Jump Up / What to Do About | ||||
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Live album by | ||||
Released | 1981 | |||
Recorded | August 30, 1980 | |||
Venue | Jazz Festival Willisau | |||
Genre | Free jazz | |||
Label | Hat Hut Records 2R21 | |||
Producer | Pia Uehlinger, Werner X. Uehlinger | |||
Jimmy Lyons chronology | ||||
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Jump Up / What to Do About is a two-LP live album by Jimmy Lyons and Sunny Murray. It was recorded on August 30, 1980, at Jazz Festival Willisau in Switzerland, and was released by Hat Hut Records in 1981. [1] [2] [3] The album was reissued on CD in 1994 and 2012 with the title Jump Up, omitting "What To Do About," the sole track by Murray, and adding another by Lyons. [2] [3] On the album, Lyons and Murray are joined by bassist John Lindberg.
Review scores | |
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Source | Rating |
AllMusic | [4] |
All About Jazz #1 | [5] |
All About Jazz #2 | [6] |
Tom Hull – on the Web | A− [7] |
In a review of the 2012 reissue for All About Jazz , Glenn Astarita wrote: "this release highlights the band's unbridled energy and resounding clarity, abetted by the crystalline audio. It sounds like it's fresh out of the box, featuring Lyons operating in tenth gear with his radical free-bop stylizations, paving the way for future expansionism... Jump Up reaffirms his vigorous and fluent avant-garde tinged improvisational prowess, where Murray and Lindberg keep pace while often riding atop the pulse... a significant reissue that provides a highly physical and decisive muse on the art of jazz-based improvisation, as the musicians share a psychic kinship that radiates throughout." [6]
Writing for The New York Times , Robert Palmer commented: "It may be 'free jazz,' but its open structures are not invitations to chaos. On the contrary, they offer opportunities for the musicians to spontaneously edit and order their improvisations and to demonstrate the maturity of their distinctive instrumental sounds and individual conceptions. Jump Up/What To Do About is consistently inventive, but the most striking performance on it is Mr. Lyons's 'Jump Up'... the saxophonist employs phrasing and melodic motifs that are older than the blues, and he develops them in a lucid, deliberate manner without sacrificing the deep feeling that is almost always at the core of his playing... Any listener who still hasn't managed to make a mental connection between contemporary jazz and its roots in earlier black music should listen to Jump Up/What To Do About. For that matter, anyone who is interested in great jazz should listen to it." [8]
In an article for Point of Departure, Clifford Allen stated: "Some of the most impressive playing in this set is within the most concise pieces... Murray had found his way back to bop by the time of these recordings, creating loose rag time/no time swing on 'Tortuga' and generating massive hives of displacement elsewhere... The bassist is deserving of special mention – whether or not he was a last-minute linchpin, Lindberg's full tone, impeccable time and devilish arco are a powerful asset in bonding Lyons' flights and Murray's explosiveness and off-kilter chug. Jump Up might be a sleeper of sorts in the leaders' broad discography, but it shouldn't be." [9]
Tom Orange, in an article at Avant Music News, wrote: "on Jump Up it's a sheer delight to hear Lyons front and center making every bit of every moment. Charlie Parker's influence on Lyons' playing has always been instantly recognizable... But completely unique is the character Lyons imparts upon the Parker influence. In fact, I can't think of a single saxophone stylist more focused than Lyons: not just in his tone, phrasing and attack, but in the horn's register. He consistently avoids the alto's lower registers and focuses his surgical precision exclusively on the middle-high range of the horn, preening and grooming his brood of lines like a mother bird. That consistency and patience makes those rare moments here... when his tone erupts into the squawking extremes, all the more ecstatic." [10]
All compositions by Jimmy Lyons.
James Marcellus Arthur "Sunny" Murray was an American musician, and was one of the pioneers of the free jazz style of drumming.
Jimmy Lyons was an American alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.
Nefertiti, the Beautiful One Has Come is a 1963 live album by American jazz pianist Cecil Taylor, recorded at the Café Montmartre in Copenhagen on November 23, 1962. This concert is nearly all that Taylor recorded from 1962 to 1966.
Hathut Records is a Swiss record company and label founded by Werner Xavier Uehlinger in 1974 that specializes in jazz and classical music. The name of the label comes from the artwork of Klaus Baumgartner. Hathut encompasses the labels hat ART, hatOLOGY, and hat NOIR.
John Lindberg is an American jazz double-bassist.
