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Lava Kusa | |
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Directed by | |
Written by |
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Screenplay by | |
Based on | Uttara Ramayana |
Produced by | A. Sankara Reddy |
Starring | |
Cinematography | P. L. Rai |
Edited by | A. Sanjeevi |
Music by | Ghantasala |
Production company | Lalita Sivajyoti Films |
Release date |
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Running time | 208 min |
Country | India |
Languages |
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Box office | ₹ 3 crore |
Lava Kusa (also spelled as Lava Kusha) is a 1963 Indian Hindu mythological film directed by C. S. Rao and his father C. Pullayya. The film was scripted by Sadasivabrahmam, Samudrala Sr. along with C. S. Rao and C. Pullayya. The film was produced by Sankara Reddy under Lalita Sivajyothi Films. Lava Kusa is the first full-length colour film of Telugu cinema. [1]
The film was a remake of 1934 film of same name which was also directed by C. Pullayya. The story is an adaptation of the Uttara Kanda from Ramayana. It revolves around the roles of Lava and Kusa, sons of Rama (N. T. Rama Rao) and Sita (Anjali Devi). Chittoor Nagayya, Kantha Rao, Sobhan Babu, S. Varalakshmi, Kaikala Satyanarayana play supporting roles. The film was shot in both Telugu and Tamil languages with the same title, but with slight differences in the cast.
Production began in 1958 but was stopped due to financial constraints. When it restarted, C. Pullayya's health was deteriorating, so his son C. S. Rao took over. The soundtrack features 27 songs, with the musical score primarily composed by Ghantasala and K. V. Mahadevan, and the lyrics by Sadasivabrahmam and Samudrala Sr. (Telugu) and Maruthakasi (Tamil). The Telugu version of Lava Kusa was released on 29 March 1963, while the Tamil version was released the following month, on 19 April. The former won the National Film Award for Best Feature Film in Telugu for that year. It was also dubbed in Kannada, and later in Hindi in 1974. In 2011 the film was rebooted with the title Sri Rama Rajyam starring Nandamuri Balakrishna and Nayanthara in the lead.
This movie is based on Uttara Kanda which is the later part of Ramayana written by Valmiki Maharshi. It depicts the lives of Lava and Kusa, the sons of Sita and Rama. The story depicts Sri Rama Pattabhishekam and the brief period of Rama Rajyam, Rama sending Seeta exile on hearing the accusations of a washerman, Birth of Lava and Kusa, their visit to Ayodhya, Ashwamedha Yagna and conflict between Rama and his sons and Pattabhishekam of Lava and Kusa and Rama finally ending his Avatar.
Character | Actors in Language | |
---|---|---|
Telugu | Tamil | |
Lord Rama | N. T. Rama Rao | |
Goddess Sita | Anjali Devi | |
Valmiki | Chittoor Nagayya | |
Lava | Master Nagaraju | Master Uma |
Kusa | Master Subrahmanyam | Master Murali |
Lakshmana | Kanta Rao | Gemini Ganesan [2] |
Anjaneya | Sando Krishna | |
Bharata | Kaikala Satyanarayana | |
Shatrughna | Sobhan Babu | |
Kausalya | P. Kannamba | |
Shanta | Sandhya | |
Bhudevi | S. Varalakshmi | |
Vasishta | Dhulipala | |
Valmiki's disciple | Ramana Reddy | |
Wife of Valmiki's disciple | Suryakantam | |
Washerman | Relangi | M. R. Radha |
Wife of washerman | Girija | Manorama |
Dancer (Special appearance) | Sukumari | |
Sivarama Krishnayya |
A. Sankara Reddy wished to produce a film based on the Hindu epic Ramayana starring N. T. Rama Rao and Anjali Devi after watching them play the roles of Rama and Sita in the song "Murisenu Lokamu" from Charanadasi, the Telugu version of the 1956 Tamil language film Mathar Kula Manickam . C. Pullayya, who was planning to remake his 1934 Telugu language directorial Lava Kusa, agreed to direct it for Sankara Reddy's Lalitha Sivajyothi films. [3] The remake, also titled Lava Kusa, [3] is the first full-length colour film of Telugu cinema. [1] Writer Vempati Sadasivabrahmam, who worked with Pullayya for Charanadasi, was chosen to write the remake's script. [3] During the process, Sadasivabrahmam stayed faithful to the screenplay and the dialogue written for the original by Vallabhajosyula Ramanamurthy and Balijepalli Lakshmikantham respectively. [3]
