Charles Kincheloe "Kirk" Stuart (April 13, 1934, Charleston, West Virginia - December 17, 1982) was an American jazz pianist and educator.
Stuart studied at a conservatory before accompanying singers such as Billie Holiday (1956), Della Reese (1957–59), and Sarah Vaughan (1961–63). He also arranged and conducted for these singers. He led his own unit in Los Angeles later in the 1960s, and recorded with Al Grey in 1965 and once more with Reese in 1967. In later years he taught at Howard University and the Texas Southern University Jazz Ensemble, led ensembles in Las Vegas, and accompanied Joe Williams at the Smithsonian Institution in 1982. Later that year he died during surgery on his spleen.
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With Al Grey
With Sarah Vaughan
Sarah Lois Vaughan was an American jazz singer.
Tadley Ewing Peake Dameron was an American jazz composer, arranger, and pianist.
James George Hunter, known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz.
James Mundell Lowe was an American jazz guitarist who worked often in radio, television, and film, and as a session musician.
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
Vocal jazz or jazz singing is an instrumental approach to jazz using the voice. Similar to a cappella, it utilizes vocal arrangements to create sounds forming music, rather than relying on traditional musical instruments.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
No Count Sarah is a 1959 studio album by the American jazz singer Sarah Vaughan.
William Melvin Mitchell was an American jazz tenor saxophonist.
Joseph Rupert Benjamin was an American jazz bassist.
Count Basie/Sarah Vaughan is a 1961 album by the American jazz singer Sarah Vaughan, accompanied by the Count Basie Orchestra, with arrangements by Frank Foster, Thad Jones and Ernie Wilkins. According to James Gavin's liner notes to the 1996 CD release, Basie himself does not perform on any of the tracks.
Waymon Reed was an American jazz trumpeter. While he was principally a bebop soloist, he also worked in rhythm and blues (R&B). He was married from 1978 to 1981 to singer Sarah Vaughan.
Sarah Vaughan, reissued in 1991 as Sarah Vaughan with Clifford Brown, is a 1955 jazz album featuring singer Sarah Vaughan and trumpeter Clifford Brown, released on the EmArcy label. It was the only collaboration between the two musicians. Well received, though not without some criticism, the album was Vaughan's own favorite among her works through 1980. The album was inducted into the Grammy Hall of Fame in 1999.
Floyd George Smith, sometimes credited as Floyd "Guitar" Smith, was an American jazz guitarist and record producer.
George Gaffney was an American jazz pianist, noted as an accompanist for vocalists. Gaffney listed Bud Powell, Horace Silver, Bill Evans, Tommy Flanagan and Hank Jones as his major influences. Gaffney said of his playing that "...in each solo, you can play a line or a chord that has the effect of pulling the carpet out from under the listener, that will give some deeper emotional meaning to it all."
Gene Orloff was an American violinist, concertmaster, arranger, contractor and session musician.
Peter John Leitch is a Canadian jazz guitarist.
Lester William DeMerle is an American jazz drummer, vocalist, and bandleader.
Albert Francis Jones was an American jazz drummer.