Leslie Jones | |
---|---|
Born | |
Occupation | Film editor |
Parent | Robert C. Jones |
Relatives | Harmon Jones (grandfather) |
Leslie Jones is an American film editor. She is known for her work on The Thin Red Line as well as her collaborations with director Paul Thomas Anderson.
Jones is the daughter of film editor Robert C. Jones and the granddaughter of editor Harmon Jones, [1] each of whom has been nominated for an Academy Award for editing.[ citation needed ] Jones was the assistant editor for her father on two films, See No Evil, Hear No Evil and The Babe . She has several editing credits for independent films and documentaries, and was the associate editor on Grumpier Old Men . [2] Her first editing credit on a major studio film was for Murder at 1600 , which she co-edited with Billy Weber. Jones, Weber and Saar Klein were widely recognized for the film The Thin Red Line . They were nominated for an Academy Award, an American Cinema Editors Eddie Award and a Satellite Award. Jones has also collaborated with Paul Thomas Anderson on several films. She was nominated for an Eddie Award.[ citation needed ]
Year | Film | Director | Notes |
---|---|---|---|
1997 | Murder at 1600 | Dwight H. Little | |
1998 | The Thin Red Line | Terrence Malick | |
2000 | Woman on Top | Fina Torres | |
2001 | CQ | Roman Coppola | |
2002 | Punch-Drunk Love | Paul Thomas Anderson | First collaboration with Paul Thomas Anderson |
2004 | Starsky & Hutch | Todd Phillips | First collaboration with Todd Phillips |
2006 | School for Scoundrels | Second collaboration with Todd Phillips | |
2009 | Cirque du Freak: The Vampire's Assistant | Paul Weitz | First collaboration with Paul Weitz |
2010 | Little Fockers | Second collaboration with Paul Weitz | |
2012 | The Words |
| |
The Master | Paul Thomas Anderson | Second collaboration with Paul Thomas Anderson | |
2013 | In Secret | Charlie Stratton | |
2014 | Inherent Vice | Paul Thomas Anderson | Third collaboration with Paul Thomas Anderson |
2016 | 20th Century Women | Mike Mills | |
Rules Don't Apply | Warren Beatty | ||
2021 | Come from Away | Christopher Ashley | |
2022 | Dog | ||
2023 | Fool's Paradise | Charlie Day | |
2024 | The Piano Lesson | Malcolm Washington |
Year | Film | Director | Role | Notes |
---|---|---|---|---|
1987 | Munchies | Tina Hirsch | Second assistant editor | |
Weeds | John D. Hancock | Assistant film editor | ||
Nightflyers | Robert Collector | Apprentice editor | ||
1989 | See No Evil, Hear No Evil | Arthur Hiller | Assistant editor | First collaboration with Arthur Hiller |
1990 | Ghost Dad | Sidney Poitier | ||
1992 | The Babe | Arthur Hiller | First assistant editor | Second collaboration with Arthur Hiller |
The Bodyguard | Mick Jackson | Assistant editor | ||
1993 | Rookie of the Year | Daniel Stern | First assistant editor | |
1994 | Little Giants | Duwayne Dunham | First assistant film editor | |
1995 | Virtuosity | Brett Leonard | Assistant editor | |
Grumpier Old Men | Howard Deutch | Associate film editor | ||
2024 | Upgraded | Carlson Young | Additional editor |
Year | Film | Director |
---|---|---|
1995 | Wild Bill: Hollywood Maverick | Todd Robinson |
Year | Film | Director |
---|---|---|
1992 | Angel Fire | Todd Robinson |
Ballad of Tina Juarez | Juan Uribe |
Year | Film | Director | Role |
---|---|---|---|
2012 | Bored Games | Jonathan Fischer | Additional acknowledgments |
Year | Title | Notes |
---|---|---|
2020 | Tales from the Loop | 1 episode |
Year | Film | Director |
---|---|---|
2019 | The Summer People | Todd Louiso |
The Thin Red Line is a 1998 American epic war film written and directed by Terrence Malick. It is the second film adaptation of the 1962 novel by James Jones, following the 1964 film. Telling a fictionalized version of the Battle of Mount Austen, which was part of the Guadalcanal Campaign in the Pacific Theater of the Second World War, it portrays U.S. soldiers of C Company, 1st Battalion, 27th Infantry Regiment, 25th Infantry Division, played by Sean Penn, Jim Caviezel, Nick Nolte, Elias Koteas, and Ben Chaplin. The novel's title alludes to a line from Rudyard Kipling's poem "Tommy", from Barrack-Room Ballads, in which he calls Scottish foot soldiers "the thin red line of heroes", referring to the stand of the 93rd Regiment in the Battle of Balaclava of the Crimean War.
Billy Weber is an American film editor with several film credits dating from Days of Heaven (1978).
Robert Clifford Jones was an American film editor, screenwriter, and educator. He received an Academy Award for the screenplay of the film Coming Home (1978). As an editor, Jones had notable collaborations with the directors Arthur Hiller and Hal Ashby. Jones was nominated three times for the Academy Award for Best Film Editing: It's a Mad, Mad, Mad, Mad World (1963), Guess Who's Coming to Dinner (1967), and Bound for Glory (1976).