The production costs escalated because of Sankara Reddy's decision to make the film in colour. The film's production commenced in 1958 and got stuck due to lack of funds after completion of one-third of the planned portions. [3] After five years, Sundarlal Nahata offered to provide funds in lieu of the film's distribution rights and B. Nagi Reddy provided studio facilities. By then, Pullayya's health deteriorated and Sankara Reddy approached B. N. Reddy to complete the film. Narasimha Reddy advised him to consider Pullayya's son C. S. Rao. [3] Rao was reluctant, opining that nothing dramatic was left for him to film. Pullayya convinced Rao to take up the task, stating that the emotional scenes in Rama's palace were of equal importance to the story. [3]
Lava Kusa was filmed as a bilingual in Telugu and Tamil languages with differences in casting. [3] Anaparthi Nagaraju and Viyyuri Subrahmanyam were cast as Lava and Kusa respectively in Telugu. [4] For the Tamil version, they were replaced by Baby Uma and Master Murali. [3] Subrahmanyam was cast after the makers saw him perform the same character in a play staged in Kakinada. He was a nine year old when the filming began and was 14 when the film released. [1] Unlike Subrahmanyam, Nagaraju acted in a few films before Lava Kusa; Pullayya offered him the role after observing his work. Nagaraju was eight years old when the filming began. [1]
Kanta Rao was cast for the role of Lakshmana. When the actor was being diagnosed for eosinophilia and became obese, he was offered the role of Shatrughna. [5] Rama Rao insisted Sankara Reddy to let Kanta Rao play Lakshmana, [5] and Sobhan Babu was signed to play Shatrughna. [3] Kaikala Satyanarayana, Chittor V. Nagayya, and Sando Krishna were chosen to play the roles of Bharata, Valmiki, and Anjaneya respectively. [3]
The shooting took place at a big mango orchard near Chennai. We used to wake up at 4 am and head to the sets. We would be ready with all our make-up on by 7 am. Both of us used to undergo an hour's training everyday. We even had to learn viluvidya (arrow fighting). I still remember how we used to call our trainer, Sharma master. He painstakingly taught us the art of shooting arrows.
—Nagaraju, in an interview with The Times of India in April 2013. [1]
Pullayya made Nagaraju and Subrahmanyam undergo training for an hour every day and memorise the dialogues and lyrics of the songs. [1] Filming used to begin by 7:00 AM and would go on till 9:00 PM. However, the duo was relieved an hour before to ensure that they could sleep properly. [1] According to them, Rama Rao and Anjali Devi were "committed to the core". [4] When none of the crowns designed for him were suitable, Rama Rao used the one he used in Charanadasi which costed ₹140. [3] In a particular scene, Nagaraju was supposed to cry and glycerine was used. When it turned out to be ineffective, Anjali Devi slapped him and the scene was filmed. After its completion, she had to console him for almost fifteen minutes. [1]
The climax sequences were filmed first, and because of delay in the film's production, the child artistes looked much aged in the earlier portions. [1] When the scene of Rama embracing his sons was filmed, Pullayya arranged two small tables and asked Rama Rao to hug Nagaraju and Subrahmanyam, who were standing on them. The duo stated that this incident was an example of Pullayya's respect towards the lead character and the state of technology in use. [4] Pullayya's associate G. V. R. Seshagiri Rao pointed to him that a pregnant Sita running towards Valmiki would look awkward, and the scene was reshot. [3]
Soundtrack was composed by Ghantasala and lyrics by Vempati Sadasivabrahmam, Samudrala Sr. and Kosaraju. [6]
All the tunes for all the songs for both languages are the same. The film has 37 songs and poems (padyams), many are very popular and memorable.
