Kit McClure Lakecia Benjamin Lisa Parrott Tia Fuller Erica Von Kleist Kristy Norter Claire Daly Liesl Whitaker Barbara Laronga Laurie Frink Tanya Darby Britta Langsjoen Jennifer Krupa Cathy Harley Jill McCarron Nicki Parrott Kim Clarke Barbara Merjan L. Olivia Sci Bernice Brooks Sue Hadjopoulos Karen Jones
In 2004, and 2006, the band released a pair of albums in tribute to the International Sweethearts of Rhythm, a 1940s big band consisting entirely of women, which, for much of its existence, was all-black. The second of these was released in conjunction with Motéma Music and Redeye Distribution. Both albums, The Sweethearts Project and Just the Thing: The Sweethearts Project Revisited feature exclusively material that was performed by the International Sweethearts of Rhythm, but were entirely re-imagined in a more contemporary style.
Epitaph is a composition by jazz musician Charles Mingus. It is 4,235 measures long, takes more than two hours to perform, and was only completely discovered during the cataloguing process after his death. With the help of a grant from the Ford Foundation, the score and instrumental parts were copied, and the work itself was premiered by a 30-piece orchestra, conducted by Gunther Schuller and produced by Mingus's widow, Sue, at Alice Tully Hall on June 3, 1989, 10 years after his death, and issued as a live album. It was performed again at several concerts in 2007.
Jaga Jazzist is a Norwegian experimental jazz band, that rose to prominence when the BBC named their second album, A Livingroom Hush, the best jazz album of 2002.
Caribbean Jazz Project was a Latin jazz band founded in 1993. The original group featured Dave Samuels, Paquito D'Rivera, and Andy Narell. After their second album, D'Rivera and Narell left the group, although both returned as guest stars. Under Samuels' leadership, the group explored different genres of latin jazz with a changing membership and numerous guest artists. The band released nine albums under the Caribbean Jazz Project name and one as the featured backing band for jazz singer Diane Schuur. The final album with Samuels, Afro Bop Alliance, featured the Maryland-based Afro Bop Alliance Big Band led by drummer Joe McCarthy and won the 2008 Latin Grammy Award for Best Latin Jazz Album. McCarthy's latin jazz big band continues to record under its own name, and Samuels retains the group's name.
Brian Kellock is a Scottish jazz pianist.
Roomful of Blues is an American blues and swing revival big band based in Rhode Island. With a recording career that spans over 50 years, they have toured worldwide and recorded many albums. Roomful of Blues, according to the Chicago Sun-Times, "Swagger, sway and swing with energy and precision". Since 1967, the group’s blend of swing, rock and roll, jump blues, boogie-woogie and soul has earned it five Grammy Award nominations and many other accolades, including seven Blues Music Awards. Billboard called the band "a tour de force of horn-fried blues…Roomful is so tight and so right." The Down Beat International Critics Poll has twice selected Roomful of Blues as Best Blues Band.
Man-Child is the fifteenth studio album by jazz pianist Herbie Hancock. The record was released on August 22, 1975 by Columbia Records.
The International Sweethearts of Rhythm was the first integrated all-women's band in the United States. During the 1940s the band featured some of the best female musicians of the day. They played swing and jazz on a national circuit that included the Apollo Theater in New York City, the Regal Theater in Chicago, and the Howard Theater in Washington, D.C. After a performance in Chicago in 1943, the Chicago Defender announced the band was "one of the hottest stage shows that ever raised the roof of the theater!" They have been labeled "the most prominent and probably best female aggregation of the Big Band era". During feminist movements of the 1960s and 1970s in America, the International Sweethearts of Rhythm became popular with feminist writers and musicologists who made it their goal to change the discourse on the history of jazz to include both men and women musicians. Flutist Antoinette Handy was one scholar who documented the story of these female musicians of color.
The Atlantic Family Live at Montreux is a live recording made at the 1977 Montreux Jazz Festival. It featured the Don Ellis Orchestra together with the Average White Band and guest musicians. It was originally released as a double album on vinyl.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Grand Piano Canyon is the 22nd solo album by Bob James. It was released on June 28, 1990. The cover art is reproduced from an original painting by David Grath entitled "Grand Piano Canyon." The title for the seventh track, "Xraxse" is the planet inhabited by Blue People in a story written by James' daughter, Hilary, at age 6.
For the song by Harold Arden and Ted Koehler, see When the Sun Comes Out
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
The New Jazz Composers Octet is an all-acoustic jazz ensemble founded by trumpeter/arranger David Weiss in 1996. NPR's Josh Jackson described them as "part New York hustle and part writer's workshop, all of it redolent with the aroma of newness." The title track of The Turning Gate won the group a Chamber Music Association grant.
Heads is the fifth album by jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed at the time by Columbia Records. All of his Tappan Zee albums are now distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
Timothy M. Ries is an American saxophonist, composer, arranger, band leader, and music educator at the collegiate/conservatory level. Ries is in his fifteenth year as a professor of jazz studies at the University of Toronto. His universe of work as composer, arranger, and instrumentalist ranges from rock to jazz to classical to experimental to ethno to fusions of respective genres thereof. His notable works with wide popularity include The Rolling Stones Project, a culmination of jazz arrangements of music by the Stones produced on two albums, the first in 2005 and the second in 2008.
Big Boss Band is the 1990 studio album of George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
Reuben McFall(akaRuben and Rubin and Ruban; born 1 Feb 1931 Los Angeles) is an American trumpeter and jazz arranger who performed as a sideman with Freddie Slack, Vido Musso, Floyd Ray, Roy Porter, Glen Henry, Lalo Guerrero, Stan Kenton, Gerry Mulligan, Woody Herman, Teddi King, and Gerald Wilson.
Primal Scream is the eighth jazz album by Canadian trumpeter Maynard Ferguson on Columbia Records. Primal Scream marks the beginning of the second phase of Ferguson's career with Columbia, where his live big band sound is set aside in favor of lavish studio productions. The album credits reveal an all-star ensemble made up of New York's finest musicians, along with backing vocalists and strings were recruited for this release.
Origin Suite is the second jazz album by Michael Waldrop, produced by award-winning Seattle, Washington-based label Origin Records and released January 3, 2018. The CD idea is a high level, eclectic mix of works showcasing Michael Waldrop. Specifically, the Origin Suite was composed for this CD as a tour de force to showcase Waldrop. Most notably the CD received 4 of 5 stars by music critic and author Brian Morton in the April 2018 edition of Jazz Journal from London.
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