Craig McKay is an American feature film editor, story consultant, director, and executive producer. Recognized with two Academy Award nominations for editing Reds and The Silence of the Lambs, and an Emmy Award for editing the NBC miniseries Holocaust, he has edited more than forty films including Philadelphia, The Manchurian Candidate, Cop Land and Maid in Manhattan.
Dody Jane Dorn is an American film and sound editor. She is best known for working with director Christopher Nolan on several films including Memento (2000), for which she was nominated for an Academy Award.
Christopher Russell Rouse is an American film and television editor and screenwriter who has about a dozen feature-film credits and numerous television credits. Rouse won the Academy Award for Best Film Editing, the BAFTA Award for Best Editing, and the ACE Eddie Award for the film The Bourne Ultimatum (2007).
Richard Marks was an American film editor with more than 30 editing credits for feature and television films dating from 1972. In an extended, notable collaboration (1983–2010), he edited all of director James L. Brooks' feature films.
Jay Cassidy is an American film editor with dozens of credits since 1978.
Dylan Tichenor, A.C.E. is an American film editor. He is the recipient of several accolades, including a Critics' Choice Movie Award, a Hollywood Film Award and a Satellite Award, and has been nominated for a Primetime Emmy Award, two Academy Awards, two BAFTA Awards and four Eddie Awards.
Saar Klein is an Israeli-American film editor and director, who has been nominated for two Academy Awards for Best Film Editing for The Thin Red Line and for Almost Famous, and who received an ACE Eddie Award for editing the latter one.
Mathilde Bonnefoy is a French film editor and director who was nominated for an ACE Eddie Award for the editing of the film Run Lola Run (1998) and who won the award for editing the documentary Citizenfour (2014). She and her husband Dirk Wilutzky additionally served as producers of Citizenfour with its director Laura Poitras, and the three received the 2014 Academy Award for Best Documentary Feature.
Antony Gibbs was an English film and television editor with more than 40 feature film credits. He was a member of the American Cinema Editors (ACE).
John Bloom is a British film editor with nearly fifty film credits commencing with the 1960 film, The Impersonator. He is the brother of actress Claire Bloom.
Robert Leighton is a British film and television editor with more than 30 feature film credits since 1980. He has edited nearly all of the films by film director Rob Reiner, commencing with This Is Spinal Tap in 1984. He has also edited three films with Christopher Guest. His work includes hit comedies and mockumentaries such as This Is Spinal Tap, Best in Show and When Harry Met Sally... as well as classic dramas such as Stand by Me and the Stephen King thriller, Misery, which garnered actress Kathy Bates a "Best Actress" Oscar. He was nominated for the Academy Award for Best Film Editing for the feature film, A Few Good Men (1992).
Frank P. Keller was an American film and television editor with 24 feature film credits from 1958 - 1977. He is noted for the series of films he edited with director Peter Yates, for his four nominations for the Academy Award for Best Film Editing ("Oscars"), and for the "revolutionary" car chase sequence in the film Bullitt (1968) that likely won him the editing Oscar.
Harmon Clifford Jones was a Canadian-born film editor and director who worked for many years at the 20th Century-Fox studio in Southern California. He is credited as the editor for about 20 feature films through 1950. In the middle of his career, he became a film and television director. Between 1951 and 1969, he directed about fifteen feature films as well as dozens of episodes of popular television series of the 1950s and 1960s.
Lisa Fruchtman is an American film and television editor, and documentary director with about 25 film credits. Fruchtman won the Academy Award for Best Film Editing for The Right Stuff (1983). With her brother, Rob Fruchtman, she produced, directed, and edited the 2012 documentary Sweet Dreams.
Sandra Adair is an American film editor who has worked with director Richard Linklater since 1993.
Melanie Ann Oliver is a New Zealand film editor. She is best known for her works in the films Anna Karenina (2012), Les Misérables (2012), The Danish Girl (2015) and Victoria & Abdul (2017).
Kate Amend is an American documentary film editor whose career spans more than thirty years. She is known for being a dedicated editor who finds the emotional center of each scene she works with. A member of American Cinema Editors, Amend is the recipient of an Eddie Award for Into the Arms of Strangers: Stories of the Kindertransport (2001); she was nominated for a Primetime Emmy Award for The Case Against 8 (2014). She was the editor on two Academy Award-winning films: Into the Arms of Strangers (2014) and the Long Way Home (1997). She is the recipient of the International Documentary Association’s inaugural award for Outstanding Achievement in Editing. Amend graduated from UC Berkeley and San Francisco State University with a master's in humanities, later gaining an interest in film while teaching her discipline at the City College of San Francisco. She worked briefly at a production company of exploitation films before breaking into documentary work as an apprentice editor on Johanna Demetrakas's Right Out of History (1980). Amend is also noted for her work on Birth Story (2012) and The Long Way Home (1997).