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | "Sri Vidyam Jagatam Dhatri (Shlokam)" | Vempati Sadasiva | Ghantasala | 01:14 |
2. | "Saptashva Rathamarudham Prachandam Kashyapatmajam (Shlokam)" | Ghantasala Venkateswara Rao | 01:29 | |
3. | "Navajyotyo (Poem)" | Ghantasala | 01:06 | |
4. | "Intaku Bunivachchi Vachiyimpaka Podune" | Vempati Sadasiva | Ghantasala Venkateswara Rao | 01:21 |
5. | "Jaya Jaya Rama Srirama" | Samudrala Sr. | J. V. Raghavulu, Sarojini | 01:18 |
6. | "Ramanna Ramudu Kodanda Ramudu" | Samudrala Sr. | P. Susheela, K. Rani | 04:15 |
7. | "Virise Challani Vennela Marala Eenadu Maa Kannula" | Samudrala Sr. | S. Janaki | 02:50 |
8. | "Ravanu Ni Samharinchi Raghuramudu (Poem)" | Samudrala Sr. | Ghantasala Venkateswara Rao | 01:21 |
9. | "Vollanori Maamaa Nee Pillani" | Ghantasala Venkateswara Rao, Jikki, J. V. Raghavulu, Swarnalata | 03:37 | |
10. | "Ye Mahaniya Sadhvi Jagadeka Pavitrata (Poem)" | Ghantasala Venkateswara Rao | 01:10 | |
11. | "Ye Nimishaniki Yemi Jaruguno Evaruuhinchedaru" | Kosaraju | Ghantasala Venkateswara Rao | 04:00 |
12. | "Jagadabhi Ramudu Sriraamude" | Samudrala Sr. | Ghantasala Venkateswara Rao, P. Leela, P. Susheela, Mallik | 03:51 |
13. | "Enduke Naa Meeda Kopam Emite Ni Paritaapam" | Pithapuram Nageswara Rao, Swarnalata | 02:40 | |
14. | "Ramakathanu Vinarayyaa Ihapara Sukhamulanosage" | Samudrala Sr. | P. Leela, P Susheela | 04:28 |
15. | "Vurake Kanniru Nimpa Kaaranam Eemamma" | Samudrala Sr. | P. Leela, P. Susheela | 03:00 |
16. | "Vinudu Vinudu Ramayana Gaatha Vinudee Manasara" | Samudrala Sr. | P. Leela, p susheela | 04:14 |
17. | "Sriraamuni Charitamunu Telipedamamma" | Samudrala Sr. | P. Leela, P Susheela | 05:35 |
18. | "Sriraghavam Dasharathatmajam Aprameyam" | P. Leela, P Susheela | 04:07 | |
19. | "Srirama Sugunadhama Jayarama Parandhama" | Vempati Sadasiva | P. Leela, P. Susheela | 03:01 |
20. | "Sandehinchaku Mammu Raghuramu Premanu Sitamma" | Kosaraju | Ghantasala Venkateswara Rao | 03:07 |
21. | "Ashwamedha Yagaaniki Jayamu Jayamu Jayamu" | Samudrala Sr. | Ghantasala Venkateswara Rao, Madhavapeddi, Raghavulu, Rani, Sarojini | 03:24 |
22. | "Savanaashwambu idi Veeramaata yagu Kausalya (Poem)" | Samudrala Sr. | P. Susheela | 01:15 |
23. | "Hreemkaraasana (Poem)" | P. Susheela | 01:33 | |
24. | "Leru Kushalavula Saati Sari Veerulu Dharunilo" | Vempati Sadasiva | P. Leela, P Susheela | 02:33 |
25. | "Stree Balavrudhula Tega" | Samudrala Sr. | Ghantasala, P. Leela, Susheela | 01:18 |
26. | "Sriraama Parandhamaa Jayarama Parandhama" | Samudrala Sr. | P. Leela, K. Jamuna Rani, P Susheela | 02:25 |
27. | "Thandri Pampunanegi" | Samudrala Sr. | Ghantasala, P. Leela, P Susheela | 02:36 |
28. | "Takkani Balakundani" | Samudrala Sr. | P. Leela | 00:40 or 02:36 |
29. | "Rangaru Bangaru" | Samudrala Sr. | Ghantasala | 01:41 |
30. | "Veyara Debba" | Samudrala Sr. | Ghantasala & Jikki | 03:17 |
31. | "Ramaswamy Padambujambulambu" | P. Susheela | 05:59 | |
32. | "Raajada Rajadharmamada Ramudu" | S. Varalakshmi | 01:28 | |
33. | "Prathi Dinamenu" | Ghantasala | 01:24 | |
34. | "Ninu Dattadriki Cherakunda" | P. Leela | 01:31 | |
35. | "Kannularaga Tudisari" | P. Susheela | 01:02 | |
36. | "Kadagine Manokkaya" | P. Susheela | 00:57 | |
37. | "Edhi Mana Ashramambu" | Ghantasala | 01:35 | |
38. | "Aapavaada Dooshi" | P. Susheela | 01:54 |
Soundtrack was composed by K. V. Mahadevan and Ghantasala and lyrics by A. Maruthakasi. [7]
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | "Sri Vidyam Jagatam Dhatri (Shlokam)" | A. Maruthakasi | Ghantasala | 01:14 |
2. | "Saptashva Rathamarudham Prachandam Kashyapatmajam (Shlokam)" | A. Maruthakasi | Ghantasala | |
