giuseppe Verdi's Requiem in April. When Bruno Walter informed the orchestra's management that his March 1958 appearances would be his last in Chicago, the board president, Eric Oldberg, insisted that Walter conduct Wolfgang Amadeus Mozart's Requiem utilizing the new chorus. During that first season, it was logistically impossible for Hillis to audition and prepare a new Chorus for three major works within less than four months. As an interim fix, the Apollo Chorus of Chicago was used for the Christmas Messiah concerts.
Elena Braslavsky is a pianist of Russian birth. Since the early 1980s, Braslavsky has had an active international performance career in both the concert and chamber music repertoire. Formerly a faculty member at the Juilliard School and the Mannes School of Music, Braslavsky currently serves on the piano faculty of the Mozarteum University of Salzburg.
The Choral Arts Society of Washington is a major choral organization based in Washington, D.C. Founded in 1965 by Norman Scribner, it is regarded as one of the premier symphonic choruses in the United States. The Choral Arts Society of Washington consists of three vocal ensembles; the Choral Arts Chorus, the Choral Arts Chamber Singers, and the Choral Arts Youth Choir.
Music of the Baroque is an American professional chorus and orchestra based in Chicago, Illinois.
Victoria Ellen Bond is an American conductor and composer in New York City.
Monmouth Civic Chorus is a community chorus in Monmouth County, New Jersey, USA. Monmouth Civic Chorus was established in 1949 and draws its members primarily from the Monmouth County community. Its performances encompass choral classics, premieres, rare and contemporary music, musical theater, opera, and operetta. Monmouth Civic Chorus has performed on tour in Europe and the Mid-Atlantic region of the United States.
Julian James Wachner is an American composer, conductor, and keyboardist. From 2011 to 2022, he served as the Director of Music and the Arts at Trinity Wall Street, conducting the Choir of Trinity Wall Street, the Trinity Baroque Orchestra, and NOVUS NY. Wachner recorded five albums with these ensembles, primarily for the Musica Omnia label. From 2008 to 2017, he served as the Director of The Washington Chorus. In March 2018, Wachner was named Artistic Director of the Grand Rapids Bach Festival, an affiliate of the Grand Rapids Symphony, in Grand Rapids, Michigan.
Black conductors are musicians of African, Caribbean, African-American ancestry and other members of the African diaspora who are musical ensemble leaders who direct classical music performances, such as an orchestral or choral concerts, or jazz ensemble big band concerts by way of visible gestures with the hands, arms, face and head. Conductors of African descent are rare, as the vast majority are male and Caucasian.
Harold Rosenbaum is an American conductor and musician. He is the artistic director and conductor of the New York Virtuoso Singers and the Canticum Novum Singers. The New York Virtuoso Singers appear on 48 albums on labels including Naxos Records and Sony Classical. He has collaborated extensively with many ensembles including the New York Philharmonic, Juilliard Orchestra, American Symphony Orchestra, Bang on a Can, Mark Morris Dance Group, Orchestra of Saint Luke's, Glyndebourne Festival Opera, Riverside Symphony, and Brooklyn Philharmonic.
Listings in Standard References
Unsung - A History of Women in American Music
Dictionary of International Biography
The Encyclopedia of New York City
NEA Survey: American Masterpieces: Choral Masterpieces
https://www.arts.gov/about/publications/american-masterpieces-choral-music