La noche de los mayas (Revueltas)

Last updated

La noche de los mayas is a film score by the Mexican composer Silvestre Revueltas for the 1939 film of the same name, Revueltas's score consists of 36 sequences without any organic relation to one another, composed to be easily fitted to an already-edited film.

Contents

After Revueltas' death in 1940, the film score was arranged for performance in the concert hall. There are at least two such arrangements, that of the German composer Paul Hindemith and that of the Mexican conductor José Yves Limantour  [ es ]. Both arrangers feature percussion sections which relate to Mexico's pre-Columbian heritage, but Limantour altered Revueltas' score extensively. [1]

Concert suites

Hindemith

In 1946 the German composer Paul Hindemith made a visit to Mexico where he met Rosaura Revueltas, sister of Silvestre. This led to his concert arrangement in two movements. [2] Hindemith's version calls for a small orchestra consisting of:

Limantour

In 1959, Mexican conductor José Yves Limantour made a four-movement suite from La noche de los Mayas. In this version, Limantour "took every imaginable liberty", including the addition of a concluding, extended "improvisation" of exotic percussion instruments which is largely responsible for the music's success with audiences, who erroneously believe it to have been composed by Revueltas himself. [1]

  1. "Noche de los mayas", molto sostenuto
  2. "Noche de jaranas", scherzo
  3. "Noche de Yucatán", andante espressivo
  4. "Noche de encantamiento", tema y variaciones

It was premiered on 30 January 1961 by the Guadalajara Symphony Orchestra. It is scored for larger forces than Hindemith's version. [3]

(Limantour's manuscript specifies 14 percussionists, but includes amongst them the timpani and piano.) [1]

Aware of the fact that Limantour's score specifies a percussion "improvisation" in the finale, more recent conductors such as Esa-Pekka Salonen, Enrique Diemecke, and Gustavo Dudamel have ignored Limantour's written-out version and substituted their own "improvisations", often to better effect. [1]

Recordings

A suite [ clarification needed ] from the score was recorded by RCA with the Orquesta Sinfónica de Xalapa, conducted by Luis Herrera de la Fuente. [4]

The version by Hindemith was recorded by the Tempus Fugit Orquesta conducted by Christian Gohmer, and released by Quindecim Records in 2014. [5]

The version by José Limantour was recorded by the Orquesta Sinfónica Simón Bolívar, conducted by Gustavo Dudamel and released on Deutsche Grammophon in 2010. [6] Earlier, in 1959, Limantour had himself recorded his arrangement, conducting the Orquesta Sinfónica de Guadalajara. This was made around the time Limantour's arrangement was first performed. [7]

Related Research Articles

<span class="mw-page-title-main">Silvestre Revueltas</span> Mexican composer (1899–1940)

Silvestre Revueltas Sánchez was a Mexican classical music composer, a violinist, and conductor.

Sensemayá is a composition for orchestra by the Mexican composer Silvestre Revueltas, which is based on the poem of the same title by the Cuban poet Nicolás Guillén. It is one of Revueltas's most famous compositions.

Daniel Ayala Pérez was a Mexican violinist, conductor, and composer.

<span class="mw-page-title-main">Enrique Diemecke</span> Mexican conductor, violinist and composer

Enrique Arturo Diemecke is a Mexican conductor, violinist and composer. He is currently the Artistic General Director of the Teatro Colón in Buenos Aires and music director of the Buenos Aires Philharmonic and the Flint Symphony Orchestra in Michigan, United States.

Enrico Chapela is a Mexican contemporary classical composer, whose works have been played by multiple major orchestras and has been commissioned to compose for institutions such as the Los Angeles Philharmonic, the National Center for the Performing Arts (Beijing) and the Festival Internacional Cervantino. His work is influenced by modern popular musical styles such as rock and electronic, as well as Mexican popular culture.

Gabriela Ortiz is a Mexican music educator and composer.

The Night of the Mayas is a 1939 Mexican film directed by Chano Urueta. The film, which is called a "Mexican tragedy" set in the times of the Mayas, is remembered today for its musical score by the Mexican composer Silvestre Revueltas.

Sinfonía de Antígona is Carlos Chávez's Symphony No. 1, composed in 1933. The music originated as theatre music to accompany the tragedy of Antigone, hence the title of the symphony. The material was reworked into a single movement and rescored for a large orchestra. It lasts about 11 minutes in performance.

