Lenny Dee (born 1968) is the performing name of Leonard Didesiderio, a DJ based in New York City. Starting as a house DJ in the 1980s, Dee quickly moved towards harder sounds such as techno and gabber. He set up the well respected record label Industrial Strength in 1991.
Leonard Didesiderio was born in 1968. He grew up in Sheepshead Bay, Brooklyn and became a DJ at 17, when he started working at the local roller disco, [1] the Sheepshead Bay Roll-A-Palace. [2]
Taking the DJ name Lenny Dee, he made his first record in 1985. [3] He started playing house music and developed a rivalry with Frankie Bones, another young DJ. [1] Tommy Musto told the two to work together and they started music under the name Looney Tunes. [4] Their first record sold 15,000 copies and they were invited to England to play at raves. When he travelled through Europe, playing at dance parties in Belgium, the Netherlands and Germany, Dee's style became harder and faster. He started making techno and gabber. [1]
Not having trained as a musician, Dee taught himself to DJ and produce records. He began to work as a production assistant for Arthur Baker and later produced sample collections of loops. Having started DJing with vinyl, Dee later moved to using Pro Tools. [3] Dee has played at many venues worldwide and at festivals such as Electric Daisy Carnival, Love Parade and Tomorrowland. [5] He played at the 25th anniversary party of Thunderdome in 2017. [6]
Lenny Dee founded Industrial Strength Records in 1991. [1] The first release was a double A side from Marc Acardipane, whom Dee met when he was stranded after playing at a rave in Frankfurt. Acardipane offered him a place to stay and played him some tracks. Dee promised to release them, then IS001 became "We Have Arrived" by Mescalanium United and "Nightflight (Non-Stop To Kaos)" by The Mover (both artist names being pseudonyms of Arcadipane). [7] Industrial Strength has released records from Dee himself and amongst others Thomas Bangalter, Ralphie Dee and Nasenbluten. [1]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat.
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. The thing that makes happy hardcore stand apart from gabber, is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of North American and European house music of the late 1980s.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Pascal Arbez-Nicolas, better known by his stage name Vitalic, is a French electronic music producer.
Rotterdam Records was a Dutch record label founded by Paul Elstak in 1992. It released hardcore and gabber music. It stopped in 2012 and restarted again in 2018 with MP3 releases.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
Frankie ‘Bones’ Mitchell is a prominent figure in the development of dance music within the United States. Widely regarded as the "Godfather of American Rave Culture". Throughout the 80s & 90, Frankie played a major role in developing NYC's underground party scene. Bones began his career in the early 1980s, spinning at clubs and parties throughout New York & New Jersey. Bones gained widespread global recognition after organizing the first outdoor dance music party in the US. Storm Rave took place in Williamsburg, Coney Island, & Plumb Beach. Throughout his career, Frankie has produced, remixed, and officially released countless tracks, albums, EP's, and mixtapes. He has also performed at many large scale music festivals around the world such as Love Parade and Insomniac's Electric Daisy Carnival (EDC).Frankie continues to be an influential figure in the community and remains active as a performer, producer, and author represented globally by Southfirst (S1).
Gabber is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as hardcore, and is characterised by fast beats, distorted and heavy kickdrums, with dark themes and samples. This style was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records.
Ralph D'Agostino, better known as Ralphie Dee, is an American D.J. known for a career spanning disco, electronic and rave music. He was resident D.J. at 2001 Odyssey Disco in Brooklyn, New York at the time when "Saturday Night Fever" was filmed there. The movie was largely responsible for the popularization of disco lifestyle, and attracted numerous tourists to 2001 Odyssey starting in 1978 and through the 1980s. Many disco music hits were first heard there from the hands of DJ's such as Chuck Rusinak and D'Agostino. Many live recordings were done at 2001 and are available online.
The Energiehal was an events hall built in a park in west Rotterdam in 1955, for the E55 exhibition. It was then relocated to the Blijdorp district in north Rotterdam, being used for decades as a sports hall and for other events. In the 1990s, it became a rave venue and is famous in the history of gabber. It was demolished in 1999.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.
The Roll-A-Palace Disco Skating Rink was a roller disco rink established in 1977 in Sheepshead Bay, Brooklyn. Formerly a movie theater, it reopened as a rink at 1728 Sheepshead Bay Road.
His [Dee's] 1st residency was at Brooklyn's roller disco Roll-A-Palace at 17 & he's played world-over at parties such as MayDay, Love Parade, Woodstock, Thunderdome & the Jane's Addiction Reunion tour.
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