Mixed is a compilation album of two avant-garde jazz sessions featuring performances by the Cecil Taylor Unit and the Roswell Rudd Sextet. The album was released on the Impulse! label in 1998 and collects three performances by Taylor with Archie Shepp, Jimmy Lyons, Henry Grimes and Sunny Murray with Ted Curson and Roswell Rudd added on one track which were originally released under Gil Evans' name on Into the Hot (1961). The remaining tracks feature Rudd with Giuseppi Logan, Lewis Worrell, Charlie Haden, Beaver Harris and Robin Kenyatta and were originally released as Everywhere (1966). Essentially these are the three Cecil Taylor tracks from the "Gil Evans album" teamed with Roswell Rudd's Impulse album Everywhere, in its entirety.
It is in the Brewing Luminous is a live album by Cecil Taylor recorded at Fat Tuesdays, NYC, on February 8 and 9, 1980, and released on the Hat Hut label. The album features performances by Taylor with Jimmy Lyons, Ramsey Ameen, Alan Silva, Jerome Cooper and Sunny Murray. The album was originally released as a double LP then rereleased as a single CD.
Give It Up is an album by American jazz saxophonist Jimmy Lyons recorded in 1985 for the Italian Black Saint label.
Pat Martino/Live! is a live album by guitarist Pat Martino which was recorded in 1972 and first released on the Muse label.
Prophecy is a live album by American free jazz saxophonist Albert Ayler recorded in New York City on June 14, 1964 and first released in 1975 on the ESP-Disk label.
Tenor is a live solo album by multi–instrumentalist and composer Joe McPhee, recorded in 1976 it was the third album released on the Swiss HatHut label and was rereleased on CD in 2000 as Tenor & Fallen Angels with a bonus track.
Other Afternoons is an album by American jazz saxophonist Jimmy Lyons, recorded in 1969 and released in 1970 on the BYG label as part of their Actuel series. His first recording as leader, it features Lyons on alto saxophone along with trumpeter Lester Bowie, bassist Alan Silva, and drummer Andrew Cyrille.
Sunshine is an album by American free jazz drummer Sunny Murray, his third as a leader. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year. On the album, Murray is joined by Arthur Jones and Roscoe Mitchell on alto saxophone, Archie Shepp and Kenneth Terroade on tenor saxophone, Lester Bowie on trumpet, Dave Burrell on piano, and Malachi Favors and Alan Silva on bass.
Homage to Africa is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in August 1969, and released on the BYG Actuel label in 1970. On the album, Murray is joined by saxophonists Roscoe Mitchell, Archie Shepp and Kenneth Terroade, trumpeter Lester Bowie, cornetist Clifford Thornton, trombonist Grachan Moncur III, vocalist Jeanne Lee, pianist Dave Burrell, bassist Alan Silva, and percussionists Malachi Favors, Earl Freeman, and Arthur Jones.
What About? is a solo percussion album by drummer Andrew Cyrille, his first recording under his own name. It was recorded in Paris in August 1969, and released on the BYG Actuel label later that year.
Corona is a live album by Cecil Taylor recorded during the "Total Music Meeting" at the "Podewil", the headquarters of the Kulturprojekte Berlin non-profit organisation, on November 1, 1996, one day before the recording of the Taylor album Almeda, and two days before the recording of The Light of Corona. It was released in 2018 in digital format by the FMP label as part of their Archive Edition, and was reissued in 2021 in CD format by Corbett vs. Dempsey.
Push Pull is a three-LP live album by Jimmy Lyons. It was recorded on May 6, 1978, at the Collective for Living Cinema in New York City, and was released by Hat Hut Records in 1979. The album was reissued as a double-CD package in 2016 by Corbett vs. Dempsey. On the album, Lyons is joined by bassoonist Karen Borca, cellist Munner Bernard Fennell, bassist Hayes Burnett, and drummer Roger Blank.
The Box Set is a five-CD album, most of which was recorded live, by saxophonist Jimmy Lyons. It was recorded at a variety of locations from 1972 to 1985, and was released in limited quantities by Ayler Records in 2003. The album includes a 60-page booklet featuring photos and essays on Lyons by Ben Young and Ed Hazell.
Ketchaoua is an album by multi-instrumentalist and composer Clifford Thornton. It was recorded in August 1969 at Studio Saravah in Paris, and was released by the Actuel label later that year. On the album, Thornton is heard on cornet, and is joined by saxophonists Arthur Jones and Archie Shepp, trombonist Grachan Moncur III, pianist Dave Burrell, bassists Beb Guérin and Earl Freeman, and drummers Sunny Murray and Claude Delcloo.
Home Cooking in the UK is a live album by drummer Sunny Murray. It was recorded in April 2003 during a tour of England, and was released in 2004 by Foghorn Records. On the album, Murray is joined by saxophonist Tony Bevan and bassist John Edwards.
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