Leroy Lovett (March 17, 1919, Philadelphia - December 9, 2013, Chatsworth, California) was an American jazz pianist and arranger.
Lovett studied piano with Sophie Stokowski (the wife of Leopold Stokowski) from the age of four, and began composing early. He received a bachelor's degree from Temple University and then continued his studies at the Schillinger House of Music. He directed his own band in Philadelphia before settling in New York City in 1945. There he arranged for Tiny Bradshaw and Luis Russell, and worked with Noble Sissle, Lucky Millinder, and Mercer Ellington. He was in the band of Johnny Hodges (during his period away from Duke Ellington) and recorded with him until 1955. At the end of the 1950s, he was in the bands of Cootie Williams and Cat Anderson and recorded two albums under his own name.
From 1952, he was a music publisher, was a record producer in the 1950s (1956/57 for Norman Granz) and had a dance orchestra in Philadelphia. From 1959, he worked for Wynne Records and 1968 to 1973 for Motown Records. He also wrote film music. He was still active as a musician with the Melodymakers Orchestra, to which he had belonged since 1987 and for which he also arranged. He also appeared with the Uni-Bigband of Halle.
He recorded under his own name and with Al Sears (1951), Harry Carney, Al Hibbler (1954), Lawrence Brown, Billie Holiday (1955), Cootie Williams (1957), and Cat Anderson (1959), as well as Johnny Hodges.
Cornelius "Johnny" Hodges was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. He is considered one of the definitive alto saxophone players of the big band era.
Charles Melvin "Cootie" Williams was an American jazz, jump blues, and rhythm and blues trumpeter.
Lawrence Brown was a jazz trombonist from California who best remembered for his work with the Duke Ellington orchestra. Brown was a session musician throughout his career, as well as recording albums under his own name.
Ray Willis Nance was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.
The Stockholm Concert, 1966 is a 1966 live album by the American jazz singer Ella Fitzgerald, accompanied in part by the Duke Ellington Orchestra. The recording remained unreleased until 1984.
...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the 1967 death of his long-time collaborator, Billy Strayhorn. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968.
William Alonzo "Cat" Anderson was an American jazz trumpeter known for his long period as a member of Duke Ellington's orchestra and for his wide range, especially his ability to play in the altissimo register.
Jimmy Hamilton was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra.
"Diminuendo and Crescendo in Blue" is a jazz composition written in 1937 by Duke Ellington and recorded for the first time on May 15, 1937 by the Duke Ellington Orchestra with Wallace Jones, Cootie Williams (trumpet), Rex Stewart (cornet), Barney Bigard (clarinet), Johnny Hodges, Otto Hardwick, Laurence Brown, Joe Nanton (trombone), Harry Carney, Sonny Greer (drums), Wellmann Braud (bass), Freddie Guy (guitar), and Duke Ellington (piano). No tenor saxophone was present in this recording section, nor in "Crescendo in Blue," which was recorded the same day. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record. The 1956 performance at the Newport Jazz Festival revitalized Ellington's career, making newspaper headlines when seated audience members chaotically began rising to dance and stand on their chairs during Paul Gonsalves's tenor saxophone solo.
Joseph Benjamin Wilder was an American jazz trumpeter, bandleader, and composer.
William Mitchell Byers was an American jazz trombonist and arranger.
Samuel Aaron Bell was an American jazz double-bassist.
Sam Woodyard was an American jazz drummer.
George Edward "Butch" Ballard was an American jazz drummer who played with Louis Armstrong, Count Basie, and Duke Ellington.
Albert Omega Sears was an American jazz tenor saxophonist and bandleader, sometimes credited as Big Al Sears.
Nelson "Cadillac" Williams was an American jazz trumpeter.
Soul Call is a 1967 live album by Duke Ellington and his orchestra, recorded live at the Juan-les-Pins/Antibes Jazz Festival on the Côte d'Azur. Ella Fitzgerald appeared with Ellington and his band at the same festival, and a more complete version of Ellington's appearance at the festival is documented on the 1998 album Ella and Duke at the Cote D'Azur.
New Orleans Suite is a studio album by the American pianist, composer, and bandleader Duke Ellington, recorded and released on the Atlantic label in 1970. The album contains the final recordings of longtime Ellington saxophonist Johnny Hodges, who died between the album's two recording sessions. The album won a Grammy Award in 1971 for Best Jazz Performance by a Big Band.
Yale Concert is an album by Duke Ellington, recorded at Woolsey Hall, Yale University in New Haven, Connecticut in 1968 and released on the Fantasy label in 1973.
All Star Road Band Volume 2 is a live album by American pianist, composer and bandleader Duke Ellington recorded at the Holiday Ballroom in Chicago for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1985.