Software art is a work of art where the creation of software, or concepts from software, play an important role; for example software applications which were created by artists and which were intended as artworks. As an artistic discipline software art has attained growing attention since the late 1990s. It is closely related to Internet art since it often relies on the Internet, most notably the World Wide Web, for dissemination and critical discussion of the works. Art festivals such as FILE Electronic Language International Festival, Transmediale (Berlin), Prix Ars Electronica (Linz) and readme have devoted considerable attention to the medium and through this have helped to bring software art to a wider audience of theorists and academics.
Computer art is art in which computers play a role in production or display of the artwork. Such art can be an image, sound, animation, video, CD-ROM, DVD-ROM, video game, website, algorithm, performance or gallery installation. Many traditional disciplines are now integrating digital technologies and, as a result, the lines between traditional works of art and new media works created using computers has been blurred. For instance, an artist may combine traditional painting with algorithm art and other digital techniques. As a result, defining computer art by its end product can thus be difficult. Computer art is bound to change over time since changes in technology and software directly affect what is possible.
Electronic art is a form of art that makes use of electronic media. More broadly, it refers to technology and/or electronic media. It is related to information art, new media art, video art, digital art, interactive art, internet art, and electronic music. It is considered an outgrowth of conceptual art and systems art.
In geometry, a net of a polyhedron is an arrangement of non-overlapping edge-joined polygons in the plane which can be folded to become the faces of the polyhedron. Polyhedral nets are a useful aid to the study of polyhedra and solid geometry in general, as they allow for physical models of polyhedra to be constructed from material such as thin cardboard.
Fax art is art specifically designed to be sent or transmitted by a facsimile machine, where the "fax art" is the received "fax". It is also called telecommunications art or telematic art. According to art historians Annmarie Chandler and Norie Neumark, "Fax art was another means of mediating distances".
Telematic art is a descriptive of art projects using computer-mediated telecommunications networks as their medium. Telematic art challenges the traditional relationship between active viewing subjects and passive art objects by creating interactive, behavioural contexts for remote aesthetic encounters. Telematics was first coined by Simon Nora and Alain Minc in The Computerization of Society. Roy Ascott sees the telematic art form as the transformation of the viewer into an active participator of creating the artwork which remains in process throughout its duration. Ascott has been at the forefront of the theory and practice of telematic art since 1978 when he went online for the first time, organizing different collaborative online projects.
Coco Fusco is a Cuban-American interdisciplinary artist, writer, and curator whose work has been exhibited and published internationally. Fusco's work explores gender, identity, race, and power through performance, video, interactive installations, and critical writing.
Susan E. Carey is an American psychologist who is a Professor of Psychology at Harvard University. She studies language acquisition, children's development of concepts, conceptual changes over time, and the importance of executive functions. She has conducted experiments on infants, toddlers, adults, and non-human primates. Her books include Conceptual Change in Childhood (1985) and The Origin of Concepts (2009).
Kate Armstrong is a Canadian artist, writer and curator with a history of projects focusing on experimental literary practices, networks and public space.
Internet art is a form of new media art distributed via the Internet. This form of art circumvents the traditional dominance of the physical gallery and museum system. In many cases, the viewer is drawn into some kind of interaction with the work of art. Artists working in this manner are sometimes referred to as net artists.
Erin Manning is a Canadian cultural theorist and political philosopher as well as a practicing artist in the areas of dance, fabric design, and interactive installation. Manning's research spans the fields of art, political theory, and philosophy. She received her Ph.D in Political Philosophy from University of Hawaii in 2000. She currently teaches in the Concordia University Fine Arts Faculty.
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts such as architecture, painting or sculpture.
Ricardo Mbarkho, is a Lebanese contemporary artist, researcher, and assistant professor.
Olivier Auber is a French independent artist and researcher. He is best known for his project "Poietic Generator" and for having introduced the concept of "Digital Perspective" in the fields of network theory, art, and digital humanities.
Cybernetic art is contemporary art that builds upon the legacy of cybernetics, where feedback involved in the work takes precedence over traditional aesthetic and material concerns. The relationship between cybernetics and art can be summarised in three ways: cybernetics can be used to study art, to create works of art or may itself be regarded as an art form in its own right.
Victoria Vesna is a professor and digital media artist. She is known for her feminist video, computer and internet art and has been active since the early 1980s. Along with collaborator Jim Gimzewski she is thought to have created one of the first interactive artworks related to nanotechnology and defines her art practice as experimental research.
The Walking Artists Network (WAN) is an international network dedicated to walking as a critical and artistic practice; it reflects the growth and increased interest in walking art. It is based at the University of East London's Centre for Performing Arts Development and contains a network of over 600 members from across the globe, though predominantly based in the United Kingdom. The network maintains an active email discussion community through JISCmail.
Ellen K. Levy is an American multimedia artist and scholar known for exploring art, science and technology interrelationships since the early 1980s. Levy works to highlight their importance through exhibitions, educational programs, publications and curatorial opportunities; often through collaborations with scientists including NASA, some in conjunction with Leonardo, the International Society for the Arts, Sciences and Technology. She is a past president of the College Art Association and has published widely on art and complex systems.
Linda Dalrymple Henderson is an American art historian, educator, and curator. Henderson is currently the David Bruton, Jr. Centennial Professor in Art History Emeritus at the University of Texas at Austin. Her research focuses on modern art, specifically twentieth-century American and European art.
Walking art refers to a variety of artistic practices that position walking as the central process, experience or outcome. Walking artists have diverse interests and it 'has gathered practitioners from nearly every field'.:43 Despite emerging from a variety of artistic and literary traditions, a 'common feature [of walking art] is the engagement of the body in a process of walking through a landscape based on a specific artistic design.':161 Some artists consider walking an artistic end in itself, while others use walking as a means of mark-making, storytelling, social practice, or to create work in other artistic media.