<i>Sinfonía india</i>

Sinfonía india is Carlos Chávez's Symphony No. 2, composed in 1935–36. In a single movement, its sections nevertheless follow the traditional pattern for a three-movement symphony. The title signifies the fact that the thematic material consists of three melodies originating from native-American tribes of northern Mexico. The symphony is Chávez's most popular composition.

Symphony No. 4, subtitled Sinfonía romántica is an orchestral composition by Carlos Chávez, composed in 1953.

<span class="mw-page-title-main">Symphony No. 5 (Chávez)</span>

Symphony No. 5, also called Sinfonía para cuerdas is a composition for string orchestra by Carlos Chávez, composed in 1953.

<i>Janitzio</i> (Revueltas) 1933 orchestral work by Silvestre Revueltas

Janitzio is a symphonic poem by the Mexican composer Silvestre Revueltas, composed in 1933 and revised in 1936. A performance lasts about 15 minutes. The work is a portrait of Janitzio Island in Lake Pátzcuaro, Mexico.

<i>Colorines</i> Symphonic poem by Silvestre Revueltas

Colorines is a symphonic poem for chamber orchestra by the Mexican composer Silvestre Revueltas, written in 1932.

Salvador Contreras Sánchez was a Mexican composer and violinist, a member of the Grupo de los cuatro.

<i>Planos</i> (Revueltas)

Planos (Planes) is a chamber-music composition by the Mexican composer Silvestre Revueltas, also slightly enlarged and scored for full orchestra and published under its alternate title, Danza geométrica. Both versions were composed in 1934, and the scores are both dedicated to the architect Ricardo Ortega.

<i>Cuauhnáhuac</i> Orchestral composition by Mexican composer Silvestre Revueltas

Cuauhnáhuac is an orchestral composition by the Mexican composer Silvestre Revueltas. It exists in three versions, the first for string orchestra, the other two for full orchestra with winds and percussion. The first version takes nearly 15 minutes to perform, while the third lasts only about 11 minutes.

<i>Ventanas</i> (Revueltas)

Ventanas (Windows) is an orchestral work by the Mexican composer Silvestre Revueltas, written in 1931. A performance of it lasts about 11 minutes.

<i>Esquinas</i> 1933 composition by Silvestre Revueltas

Esquinas (Corners) is an orchestral composition by the Mexican composer Silvestre Revueltas, written in 1931 and extensively revised in 1933. The first version is in two movements with a duration of about 11 minutes in performance; the second is variously described as being in one or in three (continuous) movements with a total duration of about seven minutes. The scores of both versions are dedicated to Ángela Acevedo.

<i>Alcancías</i>

Alcancías is a composition for small orchestra by the Mexican composer Silvestre Revueltas, written in 1932. It is in three movements with a total duration in performance of about eight minutes.

References

  1. 1 2 3 4 Kolb Neuhaus, Roberto (October 2014). "La noche de los mayas: crónica de una performance de otredad exótica" (PDF). Trans – Revista Transcultural de Música (in Spanish) (18): 2–27. ISSN   1697-0101 . Retrieved 11 April 2022.
  2. Talavera, Juan Carlos (24 March 2014). "Graban y publican la versión sinfónica de "La noche de los mayas"". www.excelsior.com (in Spanish). Retrieved 9 March 2019.
  3. Freed, Richard. "La noche de los Mayas". The Kennedy Center.
  4. Orquesta Sinfónica de Xalapa, Luis Herrera de la Fuente – La noche de los mayas – RCA Victor – MRS 021 (1980 vinyl) at Discogs, in 1994 released on compact disc by Catalyst Records, 09026-62672-2
  5. Silvestre Revueltas: La noche de los Mayas: versión de Paul Hindemith; Juan Trigos: Concierto no. 2 (Hispano): para guitarra y orquesta, Raúl Zambrano (guitar), Tempus Fugit Orquesta, Christian Gohmer (cond.); recorded at Sony Music, Mexico City 10–12 June 2013. CD recording. Quindecim CDQP239. Mexico: Quindecim Recordings, 2014.
  6. Rite: Stravinsky/Revueltas . Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel (cond.) CD recording. Deutsche Grammophon 0289 477 8775 4.
  7. Silvestre Revueltas, Musica para charlar; La noche de los Mayas. Orquesta Sinfónica de Guadalajara; José Yves Limantour (cond.). Musart MCD 3022 (LP). Mexico City: Discos Musart.