3. | "Navajyotyo (Poem)" | A. Maruthakasi | Ghantasala | 01:06 |
4. | "Intaku Bunivachchi Vachiyimpaka Podune" | Vempati Sadasiva | Ghantasala Venkateswara Rao | |
5. | "Jaya Jaya Raamaa Sree Raama" | A. Maruthakasi | J. V. Raghavulu & Udutha Sarojini | 01:18 |
6. | "Ramanna Ramudu Kodanda Ramudu" | A. Maruthakasi | P. Susheela, K. Jamuna Rani | |
7. | "Udhayam Aaanadhe Vennilaa" | A. Maruthakasi | S. Janaki | 02:18 |
8. | "Ilangaiyar Kon Thanai Azhitthu" | A. Maruthakasi | Ghantasala | 01:21 |
9. | "Vollanori Maamaa Nee Pillani" | Ghantasala Venkateswara Rao, Jikki, J. V. Raghavulu, Swarnalata | 03:37 | |
10. | "Ye Mahaniya Sadhvi Jagadeka Pavitrata (Poem)" | Ghantasala Venkateswara Rao | 01:10 | |
11. | "Indrum Illai Andrum Illai Endrume Illai" | A. Maruthakasi | T. M. Soundararajan | 04:00 |
12. | "Thiruvalar Naayagan Sree Raamane" | A. Maruthakasi | Ghantasala, P. Leela, P. Suseela & K. Rani | 03:01 |
13. | "Thappu Thappunu Thuniyai Thuvaichu" | A. Maruthakasi | Thiruchi Loganathan & L. R. Eswari | 03:17 |
14. | "Jagam Pugazhum Punniya Kadhai 1" | A. Maruthakasi | P. Leela & P. Suseela | 03:50 |
15. | "Maari Pol Kanneer Sindha" | A. Maruthakasi | P. Leela & P. Suseela | 01:52 |
16. | "Jagam Pugazhum Punniya Kadhai 2" | A. Maruthakasi | P. Leela & P. Suseela | 03:15 |
17. | "Jagam Pugazhum Punniya Kadhai 3" | A. Maruthakasi | P. Leela & P. Suseela | 05:35 |
18. | "Sreeraghavam Dasharathathmajam Aprameyam" | P. Leela & P. Suseela | 04:07 | |
19. | "Raama Suguna Seelaa" | A. Maruthakasi | P. Leela & P. Suseela | 03:01 |
20. | "Sandhegam Ennamma" | A. Maruthakasi | Ghantasala | 03:07 |
21. | "Vetri Murasu Olikka Seiyyum Aswamedha Yaagaam" | A. Maruthakasi | V. N. Sundharam & K. Rani | 03:24 |
22. | "Veera Maadhaa Kausalyaa Dhevi Petra" | A. Maruthakasi | P. Suseela | 01:15 |
23. | "Hreemkaraasana (Poem)" | P. Susheela | 01:33 | |
24. | "Eedu Inai Namakku Edhu Indha Boomiyil" | A. Maruthakasi | P. Leela & P. Suseela | 02:33 |
25. | "Stree Balavrudhula Tega" | A. Maruthakasi | Ghantasala, P. Susheela, P. Leela | |
26. | "Sriraama Parandhamaa Jayarama Parandhama" | A. Maruthakasi | A. P. Komala, K. Rani & J. V. Raghavulu | 02:25 |
27. | "Thandri Pampunanegi" | A. Maruthakasi | Ghantasala, P. Susheela, P. Leela | 02:36 |
28. | "Takkani Balakundani" | A. Maruthakasi | P. Leela | 00:40 |
29. | "Ponggum Olimayame" | A. Maruthakasi | Seerkazhi Govindarajan | 01:41 or 03:01 |
30. | "Thappu Thappunu Thuniyai Thuvaichu" | A. Maruthakasi | Thiruchi Loganathan & L. R. Eswari | 03:17 |
31. | "Ramaswamy Padambujambulambu" | P. Susheela | 05:59 | |
32. | "Raajada Rajadharmamada Ramudu" | S. Varalakshmi | 01:28 | |
33. | "Prathi Dinamenu" | Ghantasala | 01:24 | |
34. | "Ninu Dattadriki Cherakunda" | P. Leela | 01:31 | |
35. | "Kannularaga Tudisari" | P. Susheela | 01:02 | |
36. | "Kadagine Manokkaya" | P. Susheela | 00:57 | |
37. | "Edhi Mana Ashramambu" | Ghantasala | 01:35 | |
38. | "Aapavaada Dooshi" | P. Susheela | 01:54 |
The film ran for 75 weeks uninterruptedly which is an unbroken record in Telugu cinema. [8] [9] It was released in 26 centres and had a 100-day run in all the centers, which was a record and ran 150 days in all those centers and 175-day run in 18 centres. Due to the huge demand for the film from other centres in Andhra Pradesh, most prints had to be shifted to other centres. It had run for 100 days in 62 centres and 175-day run in 18 centres, grossing more than 1 crore. [10] It ran over 1111 days [11]
