Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design.
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.
Shibori is a Japanese manual tie-dyeing technique, which produces a number of different patterns on fabric.
A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters. A "fat quarter" is one square meter folded into four and cut along the folds, thus giving a relatively square piece of fabric 50 cm on a side, as opposed to buying a quarter of a meter off the roll, resulting in a long thin piece that is only 25 cm wide.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
Ai Kijima, born in 1970 in Tokyo, Japan, is a contemporary artist residing in New York City. She is noted for her use of traditional quilting techniques to create colorful fabric collages from found materials such as bed sheets, vintage kimono, t-shirts, curtains, and dishtowels.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. Quilt art is typically hung or mounted.
Jack Lenor Larsen was an American textile designer, author, collector and promoter of traditional and contemporary craftsmanship. Through his career he was noted for bringing fabric patterns and textiles to go with modernist architecture and furnishings. Some of his works are part of permanent collections at prominent museums including Museum of Modern Art, Victoria and Albert Museum, Art Institute of Chicago,Musée des Arts Décoratifs at the Louvre, and the Minneapolis Institute of Art which has his most significant archive.
The term Provençal quilting, also known as boutis, refers to the wholecloth quilts done using a stuffing technique traditionally made in the South of France from the 17th century onwards. Boutis is a Provençal word meaning 'stuffing', describing how two layers of fabric are quilted together with stuffing sandwiched between sections of the design, creating a raised effect. The three main forms of the Provençal quilt are matelassage, piqûre de Marseilles, and boutis. These terms, along with trapunto are often debated and confused, but they are all forms of stuffed quilting associated with the region.
Holice Edward Turnbow is an American quilter, artist, and textile consultant. Since the early 1970s, Turnbow has curated, judged, and lectured at a multitude of quilting events throughout the United States and Canada. He is certified by the National Quilting Association as a judge and teacher. In 1988, he co-founded the Hoffman Challenge, a national quilting, clothing, and dolls contest featuring hundreds of participants. His design have been commissioned by Spartex, Inc., Stencil House, and Benartex, Inc.
Corded quilting is a decorative quilting technique popular from the late 17th through the early 19th centuries. In corded quilting, a fine fabric, sometimes colored silk but more often white linen or cotton, is backed with a loosely woven fabric. Floral or other motifs are outlined in parallel rows of running stitches or backstitches to form channels, and soft cotton cord is inserted through the backing fabric using a blunt needle and drawn along the quilted channels to produce a raised effect. Tiny quilting stitches in closely spaced rows fill the motifs and provide contrast to the corded outlines.
Chinese Souls #2 is a quilt by American artist Nancy Crow, located at the Indianapolis Museum of Art, in Indianapolis, Indiana. It was created in 1992 as part of a series of memorial quilts she began in response to an atrocity she witnessed in China in 1990.
Katherine Westphal was an American textile designer and fiber artist who helped to establish quilting as a fine art form.
Alma Lesch was an American fiber artist known for her fiber portraits. She was "the undisputed grande dame of Kentucky textile arts." A historic marker notes her achievements in Shepherdsville, Kentucky where Lesch lived and had her studio. Lesch's quilt, Bathshebas Bedspread, was included in the Objects: USA exhibit in 1969, which was organized by S.C. Johnson and Son.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
Karen Hampton is an American textile artist, working as a weaver, surface designer, and fabric dyer. She has also worked as a researcher on the history of textile production. As of 2022, she was named a Fellow of the American Craft Council. Hampton lives in Los Angeles.