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Modern dance in the United States is a form of contemporary dance that was developed in the United States in the 20th century. African American modern dance also developed a distinct style.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance and one of the major centers for modern dance. There is a variety of social dance and performance or concert dance forms with also a range of traditions of Native American dances.
Lar Lubovitch is an American choreographer. He founded his own dance company, the Lar Lubovitch Dance Company in 1968. Based in New York City, the company has performed in all 50 American states as well as in more than 30 countries. As of 2005, he had choreographed more than 100 dances for the company. In addition to the company, Lubovitch has also done creative work in ballet, ice-skating venues, and musical theater, notably Into the Woods. He has played a key role in raising funds to fight AIDS.
Donald McKayle was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the recipient of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners Raisin (1973) and Sophisticated Ladies (1981), and he worked extensively in television and film. As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landmark productions, including House of Flowers (1958) and West Side Story (1957), where he served for a time as the production's dance captain. A Tony Award and Emmy Award nominee, McKayle held an endowed chair for the last decades of his life in the Dance Department at UC Irvine, where he was the Claire Trevor Professor of Dance. He previously served on the faculties of Connecticut College, Sarah Lawrence College, and Bennington College.
African-American dance is a form of dance that was created by Africans in the Diaspora, specifically the United States. It has developed within various spaces throughout African-American communities in the United States, rather than studios, schools, or companies. These dances are usually centered on folk and social dance practice, though performance dance often supplies complementary aspects to this. Placing great value on improvisation, these dances are characterized by ongoing change and development. There are a number of notable African-American modern dance companies using African-American cultural dance as an inspiration, among these are the Whitey's Lindy Hoppers, Alvin Ailey American Dance Theater, Dance Theatre of Harlem, and Katherine Dunham Company. Hollywood and Broadway have also provided opportunities for African-American artists to share their work and for the public to support them.
Hope Clarke is an American actress, dancer, vocalist, choreographer, and director. Clarke performed as principal dancer with the Katherine Dunham Company and the Alvin Ailey American Dance Theater in the 1960s; as an actress on stage, film, and television, 1970s–1980s; and as choreographer and director from the 1980s onwards. She served on the Tony Awards Nominating Committee for the 2011–12 Broadway season. Clarke made history in 1995 when she became the first African American, as well as the first African-American woman, to direct and choreograph a major staging of the opera-musical Porgy and Bess. Clarke's production of the George Gershwin classic was staged in celebration of the work's 60h anniversary, and it toured not only major American cities but Japan and Europe as well. Clarke drew critical acclaim for her commitment to staging the show as a monument to African-American community and pride, giving a more hopeful, positive aura to a story that has been criticized for its stereotypes. As for the director herself, the success of Porgy and Bess is just the latest accolade in a long career devoted to dance and drama.
Judith Ann Jamison is an American dancer and choreographer. She is the artistic director emerita of Alvin Ailey American Dance Theater.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
Dwight Rhoden is an American choreographer and artistic director of Complexions Contemporary Ballet who began dancing at the age of 17 while studying acting. He has performed with the Dayton Contemporary Dance Company, Les Ballet Jazz de Montréal and was a principal dancer with the Alvin Ailey American Dance Theater. He has appeared in numerous television specials, documentaries and commercials throughout the United States, Canada and Europe and has been a featured performer on many PBS Great Performances specials.
Desmond Richardson is an American dancer, actor and co-founder, and co-artistic director of Complexions Contemporary Ballet. He has mastered a wide range of dance forms including hip hop, classical, modern, classical ballet, and contemporary ballet.
Bouchaib Abdelhadi, a native of Casablanca, Morocco, has had a distinguished musical career on both sides of the Atlantic. As leader of the Orchestre Abdelhadi, he performed throughout the Kingdom of Morocco in the 1980s. Since coming to the United States in the early 1990s, Abdelhadi has been much sought out as a multi-instrumentalist and as a vocalist in Middle Eastern and North African traditions such as al-Ÿqa (Andalusian), Gnawa, and Chaabi ("popular").
Robert Garland is the artistic director of the Dance Theatre of Harlem, where he was a principal dancer and their first official resident choreographer. He has also choreographed for the New York City Ballet, The Royal Ballet, San Francisco Ballet, and the Oakland Ballet, among many others.
Carmen de Lavallade is an American actress, choreographer and dancer.
Randy Barceló was a Cuban dancer, photographer, interior designer, and all-around artist. He was also known for his set and costume designs for theatre and film.
George W. Faison is an American dancer, choreographer, teacher, and theater producer, and winner of a 1975 Tony, a Drama Desk Award, and a 1991 nominee for the Emmy Award for choreography. He was a featured dancer with the Alvin Ailey American Dance Theater, founder of the George Faison Universal Dance Experience, and co-founder/producing artistic director of the Faison Firehouse Theater.
Seth Stewart is an American actor, singer and dancer known for his roles in the musicals Hamilton (2015) and In the Heights. Other film appearances include Music and Lyrics (2007), Britney: For the Record (2008) and Friends with Benefits (2011).
Donald Byrd is an American modern dance choreographer, known for themes relating to social justice, and in particular, racism.
Finis Jhung is an American ballet dancer, dance company founder and dance teacher.
References
- ↑ "Nightlife in NYC: Ken Ard with Mark Berman at Pangea Club | arts-ny". 2018-02-02. Retrieved 2022-04-19.
- ↑ https://www.instagram.com/p/C9clWVBuQVY/?igsh=b3owMng1cmhiN3U2
- ↑ "Jazz Artist Biography - Ken Ard from Broadway to a Jazz stage@ jazzreview.com". 2010-05-08. Archived from the original on 8 May 2010. Retrieved 2022-04-19.
- ↑ Brooks, William (2021-08-19). Experience Music Experiment: Pragmatism and Artistic Research. Leuven University Press. ISBN 978-94-6270-279-0.