Lava Kusa is considered a classic of Telugu cinema. In January 2007, M. L. Narasimham of The Hindu listed Lava Kusa with Mala Pilla (1938), Raithu Bidda (1939), Vara Vikrayam (1939), Bhakta Potana (1942), Shavukaru (1950), Malliswari (1951), Peddamanushulu (1954), and Mayabazar (1955) as films impacting society and Telugu cinema. [14] Rama Rao reprised the role of Rama in a number of films over a two-decade career. [lower-alpha 1]
During a programme Telugu Cinema Prasthanam organised by the film society of Visakhapatnam, writer include actor Ravi Kondala Rao placed Lava Kusa among other cult films like Raja Harishchandra (1913), Bhakta Prahlada (1932), Mala Pilla (1938), Devadasu (1953), and Pathala Bhairavi during a speech on the role of Telugu cinema in the hundred years of Indian cinema. [15] Bapu used Lava Kusa's storyline in his 2011 film, Sri Rama Rajyam . [16] Debutant Jaya Sreesivan named his 2015 comedy film as Lava Kusa which had no similarity with the film. [17]
Ghantasala Venkateswararao, known mononymously by his surname as Ghantasala, was an Indian playback singer and film composer known for his works predominantly in Telugu and Kannada cinema and also in Tamil, Malayalam, Tulu and Hindi language films. He is considered one of the greatest singers of Telugu cinema. In 1970, he received the Padma Shri award, India's fourth highest civilian award for his contribution to Indian cinema. According to The Hindu and The Indian Express, Ghantasala was 'such a divine talent and with his songs he could move the hearts of the people'. 'Ghantasala's blending of classical improvisations to the art of light music combined with his virtuosity and sensitivity puts him a class apart, above all others in the field of playback singing'. Gifted with what Indian film historian V. A. K. Ranga Rao called 'the most majestic voice', Ghantasala helped Telugu film music develop its own distinct character which remains unparalleled. He is referred to as the 'Gaana Gandharva' for his mesmerising voice and musical skills.
Relangi Venkata Ramayya, known mononymously by his surname as Relangi, was an Indian actor, comedian, and producer known for his works predominantly in Telugu cinema. He was honoured with the Padma Shri for his contribution to Indian cinema in 1970. Relangi is particularly known for his comic expressions, and dialogues during the 1950s and 1960s. Together with Ramana Reddy, they were a comedy double act.
Kadiri Venkata Reddy was an Indian film director, screenwriter, and producer who primarily worked in Telugu cinema. He is regarded as an influential director in South Indian cinema. He directed 14 feature films and won three National Film Awards and a Filmfare Award South.
Nartanasala is a 1963 Indian Telugu-language Hindu mythological film directed by Kamalakara Kameswara Rao and written by Samudrala Sr. It stars N. T. Rama Rao, Savitri, S. V. Ranga Rao, and Relangi while Mukkamala, Mikkilineni and Dandamudi Rajagopal play supporting roles among others. Susarla Dakshinamurthi composed the film's soundtrack and background score. M. A. Rahman and S. P. S. Veerappa served as the cinematographer and editor respectively. T. V. S. Sarma was the film's art director. The film was produced by actress C. Lakshmi Rajyam and her husband C. Sridhar Rao under the Rajyam Pictures banner.
Samudrala Raghavacharya, also known as Samudrala Sr., was an Indian screenwriter, lyricist, playback singer, director, and producer known for his works in Telugu cinema. Samudrala Senior made his screen debut in 1937, and known for his collaborations with Ghantasala. grand son samudrala srinivaas
Anjali Devi was an Indian actress, model and producer in Telugu and Tamil films. She was well known for her role as the Devi Sita in Lava Kusa as well as for the title roles in movies like Chenchu Lakshmi, Suvarna Sundari and Anarkali.
