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Carlos Valdés Galán, better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today".
Carlos Vidal Bolado (1914–1996), also known as "Vidal Bolado", was a Cuban conga drummer and an original member of Machito and his Afro-Cubans. Vidal holds the double distinction of being the first to record authentic folkloric Cuban rumba and the first to play congas in Latin jazz.
Jacinto "Pupi" Campo was a Cuban entertainer, dancer and bandleader who spent most of his life in the United States. As a bandleader in the 1940s and 50s, he made recordings for labels such as Seeco and Tico. His band featured percussionist and musical director Tito Puente and pianist Joe Loco.
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References
- ↑ Calta, L. & The New York Times. (1943). NIGHT CLUB NEWS. In nytimes.com. Retrieved May 22, 2024, from https://www.nytimes.com/1943/11/14/archives/night-club-news.html?smid=url-share
- ↑ Mambo Kingdon: Latin Music in New York. (2010). (n.p.): Schirmer Trade Books.
- ↑ "Broadway: Incidental Intelligence About the Dance | By Danton Walker - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ "Man About Manhattan | By George Tucker - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ Turback, M. (2018). What a Swell Party It Was! Rediscovering Food & Drink from the Golden Age of the American Nightclub. United States: Skyhorse Publishing.
- ↑ ABREU, CHRISTINA D. Rhythms of Race: Cuban Musicians and the Making of Latino New York City and Miami, 1940-1960. University of North Carolina Press, 2015. JSTOR, http://www.jstor.org/stable/10.5149/9781469620855_abreu. Accessed 23 May 2024.
- ↑ "Madriguera Music at La Conga on Friday - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ "Mainly About Manhattan | Daily News, New York, New York, Sept 17 1939, Page 303 - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ "Jack Harris' La Conga | Daily News, New York, New York, Oct 17 1942, Page 241 - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ Oja, C. J. (2014). Bernstein Meets Broadway: Collaborative Art in a Time of War. United Kingdom: Oxford University Press.
- ↑ Waxer, L. (1994). Of Mambo Kings and Songs of Love: Dance Music in Havana and New York from the 1930s to the 1950s. Latin American Music Review / Revista de Música Latinoamericana, 15(2), 139–176. https://doi.org/10.2307/780230
- ↑ "Walter Winchell Says | Daily News, New York, New York, Oct 25 1939, Page 496 - Newspapers.com™". newspapers.com. Retrieved 2024-05-23.
- ↑ Blocker Bowers, D. (2013, June 21). Remembering Diosa Costello, “the Latin bombshell.” National Museum of American History. https://americanhistory.si.edu/explore/stories/remembering-diosa-costello-latin-bombshell
- ↑ Conzo, J. (2010, December 17). Machito: Father of Afro-Cuban jazz. Record. https://www.recordonline.com/story/news/2004/11/20/machito-father-afro-cuban-jazz/51133823007/