Nicholas Kahn and Richard Selesnick, both born in 1964, are a collaborative artist team who work primarily in the fields of photography and installation art. They specialize in fictitious histories set in both the past and future. [1] The artists have participated in over 100 solo and group exhibitions worldwide and have work in over 20 collections including the Brooklyn Museum of Art, the Philadelphia Museum of Art, the Houston Museum of Fine Arts, the Los Angeles County Museum of Art, and the Smithsonian Institution. Portfolios of their work have appeared in fine art and photography magazines worldwide. They have lectured extensively at many institutions including Brown University, the Fogg Museum at Harvard University, the Hammer Museum in Los Angeles, Princeton University, and San Francisco Art Institute.
The artists have also published three books with Aperture Press: Scotlandfuturebog, City of Salt, and The Apollo Prophecies. In 2002, Scotlandfuturebog was named both the best photography book of the year by the New York Book Show, and the quirkiest photo book of the year in the Village Voice ’s annual top ten list. [2] The text was written by the American author Ben Marcus.
For their 2007 project entitled Eisbergfreistadt, the artists created documentary evidence of a large iceberg turned into a fictitious city-state off of the coast of Lübeck, Germany during the great hyperinflation of 1923. [3] An exhibition at the Overbeck-Gessellschaft Museum in Lübeck in Spring 2010 told the story of the iceberg using a variety of media including photographs, postcards, architectural models, banknotes, period clothing, and marzipan. [4]
Their most recently completed project, Mars: Adrift on the Hourglass Sea, debuted in Boston [5] and is scheduled to appear in New York City, Washington D.C., Chicago, and Los Angeles.
In 2012, the artists introduced a new project to be entitled Truppe Fledermaus.
The Pulitzer Prize for Criticism has been presented since 1970 to a newspaper writer in the United States who has demonstrated 'distinguished criticism'. Recipients of the award are chosen by an independent board and officially administered by Columbia University. The Pulitzer Committee issues an official citation explaining the reasons for the award.
Michael Heizer is an American land artist specializing in large-scale and site-specific sculptures. Working largely outside the confines of the traditional art spaces of galleries and museums, Heizer has redefined sculpture in terms of size, mass, gesture, and process. A pioneer of 20th-century land art or Earthworks movement, he is widely recognized for sculptures and environmental structures made with earth-moving equipment, which he began creating in the American West in 1967. He currently lives and works in Hiko, Nevada, and New York City.
John Anthony Baldessari was an American conceptual artist known for his work featuring found photography and appropriated images. He lived and worked in Santa Monica and Venice, California.
Alexandra Hedison is an American photographer, director, and actress. She is married to actress and filmmaker Jodie Foster.
Grant Mudford, is an Australian photographer.
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Glen Wexler is an American photographer who is best known for his elaborately staged digital photocompositions of improbable situations.
Kevin Bubriski is an American documentary photographer.
Aunia Marie Kahn is an American artist, photographer, author, designer, digital marketer and inspirational speaker. She was born and raised in Detroit, Michigan, and currently lives in Eugene, Oregon. She is also the founder of Rise Visible and Create for Healing.
Fictive art is a practice that involves the production of objects, events, and entities designed to support the plausibility of a central narrative. Fictive art projects disguise their fictional essence by incorporating materials that stand as evidence for narrative factuality and thus are designed to deceive the viewer as to their ontological status. Very often, these materials take a form that carries presumptive cultural authority, such as 'historical' photographs or 'scientific' data. The key tension in fictive art projects stems from the impossibility of 'making real' a fiction, no matter how many or what kinds of objects are produced as evidence. Since fictive art projects are designed to pass at least temporarily as 'real', fictive artists may draw opprobrium as hoaxers, pranksters, forgers, or con artists when their projects are revealed as fictional.
Douglas Ischar is an openly gay, American artist known for his work in documentary photography, installation art, sound art and video art addressing stereotypes of masculinity and male behavior. He currently lives and works in Chicago, where he teaches art at the University of Illinois at Chicago. Ischar serves on the curatorial board of Chicago's Iceberg Projects, a not-for-profit experimental exhibition space.
May Sun is a Los Angeles-based artist known primarily for her public art projects. Sun works in the mediums of sculpture, mixed media, photography and installation. Her work has been exhibited nationally and internationally. She was born in Shanghai, China, moved to Hong Kong at the age of two with her family and immigrated to the United States in 1971 to attend the University of San Diego. "May Sun often refers to aspects of her Chinese heritage in her work, which consistently crosses cultural and political boundaries as well as the boundaries traditionally separating art forms and disciplines."
Shimon Attie is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much of Attie's works in the 90s dealt with the history of World War II. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, five monographs have been published on Attie's work, which has also been the subject of a number of films aired on PBS, BBC, and ARD. Since receiving his MFA in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art.
Jennifer Bolande is an American artist whose work employs various media—primarily photography, sculpture, film and site-specific installations to explore the affinities between particular sets of objects and images and the mercurial meanings they manufacture.
Siri Kaur is an artist/photographer who lives and works in Los Angeles, where she also serves as associate professor at Otis College of Art and Design. She received an MFA in photography from California Institute of the Arts in 2007, an MA in Italian studies in 2001 from Smith College/Universita’ di Firenze, Florence, Italy, and BA in comparative literature from Smith College in 1998. Kaur was the recipient of the Portland Museum of Art Biennial Purchase Prize in 2011. She regularly exhibits and has had solo shows at Blythe Projects and USC's 3001 galleries in Los Angeles, and group shows at the Torrance Museum of Art, California Institute of Technology, and UCLA’s Wight Biennial. Her work has been reviewed in Artforum, art ltd., The L.A. Times, and The Washington Post, and is housed in the permanent collections of the National Gallery in Washington, D.C. and the University of Maine.
Cindy Bernard is a Los-Angeles based artist whose artistic practice comprises photography, video, performance, and activism. In 2002, Cindy Bernard founded the Society for the Activation of Social Space through Art and Sound, which presents site-relational experimental music. Her numerous Hitchcock references have been discussed in Dan Auiler's Vertigo: The Making of a Hitchcock Classic (1998), essays by Douglas Cunningham and Christine Spengler in The San Francisco of Alfred Hitchcock’s Vertigo: Place, Pilgrimage and Commemoration (2012) and Spengler's Hitchcock and Contemporary Art (2014).
Jenelle Porter is an American art curator and author of numerous exhibition catalogs and essays about contemporary art and craft. She has curated important exhibitions that have helped studio craft to gain acceptance as fine arts. These include the exhibitions Dirt on Delight: Impulses That Form Clay with Ingrid Schaffner at the Institute of Contemporary Art, Philadelphia in 2009 and Fiber: Sculpture 1960–Present at the Institute of Contemporary Art, Boston in 2014.
Mary Lum is an American visual artist whose paintings, collages and works on paper reference the urban environment, architectural forms and systems. Critic John Yau writes, "Mary Lum’s paintings on paper are based on collages, which are made from things she uses or encounters in her everyday life as well as photographs she takes of the places she visits. "
The Willy-Brandt-Haus in Lübeck is a museum and a memorial to the late politician Federal Chancellor and Nobel Peace Prize Laureate, Willy Brandt, of the Social Democratic Party of Germany (SPD).
Barbara Bosworth is an American artist, educator, and photographer. She works primarily with a large-format, 8x10 view camera and focuses on the relationship between humans and nature. Bosworth's works have been included in magazines, journals, books and permanent collections, and shown in solo exhibits nationally and internationally. In 1985, she won a Guggenheim fellowship for her photographic work.