Balaraju is a 1948 Indian Telugu-language swashbuckler fantasy film produced and directed by Ghantasala Balaramayya under the Pratibha Productions banner. It stars Akkineni Nageswara Rao, S. Varalakshmi, and Anjali Devi with music jointly composed by Ghantasala, Galipenchala Narasimha Rao and C. R. Subbaraman. The film was recorded as an Industry Hit at the box office and was the first Telugu Silver Jubilee film.
Mallishwari is a 1951 Indian Telugu-language historical romance film produced and directed by B. N. Reddy under his banner Vauhini Studios. N. T. Rama Rao and P. Bhanumathi star as a couple – Nagaraju and Mallishwari – who are separated by Mallishwari's greedy mother. Mallishwari is sent to the king's palace according to the custom of "Rani Vasam", a tradition during the Vijayanagara Empire wherein young women were fetched to the palace with an offering of gold and jewellery to their parents. The rest of the film focuses on the consequences faced by Nagaraju when he, against all rules, surreptitiously enters the palace to meet Mallishwari.
Nirdoshi or Niraparadhi (transl. Blameless) is a 1951 Telugu/Tamil film produced and directed by H. M. Reddy. Mukkamala Krishna Murthy played role of hero whereas Anjali Devi played double role. The Rai Brothers worked as Cinematographers behind the camera and Ghantasala as Music director. Edited by M.S. Parthasarathy
Jayasimha is a 1955 Indian Telugu-language swashbuckler film, written by Samudrala Jr. and produced by N. T. Rama Rao and his brother N. Trivikrama Rao for their production company National Art Theatres. Directed by D. Yoganand, the film features Rama Rao playing the eponymous protagonist along with Anjali Devi and Waheeda Rehman in the lead roles, supported by an ensemble cast of S. V. Ranga Rao, Kanta Rao, Gummadi, Relangi and Rajanala Kaleswara Rao.
Chittajallu Pullayya was an Indian film director and screenwriter. He is one of the earliest film personalities in Telugu cinema being associated with the industry right from the silent era.
Sri Ramanjaneya Yuddham is a {1975} Indian Telugu-language Hindu mythological film, produced by Potluri Venkata Narayana and SBK Uma Maheswara Rao under the Lakshmi Narayana Pictures banner and directed by Bapu. It stars N. T. Rama Rao, B. Saroja Devi, Ramakrishna and music composed by K. V. Mahadevan. The movie is a remake of 1963 Kannada movie Sri Ramanjaneya Yuddha.
Sri Rama Rajyam is a 2011 Indian Telugu-language devotional film directed by Bapu who co-wrote the film with Mullapudi Venkata Ramana, and produced by Yalamanchali Saibabu. The film stars Nandamuri Balakrishna, Nayanthara, Akkineni Nageswara Rao, Srikanth, and its music was composed by Ilaiyaraaja, which won him Nandi Award for Best Music Director. Sri Rama Rajyam is a reboot of the 1963 blockbuster film Lava Kusa.
Veeranjaneya is a 1968 Indian Telugu-language film directed by Kamalakara Kameswara Rao. It is a musical film released in 1968, starring Arja Janardhana Rao, Kanta Rao, Anjali Devi and S.V. Ranga Rao.
Sita Rama Kalyanam is a 1961 Indian Telugu-language Hindu mythological film directed by N. T. Rama Rao in his directorial debut. It stars N. T. Rama Rao, Haranath, Geetanjali, B. Saroja Devi, Kanta Rao, Sobhan Babu. The film was produced by N. Trivikrama Rao on 'National Art Theatres' banner. The music composed by Gali Penchala Narasimha Rao.
Sati Sumathi is a 1967 Telugu-language Hindu mythological film, produced by Chinna Rao under the Chinni Brothers banner, presented by Anjali Devi and directed by Vedantam Raghavayya. It stars Kanta Rao, Anjali Devi and music composed by P. Adinarayana Rao.
Charana Daasi (transl. Wife) is a 1956 Indian Telugu-language drama film written by Vempati Sadasivabrahmam and directed by T. Prakash Rao. It stars N. T. Rama Rao, Akkineni Nageswara Rao, Anjali Devi and Savitri, with music composed by S. Rajeswara Rao. The film is based on Rabindranath Tagore's 1906 Bengali novel Noukadubi. It was simultaneously made in Tamil as Mathar Kula Manikkam (1956). Story and Dialogues were by Vempati Sadasivabrahmam
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