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Korean sculpture has a long history.
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Korean sculpture has a long history.
Korean sculpture was exported abroad, primarily during the Baekje period, to Japan, where Korean Buddhist sculptures from the seventh century still exist. Main Korean sculptures were generally made of wood, then later stone, and then ceramics, with votive sculptures being the greatest in number. Smaller sculptures were also made using jade, gold and other metals. The greatest Korean sculptures were produced in the time of Korean Buddhist art.
A modern sculpture project that can be mentioned is Greetingman , by Yoo Young-ho.
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Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, and more recently manga which is modern Japanese cartoons and comics along with a myriad of other types. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country.
The culture of Korea is the shared cultural and historical heritage of Korea and southern Manchuria. As one of the oldest continuous cultures in the world, Koreans have passed down their traditional narratives in a variety of ways. Since the mid-20th century, Korea has been split between the North and South Korean states, resulting today in a number of cultural differences. Before the Joseon dynasty, the practice of Korean shamanism was deeply rooted in Korean culture.
The Seokguram Grotto is a hermitage and part of the Bulguksa temple complex. It lies four kilometers east of the temple on Mt. Tohamsan, in Gyeongju, South Korea. It is classified as National Treasure No. 24 by the South Korean government and is located at 994, Jinhyeon-dong, Gyeongju-si, Gyeongsanbuk-do. The grotto overlooks the Sea of Japan and rests 750 meters above sea level. In 1962, it was designated the 24th national treasure of Korea. In 1995, Seokguram was added to the UNESCO World Heritage List together with the Bulguksa Temple. It exemplifies some of the best Buddhist sculptures in the world.
Greco-Buddhist art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between the Ancient Greek art and Buddhism. Greco-Buddhist art is characterized by the strong idealistic realism and sensuous description of Hellenistic art, and it is believed to have produced the first representations of Gautama Buddha in human form.
The history of Asian art includes a vast range of arts from various cultures, regions and religions across the continent of Asia. The major regions of Asia include Central, East, South, Southeast, and West Asia.
Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds.
Korean glass art has a long history. The earliest glass discovered so far is of the 2nd century BCE and was found in Hapsongni, in the Mahan confederacy. Also, in the Tomb of King Muryeong was found the statuine of a shaved child, maybe a buddhist monk. Recent archaeological excavations hint that as early as the 7th century Silla kingdom, glassware was made in Korea. Contemporary glass art principally divides into religious installations of stained glass windows, and glassware. Art schools have had limited success in bringing glass art up to the standards of other Korean art.
Insa-dong is a dong, or neighborhood in the Jongno-gu district of Seoul. The main street is Insadong-gil, which is connected to a multitude of alleys that lead deeper into the district, with modern galleries and tea shops. At one time, it was the largest market for antiques and artworks in Korea.
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of what is believed to be the Maitreya, the future Buddha, in a semi-seated contemplative pose. It is commonly referred to as the Contemplative Bodhisattva, Pensive Bodhisattva, or Gilt-Bronze Seated Maitreya in English. In Korean it is frequently referred to as pan'gasayusang. It is the National Treasure of Korea No. 83.
Buddhist art is the artistic practices that are influenced by Buddhism. It includes art media which depict Buddhas, bodhisattvas, and other entities; notable Buddhist figures, both historical and mythical; narrative scenes from the lives of all of these; mandalas and other graphic aids to practice; as well as physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated on the Indian subcontinent following the historical life of Siddhartha Gautama, 6th to 5th century BCE, and thereafter evolved by contact with other cultures as it spread throughout Asia and the world.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Korean Buddhist sculpture is one of the major areas of Korean art. Some of the finest and most technically accomplished Buddhist sculpture in East Asia and World were produced in Korea.
Buddhism in Pakistan took root some 2,300 years ago under the Mauryan king Ashoka. Buddhism has played a major role in the history of Pakistan — the land of which over time has been part of predominantly Buddhist empires such as the Indo-Greek Kingdom, the Kushan Empire, the Maurya Empire of Ashoka, the Pala Empire.
The Department of Asia in the British Museum holds one of the largest collections of historical objects from Asia. These collections comprise over 75,000 objects covering the material culture of the Asian continent, and dating from the Neolithic age up to the present day.
Korean influence on Japanese culture refers to the impact of continental Asian influences transmitted through or originating in the Korean Peninsula on Japanese institutions, culture, language and society. Since the Korean Peninsula was the cultural bridge between Japan and China throughout much of East Asian history, these influences have been detected in a variety of aspects of Japanese culture, including technology, philosophy, art, and artistic techniques.
Buddhism played an important role in the development of Japanese art between the 6th and the 16th centuries. Buddhist art and Buddhist religious thought came to Japan from China through Korea. Buddhist art was encouraged by Crown Prince Shōtoku in the Suiko period in the sixth century, and by Emperor Shōmu in the Nara period in the eighth century. In the early Heian period, Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among wealthy Japanese. The Kamakura period saw a flowering of Japanese Buddhist sculpture, whose origins are in the works of Heian period sculptor Jōchō. The Amida sect of Buddhism provided the basis for many popular artworks. Buddhist art became popular among the masses via scroll paintings, paintings used in worship and paintings of Buddhas, saint's lives, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests such as Bodhidharma became popular as well as scroll calligraphy and sumi-e brush painting.
T'aenghwa is a characteristic type of Korean Buddhist visual art. A genre of Buddhist art, the paintings of icons can be on hanging scrolls, or framed pictures, or wall-paintings. T'aenghwa may be small, private and made for indoor display, or large and made for outdoor display. The craft is considered an extension of an earlier tradition of mural painting. There are no manuals that describe t'aenghwa painting, instead, the tradition preserves its models through paper stencils. Though most of the Koryo era t'aenghwa are held in Japanese collections, museums in Berlin, Boston, and Cologne carry some as well.
The Amaravati Collection, sometimes called the Amaravati Marbles, is a series of 120 sculptures and inscriptions in the British Museum from the Amaravathi Mahachaitya in Amaravathi, Guntur in the Indian state of Andhra Pradesh. The Amaravati artefacts entered the Museum's collection in the 1880s. The Amaravati sculptures have also been called the Elliot Marbles on account of their association in with Sir Walter Elliot in the 1840s.
The Uzina Pagoda, also known as the U Zina Pagaoda, is a Buddhist temple in Mawlamyine, Mon State, Myanmar. Built in the 19th century, the temple contains hairs allegedly from the Buddha, and contains several sculptures symoblizing scene's from the Buddha's life. The temple itself is often associated with gemstones and wish fulfillment.
Tapa Shotor, also Tape Shotor or Tapa-e-shotor, was a large Sarvastivadin Buddhist monastery near Hadda, Afghanistan, and is now an archaeological site. According to archaeologist Raymond Allchin, the site of Tapa Shotor suggests that the Greco-Buddhist art of Gandhara descended directly from the art of Hellenistic Bactria, as seen in Ai-Khanoum.
